Jean de La Fontaine

Jean de La Fontaine (,, ; 8 July 1621 – 13 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century.

He is known above all for his Fables, which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages.

After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since.

Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps.

La Fontaine was born at Château-Thierry in France.

His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux.

Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy.

Jean, the eldest child, was educated at the collège (grammar school) of Château-Thierry, and at the end of his school days he entered the Oratory in May 1641, and the seminary of Saint-Magloire in October of the same year; but a very short sojourn proved to him that he had mistaken his vocation.

He then apparently studied law, and is said to have been admitted as avocat/lawyer.

He was, however, settled in life, or at least might have been so, somewhat early.

In 1647 his father resigned his rangership in his favor, and arranged a marriage for him with Marie Héricart, a girl of fourteen, who brought him 20,000 livres, and expectations.

She seems to have been both beautiful and intelligent, but the two did not get along well together.

There appears to be absolutely no ground for the vague scandal as to her conduct, which was, for the most part, raised long afterwards by gossip or personal enemies of La Fontaine.

One son was born to them in 1653, and was educated and taken care of wholly by his mother.

His first serious work was a translation or adaptation of the Eunuchus of Terence (1654).

At this time the patron of French writing was the Superintendent Fouquet, to whom La Fontaine was introduced by Jacques Jannart, a connection of his wife's. Few people who paid their court to Fouquet went away empty-handed, and La Fontaine soon received a pension of 1000 livres (1659), on the easy terms of a copy of verses for each quarters receipt.

He also began a medley of prose and poetry, entitled Le Songe de Vaux, on Fouquet's famous country house.

It was about this time that his wife's property had to be separately secured to her, and he seems by degrees to have had to sell everything that he owned; but, as he never lacked powerful and generous patrons, this was of small importance to him.

In the same year he wrote a ballad, Les Rieurs du Beau-Richard, and this was followed by many small pieces of occasional poetry addressed to various personages from the king downwards.

Fouquet fell out of favour with the king and was arrested.

La Fontaine, like most of Fouquet's literary protégés, showed some fidelity to him by writing the elegy Pleurez, Nymphes de Vaux.

Just at this time his affairs did not look promising.

Even in the earlier years of his marriage, La Fontaine seems to have been much in Paris, but it was not until about 1656 that he became a regular visitor to the capital.

The duties of his office, which were only occasional, were compatible with this non-residence.

It was not until he was past thirty that his literary career began.

The reading of Malherbe, it is said, first awoke poetical fancies in him, but for some time he attempted nothing but trifles in the fashion of the time – epigrams, ballades, rondeaux, etc.

All that can be positively said against her is that she was a negligent housewife and an inveterate novel reader; La Fontaine himself was constantly away from home, was certainly not strict in point of conjugal fidelity, and was so bad a man of business that his affairs became involved in hopeless difficulty, and a financial separation of property (separation de biens) had to take place in 1658.

This was a perfectly amicable transaction for the benefit of the family; by degrees, however, the pair, still without any actual quarrel, ceased to live together, and for the greater part of the last forty years of de la Fontaine's life he lived in Paris while his wife remained in Chateau Thierry which, however, he frequently visited.

Some of La Fontaine's liveliest verses are addressed to the duchess Marie Anne Mancini, the youngest of Mazarin's nieces, and it is even probable that the taste of the duke and duchess for Ariosto had something to do with the writing of his first work of real importance, the first book of the Contes, which appeared in 1664.

He was then forty-three years old, and his previous printed productions had been comparatively trivial, though much of his work was handed about in manuscript long before it was regularly published.

It was about this time that the quartet of the Rue du Vieux Colombier, so famous in French literary history, was formed.

It consisted of La Fontaine, Racine, Boileau and Molière, the last of whom was almost of the same age as La Fontaine, the other two considerably younger.

Chapelain was also a kind of outsider in the coterie.

There are many anecdotes, some pretty obviously apocryphal, about these meetings.

The most characteristic is perhaps that which asserts that a copy of Chapelain's unlucky Pucelle always lay on the table, a certain number of lines of which was the appointed punishment for offences against the company.

In 1664 he was regularly commissioned and sworn in as gentleman to the duchess dowager of Orléans, and was installed in the Luxembourg Palace in Paris.

The coterie furnished under feigned names the personages of La Fontaine's version of the Cupid and Psyche story, which, however, with Adonis, was not printed till 1669.

Meanwhile, the poet continued to find friends.

His father and he had assumed the title of esquire, to which they were not strictly entitled, and, some old edicts on the subject having been put in force, an informer procured a sentence against the poet fining him 2000 livres.

He found, however, a new protector in the duke and still more in the Duchess of Bouillon, his feudal superiors at Château-Thierry, and nothing more is heard of the fine.