Age, Biography and Wiki

Jaime Davidovich was born on 29 September, 1936 in Buenos Aires, Argentina, is an A 20th-century argentine male artist. Discover Jaime Davidovich's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 79 years old?

Popular As N/A
Occupation Conceptual artist
Age 79 years old
Zodiac Sign Libra
Born 29 September, 1936
Birthday 29 September
Birthplace Buenos Aires, Argentina
Date of death 27 August, 2016
Died Place New York City, New York U.S.
Nationality Argentina

We recommend you to check the complete list of Famous People born on 29 September. He is a member of famous artist with the age 79 years old group.

Jaime Davidovich Height, Weight & Measurements

At 79 years old, Jaime Davidovich height not available right now. We will update Jaime Davidovich's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Who Is Jaime Davidovich's Wife?

His wife is Judith Henry

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Wife Judith Henry
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Children 2

Jaime Davidovich Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Jaime Davidovich worth at the age of 79 years old? Jaime Davidovich’s income source is mostly from being a successful artist. He is from Argentina. We have estimated Jaime Davidovich's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income artist

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Timeline

1936

Jaime Davidovich (September 27, 1936 – August 27, 2016) was an Argentine-American conceptual artist and television-art pioneer.

His innovative artworks and art-making activities produced several distinct professional reputations including painter, installation artist, video artist, Public-access television cable TV producer, activist, and non-profit organizer.

He is the creator of legendary downtown Manhattan cable television program ''The Live!

1948

In 1948 when he was 12 years old, Davidovich began to study art under his cousin Simón Feldman during which time he became interested in the work of Paul Cézanne, Henri Matisse and Pablo Picasso.

Davidovich later worked under the Hungarian cubist artist Aurel Kessler.

1956

Davidovich began exhibiting his paintings in 1956 in Argentina, Brazil, and the United States.

Interested in space and texture, he experimented with the boundaries of visual artworks first by dissolving the structure of the painting's frame by affixing canvas to walls and then by installing works directly on walls, floors, stairways, and sidewalks.

Adhesive tape came to figure prominently in Davidovich's work, initially as a means to affix canvas to walls and subsequently as an artistic medium itself; he would go on to exhibit throughout Argentine museums and art galleries, as well as in Iowa, New York, Ohio, Belgium, Brazil, Colombia, Cuba, France, Germany, Iran, Italy and Spain; he resided in New York City until his death.

1958

In 1958, Davidovich received a bachelor's degree from the National College in Buenos Aires.

1960

The emergence of portable video equipment in the late 1960s dovetailed with Davidovich's existing interest in minimalism and the aesthetics of line.

1961

In 1961, he received a degree from the University of Uruguay.

1963

In 1963, he received a degree from the School of Visual Arts in New York City.

1970

When cable television emerged in the mid-1970s, Jaime Davidovich was one of the first artists to recognize its potential for the contemporary arts.

1972

Davidovich's single channel video works "Road" in 1972 and "3 Mercer Street" in 1975 are some of his earliest video art explorations.

These works are noteworthy because of their institutional backing; "Road" was produced with the assistance of the Akron Art Institute in Ohio and "3 Mercer Street" was made possible by a grant from the Creative Arts Public Service (CAPS) program.

Presiding over the show's disparate collaborative elements was Davidovich’s own satirical character, Dr. Videovich, a self-proclaimed "specialist in curing television addiction,” whom the New York Times television critic John J. O’Connor described as “a persona somewhere between Bela Lugosi and Andy Kaufman.” The show also featured commercials for Videokitsch, commercially produced items and art multiples made by Davidovich and others. Of The Live! Show, one critic notes, "Davidovich’s humor obviously transcends his medium, resulting in a comment as potent today as one assumes it was in 1972—harnessing new media to capture what is 'real' and 'true' is an artistic act both vitally important and profoundly absurd."

1976

In 1976 he helped establish Cable SoHo.

A year later he established the Artists Television Network, a nonprofit organization established to explore the artistic potential of broadcast television and encourage the dissemination of video art through a commercial broadcast medium.

The organization produced television programming under the name SoHo Television, a Project of the Artists Television Network, and broadcast on Manhattan public-access television cable TV.

Programming included video art, early music videos, performances and interviews with artists including Laurie Anderson, John Cage and Richard Foreman among many others.

1979

Show'' (1979–1984).

Billed as "the variety show of the avant-garde", ''The Live!

Show'' was an eclectic half-hour of live, interactive artistic entertainment inspired by the Dada performance club Cabaret Voltaire and the anarchic humor of American television comedian Ernie Kovacs.

Davidovich was born in Buenos Aires, Argentina to Lucio Davidovich and Clara Davidovich (née Jacif).

His parents were Jewish immigrants from Ukraine.

When Davidovich was eight years old he contracted rheumatic fever and was bedridden for several months.

It was during which time his parents introduced him to art materials to pass the time.

1984

Davidovich then went on to create video installations, including his "Evita" works developed between 1984–1992 and "Inside and Between" a 1996 work shown at El Museo del Barrio in New York City.

The organization ceased production in 1984.

Davidovich is perhaps best known for his work on The Live!

Show, a weekly public-access television program with a variety show format that appropriated the formal norms of television along with avant-garde performances, artwork, political satire, and social commentary.

The program featured interviews and performance work by visiting artists, including Laurie Anderson, Eric Bogosian, Tony Oursler, Stuart Sherman, and Michael Smith, along with musical performances, ersatz commercials, and viewer participation via live call-in segments.

1991

In 1991 the American Museum of the Moving Image presented a retrospective of The Live!

Show.

2007

In 2007 the Museo Nacional Centro de Arte Reina Sofía in Spain added The Live!

Show to its collection of video art.

Davidovich has participated in a wide range of group exhibitions, at institutions such as J. Paul Getty Museum, Los Angeles; 2007 São Paulo Biennial, Brazil; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; the Whitney Museum of American Art, New York; Long Beach Museum of Art, California; and the Museum of Modern Art, New York.

Recent solo exhibitions have included:

2010

In 2010 Davidovich was honored with a retrospective exhibition at ARTIUM, Centro-Museo Vasco de Arte Contemporaneo in Spain.

Other solo exhibitions include Cabinet, Brooklyn, New York; MAMBA: Museo de Arte Moderno de Buenos Aires; Vanguardia, Bilbao, Spain; and the American Museum of the Moving Image, New York.