Age, Biography and Wiki
Jane Greer was born on 25 May, 1953 in United States, is an American poet (born 1953). Discover Jane Greer's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 70 years old?
Popular As |
N/A |
Occupation |
Poet |
Age |
70 years old |
Zodiac Sign |
Gemini |
Born |
25 May, 1953 |
Birthday |
25 May |
Birthplace |
United States |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 25 May.
She is a member of famous Poet with the age 70 years old group.
Jane Greer Height, Weight & Measurements
At 70 years old, Jane Greer height not available right now. We will update Jane Greer's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Not Available |
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Jane Greer Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Jane Greer worth at the age of 70 years old? Jane Greer’s income source is mostly from being a successful Poet. She is from United States. We have estimated Jane Greer's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
Poet |
Jane Greer Social Network
Timeline
Jane Greer (born May 25, 1953) is an American poet.
In the 1980s and early 1990s, Greer's poems appeared in the anthologies A Formal Feeling Comes, edited by Annie Finch, and A Garland for Harry Duncan, edited by W. Thomas Taylor, and in many journals, including Yale Literary Magazine, First Things, America, and Chronicles.
For Chronicles she also wrote the monthly "Letters from the Heartland" column.
Her ideas about poetics and esthetics are elaborated in a short essay, "Art Is Made," in A Formal Feeling Comes.
She founded Plains Poetry Journal, a quarterly literary magazine that was an advance guard of the New Formalism movement, in 1981, and edited it until 1993.
In 1981, Greer founded Plains Poetry Journal, a quarterly literary magazine that was an advance guard of the New Formalism movement.
In her "Editorial Manifesto," Greer wrote: "Through history, the best poetry has used certain conventions: meter, rhyme, alliteration, assonance, painstaking attention to diction. Not all good poems use all of these conventions, but if a poem uses none of them, why call it a poem?"
She decried the sort of conversational free verse "that reads like random thoughts randomly written," and wrote, "All these attempts at unfettered individuality sound alike."
In 1984, Writer's Digest named Plains Poetry Journal the "#1 Non-paying U.S. Poetry Magazine."
Her poetry collections include Bathsheba on the Third Day (1986) and Love like a Conflagration (2020).
In 1986, Greer's first poetry collection, Bathsheba on the Third Day, was released in a limited hardcover edition of three hundred copies hand-typeset and hand-printed by Harry Duncan at The Cummington Press.
Greer edited Plains Poetry Journal until 1993.
After nearly three decades working as a civil servant for the State of North Dakota, teaching writing at Bismarck State College, and working in advertising and marketing, Greer returned in 2019 to writing poetry and being published in major journals, including National Review, Modern Age, First Things, St. Austin Review, The North American Anglican, and Angelus.
She has been featured in several podcasts, and writes reviews for publications such as Literary Matters and Angelus.
Greer's second poetry collection, Love like a Conflagration, was published in May 2020 by Lambing Press (Pittsburgh, Pennsylvania).
The collection of new poems also included a reissue of Bathsheba on the Third Day, and received strong advance endorsements from Samuel John Hazo, James Matthew Wilson, Anthony Esolen, Ryan Wilson, C. C. Pecknold, A. M. Juster, and Jennifer Reeser.