Ivor Hele

Hele had an older brother, Harold A. Hele (23 April 1908 – 19 December 1941), and twin sisters, Beryl, who married Alf Head on 4 October 1930, and Phyllis Hele, who married Jack Dew Laurenti on 3 March 1937.

A niece, sculptor Marcia Rankin, inherited Hele's sketchbooks, which she presented to the Australian War Memorial.

Sir Ivor Henry Thomas Hele, CBE (13 June 1912 – 1 December 1993) was an Australian artist noted for portraiture.

He was Australia's longest serving war artist and completed more commissioned works than any other in the history of Australian art.

Hele was born in Edwardstown, South Australia, the youngest of four children of Arthur Hele and his wife Ethel May Hele, née Thomas, later moving to 13 Brown Street (now part of Morphett Street), Adelaide.

He attended Westbourne Park Primary School for a short time, then Prince Alfred College, where at age eight he began art classes under James Ashton, the drawing master.

In 1923 his painting "The Bedouin" was a prize winner at a London exhibition.

In 1924 he started studies at the South Australian School of Arts and Crafts under Miss M. Kelly and completed his first year with honours.

He was awarded three first class certificates at the Royal Drawing Society's Art Exhibition in 1924, and Princess Louise's Prize at their exhibition the following year.

In 1926 he was admitted to the South Australian Society of Arts, their youngest member.

Apart from his art studies (three nights a week and on Saturdays), he had a normal boy's interest in sport, and satisfactory academic results.

In 1927, encouraged by his tutor Marie Tuck (1866–1947), the 15-year-old Ivor sailed to Europe, where he studied drawing and painting for six months at the academy run by Louis-François Biloul (1874–1947) in Paris, and another six months at the summer school run by (1870–1937) at Reichersbeuern, Bad Tölz-Wolfratshausen in the Bavaria Alps.

He returned to Australia early in 1930.

He was to return to Paris and Bavaria three years later, as a married man.

At age 20 Hele married Jean Berry, a prominent women's basketball player and official.

They renovated the isolated and rambling Hotel Aldinga on the Old Coach Road, abandoned after construction of the Main South Road and the population centre of Aldinga moving to the seaside.

Hele was severely self-critical and only ever held two exhibitions of his work, in 1931 and 1958.

He was a perfectionist who often burned paintings he was dissatisfied with.

Hele died in the South Australian suburb of Bedford Park and was cremated.

He won Australia's most prestigious portrait prize, the Archibald Prize five times, for these works in the following years:

He won the Melrose Prize (awarded by the Royal South Australian Society of Arts for the Art Gallery of South Australia) three times:

On 24 March 1932, Hele married Millicent Mary Jean Berry, a school teacher, at the Manse, Germein Street, Semaphore, South Australia.

In 1936 his painting The Proclamation won first prize in a competition to mark the Centenary of South Australia.

In 1938 a major work, Sturt's Reluctant Decision to Return won the Commonwealth sesquicentenary prize of 250 guineas (perhaps AUD 20,000 in today's money).

The picture was purchased by the Government for the future National Gallery of Australia, but is rather to be found at the Art Gallery of South Australia.

Encouraged by Thomas Blamey, who had been impressed by the Sturt painting and with a promise of support for his artistic career, Hele enlisted as a private soldier in the 2nd AIF and in June 1940 sailed for the Middle East with the 2/48th Battalion, 9th Australian Division.

On 9 January 1941 Blamey met him personally; he was promoted to lieutenant with responsibilities as a war artist, given a truck and batman-driver and instructed to join the 6th Division in its push to Tobruk.

Around June 1941 he joined the Military History and Information Section of the AIF, under J. L. Treloar, which had a studio in Heliopolis, which he shared with Lyndon Dadswell and John Dowie.

He was appointed an official war artist on 11 October 1941 with the rank of captain.

He returned to Australia with the 6th and 7th Divisions and by April was back at Aldinga, and started on his ambitious series of paintings based on his extensive portfolio of sketches and paintings, many of which had in transit been accidentally ruined.

Treloar, impatient with Hele's progress called on Louis McCubbin, director of the Art Gallery of South Australia, to investigate; McCubbin expressed his satisfaction and Treloar was mollified.

He remained with the 9th Division, which was later transferred to New Guinea.

After the war he returned to Aldinga, where from his extensive portfolio of sketches, he executed many of the paintings which are held by the Australian War Memorial.

His work was occasionally seen at The Advertiser's open-air art exhibitions, and very few one-man shows: in 1943, 1945, 1954 and finally 1970 at the John Martin's auditorium during the Festival of Arts.

He taught many well-known Australian artists including Hugo Shaw.

In 1952 he was appointed as a war artist to the Australian forces in Korea.

Apart from the figure studies and war scenes held by the Australian War Memorial for which he is best known, and the many portraits, Ivor Hele painted many landscapes, particularly of the rugged South Australian coast, and a great number of erotic drawings.

The National Gallery of Australia holds around 130 of his works, mostly minor pieces, and the Art Gallery of South Australia a few dozen.

They divorced in 1957 and he married June Weatherly.