Age, Biography and Wiki

James Oatway was born on 1978, is a South African photojournalist (born 1978). Discover James Oatway's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 46 years old?

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Occupation Photojournalist
Age 46 years old
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Born 1978
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We recommend you to check the complete list of Famous People born on . He is a member of famous with the age 46 years old group.

James Oatway Height, Weight & Measurements

At 46 years old, James Oatway height not available right now. We will update James Oatway's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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James Oatway Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is James Oatway worth at the age of 46 years old? James Oatway’s income source is mostly from being a successful . He is from . We have estimated James Oatway's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1971

He placed second in the 71st Pictures of the Year International “Newspaper Photographer of the Year” Awards.

1978

James Oatway (born 1978) is a South African photojournalist.

2010

He has covered conflict in the Democratic Republic of Congo and the Central African Republic; War in Afghanistan; The earthquake in Haiti in 2010.

Oatway is a member of the picture agency Panos.

In 2010 Oatway was in Haiti covering the aftermath of the devastating earthquake that struck the Caribbean country.

He was one of a group of photographers who photographed the death of Fabienne Cherisma, a fifteen-year-old girl who was allegedly shot by police during the unrest that had taken hold of Port-au-Prince.

Oatway's images of the dead Cherisma featured in a portfolio that was awarded an “Award of Excellence” in the Pictures of the Year International Awards (POYi).

Oatway and the other photographers were criticized for acting in an inhumane fashion and benefitting from the death of Cherisma.

2011

2011: Pictures of the Year International (POYi) - Award of Excellence: Multimedia Project (Impact 2010).

2013

In 2013 he was selected as a Taco Kuiper grantee.

2015

James Oatway is best known for photographs he took in 2015 of the killing of Emmanuel Sithole during Xenophobia in South Africa.

Oatway's work has been published in the Sunday Times, The Guardian, The New York Times, Time, Science magazine Harper's Magazine and various other publications around the world.

On April 18, 2015, Oatway was on assignment for the Sunday Times covering Xenophobic violence in Alexandra Township in Johannesburg when he photographed a group of South African men beating and stabbing Emmanuel Sithole, a Mozambican trader.

Oatway and his colleague, reporter Beauregard Tromp, took Sithole to a nearby clinic but were told that no doctors were on duty.

They then took Sithole to Edenvale Hospital where he died shortly after arrival.

The photographs were published on the front page of the Sunday Times the following day and caused outrage across the region.

The South African National Defence Force (SANDF) was deployed to Alexandra the next day in an attempt to quell the violence.

South African President Jacob Zuma said that the pictures were “Unpatriotic” and “make South Africa look bad.”

Four men were arrested and three men were convicted of Sithole's murder.

Mthintha Bhengu was sentenced to 17 years in prison; Sifundo Mzimela was sentenced to 10 years in prison and another youth was released with a suspended sentence.

In handing down the sentence, Magistrate Lucas Van der Schyff said: "This specific murder trial caught the entire country's attention because it was caught on camera. We were forced to witness this gruesome attack. By looking at the photos we were forced to share his pain, as he laid in the mud begging for mercy,"

James Oatway was heavily criticized for not having intervened to save Emmanuel Sithole's life.

Oatway told TIME “I don’t have any regrets about taking the pictures,” adding: "I think my presence there distracted them and did discourage them."

In response to criticism that the pictures were published he said: "It’s not easy to look at and I understand that some people might be offended by that, but really people have to know what’s happening, and people have to see the brutality and the vulgarity of what’s going on, so I’ve got no regrets that it’s on the front page".

Oatway wrote an article about his experience of the incident which was published in the Sunday Times.

According to Oatway his only regret was that he wasn't able to get Sithole to a hospital in time to save his life.

Greg Marinovich, the Pulitzer prize winning photographer and author of The Bang-Bang Club defended Oatway's actions.

He wrote: "Would Oatway sleep better had he been able to save Sithole? Surely the answer is yes, but the photographer's duty was to capture those searing images and hope that society will act."

In 2015 he was on the panel of judges for the News Division of the Pictures of the Year International Awards held at the University of Missouri's School of Journalism.

2016

He was the Chief Photographer of the Sunday Times until 2016.

His work focuses mainly on political and social issues in Africa, migration and people affected by conflict.

Oatway graduated from Rhodes University in Grahamstown, South Africa with a Bachelor of Journalism degree.

In 2016 he was the recipient of the Mohamed Amin Photojournalism Award at the prestigious CNN Multichoice African Journalism Awards.

2018

In 2018 James Oatway's work on the notorious "Red Ants" eviction force in South Africa was awarded the prestigious Visa d'or Feature Award at Visa pour l'Image international festival of photojournalism in Perpignan, France.