Age, Biography and Wiki

Jan Swafford was born on 10 September, 1946, is an American author and composer (born 1946). Discover Jan Swafford's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 77 years old?

Popular As N/A
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Age 77 years old
Zodiac Sign Virgo
Born 10 September, 1946
Birthday 10 September
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 10 September. He is a member of famous author with the age 77 years old group.

Jan Swafford Height, Weight & Measurements

At 77 years old, Jan Swafford height not available right now. We will update Jan Swafford's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Jan Swafford Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Jan Swafford worth at the age of 77 years old? Jan Swafford’s income source is mostly from being a successful author. He is from . We have estimated Jan Swafford's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income author

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Timeline

1946

Jan Swafford (born September 10, 1946) is an American author and composer.

He earned his Bachelor of Arts magna cum laude from Harvard College and his M.M.A. and D.M.A. from the Yale School of Music.

His teachers included Earl Kim at Harvard, Jacob Druckman at Yale, and Betsy Jolas at Tanglewood.

He has written respected musical biographies of Charles Ives, Johannes Brahms, Ludwig van Beethoven, and Wolfgang Amadeus Mozart as well as the Vintage Guide to Classical Music.

1979

Notable are his orchestral works Landscape with Traveler (1979–80), After Spring Rain (1981–82) and From the Shadow of the Mountain (2001), the piano quintet Midsummer Variations (1985), the piano quartet They Who Hunger (1989), and the piano trio They That Mourn (2002), the last in memoriam 9/11.

2012

His writing honors include a 2012 Deems Taylor Award for internet writing and a Mellon Fellowship at Harvard.

His Brahms and Ives biographies were end-of-year Critics' Choices in The New York Times.

The Ives biography was nominated for a National Book Critics Circle award in biography and won the Pen-Winship prize for a book on a New England subject.

His biography Beethoven: Anguish and Triumph in its first week appeared on the New York Times bestseller list.

He has taught at schools including Boston University, Amherst College, Tufts, and Boston Conservatory.

Swafford's music, which is highly lyrical and moves freely between tonality and atonality, has been called New Romantic in style.

There are equal if less overt contributions from world music, especially Indian and Balinese, and from jazz and blues.

The titles of his works reveal a steady inspiration from nature and landscape.

The composer views his own work as a kind of classicism: a concern with clarity, directness, and expression, or as he puts it, "music that sounds familiar though it is new, works that sound like they wrote themselves."

In 2012 cellist Rhonda Rider premiered his solo cello work The Silence at Yuma Point, part of a commissioning project of pieces inspired by the Grand Canyon (where Swafford has been a frequent hiker).

His compositional awards include a National Endowment for the Arts Composer Grant, two Massachusetts Artists Foundation Fellowships, and a Tanglewood Fellowship.

His work is published by Peermusic Classical and Meridian Records.

2018

He appeared in the award-winning 2018 German documentary The Unanswered Ives.

Swafford has written columns on music and other subjects in Slate, and is heard as a commentator on NPR and the BBC.

He is a regular program annotator for orchestras and venues including the Boston Symphony, Cleveland Orchestra, Chicago Symphony, San Francisco Symphony, the Metropolitan Opera, and Carnegie Hall.