Age, Biography and Wiki
Jean-Claude Vuillemin was born on 24 March, 1954 in Rodez, France, is an American philosopher. Discover Jean-Claude Vuillemin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?
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| Age |
69 years old |
| Zodiac Sign |
Aries |
| Born |
24 March, 1954 |
| Birthday |
24 March |
| Birthplace |
Rodez, France |
| Nationality |
France
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We recommend you to check the complete list of Famous People born on 24 March.
He is a member of famous philosopher with the age 69 years old group.
Jean-Claude Vuillemin Height, Weight & Measurements
At 69 years old, Jean-Claude Vuillemin height not available right now. We will update Jean-Claude Vuillemin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Jean-Claude Vuillemin Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Jean-Claude Vuillemin worth at the age of 69 years old? Jean-Claude Vuillemin’s income source is mostly from being a successful philosopher. He is from France. We have estimated Jean-Claude Vuillemin's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
| Source of Income |
philosopher |
Jean-Claude Vuillemin Social Network
Timeline
Jean-Claude Vuillemin (born 24 March 1954) is Liberal Arts Research Professor Emeritus of French literature in the Department of French and Francophone Studies at The Pennsylvania State University.
JC Vuillemin collaborated to the first critical edition of Jean Rotrou’s complete theater (Belles-Lettres / Sorbonne-Paris-4, 1998-2019) and he published in 2017 an on-going annotated digital bibliography: Jean de Rotrou: bibliographie critique.
Vuillemin collaborated as well to the first Dictionary of Seventeenth-Century French Philosophers (Thoemmes Press / CNRS; trans. for Classiques Garnier).
In addition to his book on Baroque episteme, he wrote one book on Rotrou’s dramaturgy (Baroquisme et théâtralité), three critical editions of Rotrou's plays (L’Hypocondriaque; L’Innocente Infidélité; La Belle Alphrède), and he has authored many articles, book chapters, and reviews.
He frequently lectures on both sides of the Atlantic.
The recipient in March 2011 of the prestigious PSU Class of 1933 Award for Distinction in the Humanities, JC Vuillemin pursues research in 17th-Century French Literature and Philosophy; Post-structuralism and Reception theories; Baroque Episteme; Semiotics of Drama; Theater and Performance Theories; Continental Philosophy and Contemporary French Literature.
Inspired by the Foucaldian notion of épistémè, and by the "linguistic turn" combined to the "actor paradigm," JC Vuillemin has continually challenged the ideological perception of a "classical" France and advocated the pertinence of the Baroque as a pertinent concept to be applied not only to architecture and visual arts, but also to literature and philosophy.
Although it may be argued that a major methodological interest of the Baroque hypothesis lies in its very imprecision, his book, Épistémè baroque: le mot et la chose (Hermann, 2013) provides a new theory for a concept which JC Vuillemin associates with the epistemological breakdown Europe experienced in the wake of the emergence of Modern science.
As a conceptual framework in which poetics, politics, and epistemology interact, his conception of the Baroque is much less aesthetic than purposefully philosophical.
According to JC Vuillemin, Sapere aude ('dare to know') should be the motto of the Baroque.
In his latest book, Foucault l'intempestif (Hermann, 2019), JC Vuillemin revisits and clarifies some key concepts of the so-called "pensée Foucault," and pleads for the emergence of a "post-Cartesian" subject whose discourse (logos) will be congruent with his or her actions (ergon).
