Jacqueline Casey

Jacqueline S. Casey (20 April 1927 – 18 May 1992) was a graphic designer best known for the posters and other graphic art she created for the Massachusetts Institute of Technology (MIT).

Casey was born Jacqueline Shepard in 1927 in Quincy, Massachusetts, the only child of a working-class couple.

She studied for a Bachelor of Fine Arts degree in fashion design and illustration at the Massachusetts College of Art (MassArt), graduating in 1949.

After graduating, she had a number of jobs, including work in interior design and advertising, however she never obtained a job she was completely interested in; she stated, "I broke the negative cycle by traveling through Europe for three months" and came back "with the decision to focus my life on something related to the arts... to develop my visual sensitivity."

The professional quality and creative additions to design are what made the MIT's campus design group widely respected in the field.

MIT is acknowledged as the first American college to employ graphic designers as part of the faculty, and Jacqueline Casey was one of the few who were hired.

The prototype for the university's publisher (MIT Press) was implemented by the graphic designers, known for their meticulous and straightforward style of their typography.

Campus projects, programs, cultural, and scientific events were advertised to society through the group designer's works.

While practicing a functional Modernism, Jacqueline S. Casey was a graphic designer in the Office of Publications (later retitled the Office of Design Services) from 1955 to 1989, and was appointed director in 1972.

In discussing her design, Casey stated, "My work combines two cultures: The American interest in visual metaphor on the one hand, and the Swiss fascination with planning, fastidiousness, and control over technical execution on the other."

In 1955, Jacqueline Shepard was recruited by fellow MassArt alumna Muriel Cooper to work at the Office of Publications at MIT.

She later stated, “In my early days at MIT, a designer working on summer materials would interview faculty and have a mini-course in a subject such as radioisotopes from the professor in charge.

There was an opportunity to learn something new every day.”

In 1958, Jacqueline Shepard married William "Bill" Casey, and changed her name to Jacqueline S Casey.

Her spouse was a psychologist doing social work from a home office in their art-filled home in Brookline, Massachusetts.

In 1972, Casey became Director, taking over this position as her colleague joined the MIT faculty.

The two women were among the few working at this professional level at MIT of the time.

During her tenure as Director, Casey became known for designing distinctive publicity posters for MIT events, working alongside Ralph Coburn and Dietmar Winkler.

Casey's designs were influenced by the International Typographic Style recently developed in Switzerland, particularly designers such as Karl Gerstner, Armin Hofmann, and Josef Müller-Brockmann.

Casey's posters generally consisted of a striking image or bold typography, accompanied by informational details in smaller text.

She often used typographic wordplay and visual puns in her work.

In 1975, he died of cancer.

1979.

Ger Dekkers (New Dutch Landscape) Exhibition Poster.

1980.

Poster for Coffee Hour.

Jacqueline Casey herself was diagnosed with cancer in 1982, and struggled to handle the workload at MIT with assistance of her staff.

1983.

Arts on the Line.

Speaking of her designs in 1988, she said: "My job is to stop anyone I can with an arresting or puzzling image, and entice the viewer to read the message in small type and above all to attend the exhibition."

As well as being used for promotion of on-campus events and in MIT publications, Casey's work was exhibited at MIT, the Chelsea School of Art in London, and the London College of Printing.

In 1989 she was forced to retire, but her longtime colleague, neighbor, and friend Muriel Cooper arranged for her to continue work as a visiting scholar at the MIT Media Laboratory.

Casey died of cancer on May 18, 1992.

Casey's work is held in the permanent collections of the MIT Museum, Library of Congress, the Museum of Modern Art in New York, and the Cooper-Hewitt Museum.

The MIT Museum mounted exhibitions of Casey's graphic work in 1992, 2012, and 2018.

Her complete works for MIT are archived in the collection of the MIT Museum.

In addition to the MIT holdings, the Rochester Institute of Technology has a collection of 99 posters, donated by the MIT Museum at the designer's request.

Selected examples of these posters may be viewed online.

Massachusetts Institute of Technology

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