Jane Russell

She was the eldest child and only daughter of the five children of Geraldine (née Jacobi) and Roy William Russell, who married on March 22, 1918, in Kalamazoo, Michigan.

Her brothers were Thomas, Kenneth, Jamie, and Wallace.

Her father had been a first lieutenant in the U.S. Army, and her mother an actress with a road troupe; her mother was also the subject of a portrait by Mary Bradish Titcomb, Portrait of Geraldine J., which received public attention when purchased by Woodrow Wilson.

Russell's parents lived in Edmonton, Alberta until shortly before her birth and returned to that city nine days after her birth, where they lived for the first one or two years of her life.

The family then moved to Southern California where her father worked as an office manager.

Russell's mother arranged for her to take piano lessons.

In addition to music, she was interested in drama and participated in stage productions at Van Nuys High School.

Her early ambition was to be a designer of some kind, until the death of her father in his mid-40s, when she decided to work as a receptionist after graduation.

She also modeled for photographers, and, at the urging of her mother, studied drama and acting with Max Reinhardt's Theatrical Workshop and with actress and acting coach Maria Ouspenskaya.

Ernestine Jane Geraldine Russell (June 21, 1921 – February 28, 2011) was an American actress.

Russell was born on June 21, 1921 in Bemidji, Minnesota.

She was one of Hollywood's leading sex symbols in the 1940s and 1950s.

She starred in more than 20 films.

Known for her beauty, silhouette and for having a great presence, with charisma and seriousness,

In 1940, Russell was signed to a seven-year contract by film mogul Howard Hughes, and made her motion-picture debut in The Outlaw (1943), a story about Billy the Kid that went to great lengths to showcase her voluptuous figure.

The movie was completed in 1941, but it was not released until 1943 in a limited release.

Problems occurred with the censorship of the production code over the way her ample cleavage was displayed in promotion of the film.

Russell moved from the Midwest to California, where she had her first film role in Howard Hughes' The Outlaw (1943).

When the movie was finally approved, it had a general release in 1946.

During that time, Russell was kept busy doing publicity and became known nationally.

Contrary to countless incorrect reports in the media since the release of The Outlaw, Russell did not wear the specially designed underwire bra that Howard Hughes had designed and made for her to wear during filming.

She did not appear in another movie until 1946, when she played Joan Kenwood in Young Widow for Hunt Stromberg, who released it through United Artists.

The film went over budget by $600,000 and was a box office failure.

In 1947, Russell delved into music before returning to films.

In 1947, Russell launched a musical career.

She sang with the Kay Kyser Orchestra on radio, and recorded two singles with his band, "As Long As I Live" and "Boin-n-n-ng!"

She also cut a 78 rpm album that year for Columbia Records, Let's Put Out the Lights, which included eight torch ballads and cover art that included a diaphanous gown.

After starring in several films in the 1950s, including Gentlemen Prefer Blondes (1953), Russell again returned to music while completing several other films in the 1960s.

Russell married three times, adopted three children, and in 1955 founded Waif, the first international adoption program.

She received several accolades for her achievements in film.

Her hand and footprints were immortalized in the forecourt of Grauman's Chinese Theatre with Marilyn Monroe.

A star with her name was placed on the Hollywood Walk of Fame.

According to Jane's 1985 autobiography, she said that the bra was so uncomfortable that she secretly discarded it and wore her own bra with the cups padded with tissue and the straps pulled up to elevate her breasts.

Russell's measurements were 38-24-36, and she stood 5 ft 7 in (97-61-91 cm and 1.7 m), making her more statuesque than most of her contemporaries.

Her favorite co-star Bob Hope once introduced her as "the two and only Jane Russell".

He joked, "Culture is the ability to describe Jane Russell without moving your hands."

Howard Hughes said, "There are two good reasons why men go to see her. Those are enough."

She was a popular pin-up photo with servicemen during World War II.

Speaking about her sex appeal, Russell later said, "Sex appeal is good – but not in bad taste. Then it's ugly. I don't think a star has any business posing in a vulgar way. I've seen plenty of pin-up pictures that have sex appeal, interest, and allure, but they're not vulgar. They have a little art to them. Marilyn's calendar was artistic."

In a 2009 interview for the liner notes to another CD, Fine and Dandy, Russell denounced the Columbia album as "horrible and boring to listen to".