Jim Aparo

James N. Aparo (August 24, 1932 – July 19, 2005) was an American comic book artist, best known for his DC Comics work from the late 1960s through the 1990s, including on the characters Batman, Aquaman, and the Spectre, along with famous stories such as The Brave and the Bold, "A Death in the Family" , and "KnightFall".

Jim Aparo was born on August 24, 1932, Aparo was raised in New Britain, Connecticut, Aparo took art classes at New Britain High School and while also taking courses at Hartford Art School.

Aparo was primarily self-taught by studying and copying comic books.

Growing up and taking inspiration from characters such as Superman, Batman, and Captain Marvel.

Aparo was influenced by artists such as Alex Raymond and Milton Caniff.

Aparo started his comic career later than most artists around the time working in advertising first while sending his art to various comic book publishers.

On a summer vacation in Charlton, Aparo ran into Dick Giordano (τhe future executive editor of DC Comics) who saw potential in his work.

He attempted to enter the comic book profession in his early 20s, approaching EC Comics, which declined to hire him.

He then worked in the advertising industry in Connecticut, often drawing fashion illustrations for newspaper advertisements.

He continued to pursue a career in comic books and comic strips while working in advertising.

In the late 1960s, Dick Giordano left Charlton for an editorial position at DC Comics and offered Aparo a job drawing the Aquaman comic book.

After an initial issue (#40) for which Aparo provided only pencil art, Aparo resumed producing pencils, inks, and letters for most issues of the series until its cancellation.

Aparo continued for a time to provide art to Charlton for The Phantom, alternating between the two series month by month as both series were being released on a bimonthly basis at the time.

Eventually Aparo resigned his assignment on The Phantom and worked almost exclusively for the remainder of his career for DC Comics.

Aparo's next series assignment at DC was Phantom Stranger.

After Aquaman was cancelled, the bimonthly frequency of Phantom Stranger was insufficient to fill his typical production rate of one page per day, so DC assigned him several short jobs such as mystery stories for House of Mystery and House of Secrets.

His first break in the comics field was with the comic strip Stern Wheeler, written by Ralph Kanna, which was published in 1963 in a Hartford, Connecticut, newspaper for less than a year.

In 1966, editor Dick Giordano at Charlton Comics hired him as a comic book artist, where his first assignment was a humorous character called "Miss Bikini Luv" in "Go-Go Comics."

Over the next few years at Charlton, Aparo drew stories in many genres—Westerns, science fiction, romance, horror, mystery, and suspense.

Most of his work was for standalone stories in anthology titles, but he also drew the historical-adventure feature "Thane of Bagarth" in the comic book Hercules; the superheroine feature "Nightshade" in Captain Atom; the science fiction/Western/comedy backup "Wander" in Cheyenne Kid; and the comic book adaptation of the comic strip The Phantom.

Aparo was paid $15 to $20 per page at his time at Charlton Comics.

Aparo was one of the few artists in mainstream comics at that time to serve as penciller, inker, and letterer for all of his work.

In 1971, Aparo was assigned a fill-in job as the artist for The Brave and the Bold #98 (Oct.–Nov. 1971).

This series routinely featured team-ups of DC's Batman with other characters, in this case, the Phantom Stranger.

As the regular artist on the Phantom Stranger's own series, Aparo was considered an appropriate choice.

Murray Boltinoff, the editor of The Brave and the Bold, soon assigned Aparo the regular artistic responsibilities for the series (beginning with #100), which he continued until its cancellation with issue #200, missing only a few issues.

He was assigned the solo Batman series in Detective Comics as of issue #437 (Oct.–Nov. 1973) for a rather short time and drew occasional stories for anthology series.

Aparo and writer Len Wein introduced Sterling Silversmith in Detective Comics #446 (April 1975).

Aparo even "co-starred" as himself in The Brave and the Bold #124 (January 1976).

During the more than 10 years as the artist for The Brave and the Bold, its bimonthly frequency permitted Aparo to do many other significant works for DC (it became monthly in Nov. 1978).

In addition to numerous covers, he served as the regular artist for a notorious series starring a ruthless avenging ghost called the Spectre, which ran in Adventure Comics, and which in 2005 was collected in a trade paperback edition (ISBN 978-1-4012-0474-7).

He also provided art for a revival of Aquaman in both Adventure Comics and a continuation of the previously-cancelled Aquaman.

He drew The Untold Legend of the Batman, the first Batman miniseries, in 1980, inking John Byrne's pencils in the first issue and providing full art for the second and third issues.

This series, which Aparo co-created with writer Mike W. Barr, would be described by DC Comics writer and executive Paul Levitz as being "a team series more fashionable to 1980s audiences."

The Masters of Disaster were among the supervillains created by Barr and Aparo for the series.

It would run for several years, continuing with a Baxter paper spinoff titled The Outsiders that did not include Batman and introduced Looker.

For the final few issues, DC began to request that Aparo provide only pencils, and a long and nearly unbroken string of Aparo inking and lettering his own work came mostly to an end.

Aparo's next major work consisted of pencils for Batman and Detective Comics, where his art was almost always inked by Mike DeCarlo.

Aparo was one of the artists on the double-sized Justice League of America #200 (March 1982).

When The Brave and the Bold was cancelled in 1983, it was replaced with a series called Batman and the Outsiders, a superhero team led by Batman.