Age, Biography and Wiki

Jaibi (Joan Carol Pulliam) was born on 6 February, 1943, is an American musician. Discover Jaibi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 41 years old?

Popular As Joan Carol Pulliam
Occupation N/A
Age 41 years old
Zodiac Sign Aquarius
Born 6 February, 1943
Birthday 6 February
Birthplace N/A
Date of death 4 September, 1984
Died Place New York City, US
Nationality

We recommend you to check the complete list of Famous People born on 6 February. She is a member of famous artist with the age 41 years old group.

Jaibi Height, Weight & Measurements

At 41 years old, Jaibi height not available right now. We will update Jaibi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Jaibi's Husband?

Her husband is Anthony Bates Sr. Larry Banks (m. 1965)

Family
Parents Not Available
Husband Anthony Bates Sr. Larry Banks (m. 1965)
Sibling Not Available
Children Three, with Bates, Sr. Corey Banks, with Larry Banks

Jaibi Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Jaibi worth at the age of 41 years old? Jaibi’s income source is mostly from being a successful artist. She is from . We have estimated Jaibi's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1943

Jaibi was the stage name of the American soul singer Joan Banks (February 6, 1943 – September 4, 1984).

1964

Born Joan Carol Pulliam, and later known as Joan Bates after her marriage to her first husband Anthony Bates Sr., she first recorded with a group, the Pleasures, in 1964–65.

However, she is best known for her solo records, "You Got Me" / "What Good Am I" and "It Was Like A Nightmare".

1965

Joan and Larry married in 1965; they also wrote songs together.

1967

These were issued on Kapp Records in 1967, co-written and produced by her second husband Larry Banks, previously the husband of singer Bessie Banks.

1968

Her records were not successful in terms of sales and, after a few more recordings up to 1968, some with her husband as Lawrence & Jaibi, her musical career ended.

She and Larry Banks later moved to Hollis, Queens and had one son, Corey L. Banks, who went on to become a rapper during the Golden Age of Hip-Hop.

After she and Larry Banks divorced, Joan Banks completed her schooling, acquiring a master's degree in computer programming.

Joan continued her life as an accomplished and successful computer programmer analyst for companies such as Polygram Records, IBM and finally reaching a high-level position at the Transamerica Corporation.

1984

She died of leukemia, on September 4, 1984; official records give her name at that time as Joan Pulliam Myer.

1990

Since the 1990s, her recordings have been included on several compilations, including two volumes of Dave Godin's Deep Soul Treasures: Taken from the Vaults, and Larry Banks' Soul Family Album, released by Ace Records in 2007.

Her recordings are now remembered largely due to the efforts of soul music pioneer Dave Godin, who regarded them as masterpieces, of "almost indescribable beauty and poignancy", the ultimate expression of Deep Soul music.

He wrote:"'No matter if you have only ever made one record, or written one book, or made one film, if that work is a great work of art then your name deserves to be remembered and your memory thanked equally as if you had produced dozens. For, in the creation of a masterpiece, even if it only touches the lives of a few, you have enriched life itself beyond measure, and in this respect, those who benefit in this way have been given a Precious Jewel of experience to add to all those other magic moments we collect as we journey through life.'"

This high opinion of her recordings was endorsed by James McKean of Stylus Magazine, who wrote:"'Were it not for a slightly clumsy fade-out I would try to make a case for this ['You Got Me'] being, quite simply, the perfect record. Although well under three minutes, it is by no means a pop song—it didn't jump out and grab me, and it might not grab you. But give it your full attention and you’ll come to cherish how the voice soars, becoming both the loved and the love, capturing perfectly the point between strength and vulnerability, pulling the two together ‘til they meet as one. The stately pace, the way the horns swell slowly and with such grace behind the melody, the way the bass starts boiling over when she sings 'I try to fight this burning desire', the swirling keyboard licks, fuck, even the drums are bursting with emotion. This is the shit. This is AWESOME. I love this song!'"