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Ivan Karabyts was born on 17 January, 1945 in Ukraine, is a Ukrainian composer and conductor. Discover Ivan Karabyts's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 57 years old?

Popular As N/A
Occupation N/A
Age 57 years old
Zodiac Sign Capricorn
Born 17 January, 1945
Birthday 17 January
Birthplace N/A
Date of death 2002
Died Place N/A
Nationality Ukraine

We recommend you to check the complete list of Famous People born on 17 January. He is a member of famous composer with the age 57 years old group.

Ivan Karabyts Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Ivan Karabyts Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Ivan Karabyts worth at the age of 57 years old? Ivan Karabyts’s income source is mostly from being a successful composer. He is from Ukraine. We have estimated Ivan Karabyts's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income composer

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Timeline

1945

Ivan Fedorovych Karabyts (Іван Федорович Карабиць; January 17, 1945 – January 20, 2002) was a Ukrainian composer and conductor, and a People's Artist of Ukraine.

1969

Most of the early works were chamber works, some of them in neofolk style, including "Three songs on folk texts" for voice and piano (1969), "Songs by Yavdokha Zuikha" for voice, flute and viola, and "Music" for solo violin (1974).

1970

In the 1970's and 80's, Karabyts was attracted to large-scale musical productions.

Symphonic and vocal-symphonic genres predominate (such as the oratorio "Kyiv Frescoes" and three concerts for orchestra), as well as philosophical and civic themes (including themes of the Motherland, memory, moral duty).

Karabyts' vocal-symphonic works tend to conceptual concreteness, entertainment, achieved by dramaturgical functions of the narrator, independent and rather active role of the poetic component, program accuracy of musical expression, genre associativity, timbre dramaturgy, etc.

The universality of the musical language of the works of his next period was determined by the synthesis of various elements of modern compositional techniques (such as pointillism, aleatorics, sonoristics) in combination with new tonal and new modal pitch organization, intersection of different stylistic tendencies (neoclassicism, neo-baroque, neo-impressionism, jazz).

In the figurative sphere, the tragic is intensified and the theme of repentance is actualized (Concerto 3 "Lamentation", Concert-triptych for orchestra), the pantheistic theme sounded in a new way («Music from Waterside»).

In a letter to Virko Baley, Ivan Karabits described his own style as follows:

"In Soviet times, we received a basic education, but we were not sufficiently informed about what was going on in the multifaceted music world.... My music [is] characterized by a desire to synthesize different musical sources...Mahler, Lyatoshynsky, Stravinsky, Shostakovich, [are some who] influence my music.... I consider the most important of my works [to be]: Concerto for choir and orchestra “Garden of Divine Songs”; Symphony "5 songs about Ukraine", 2nd concert for orchestra, 3rd concert for orchestra; Symphony for strings"

1971

He was born in village Yalta in the Donetsk region of the Ukraine, and graduated from the Kyiv Conservatory in 1971, where he studied under Borys Lyatoshynsky and Myroslav Skoryk.

Karabyts conducted the Dance Ensemble of the Kyiv Military District and the Kyiv Camerata.

He also taught at the Kyiv Conservatory.

Ivan Karabyts wrote works for solo piano, orchestra, voice, piano, and voice, as well as different combinations of instruments.

His works have been performed throughout the nations of the former Soviet Union, many European nations, and the United States.

He died in Kyiv, aged 57.

His son is the conductor Kirill Karabits.

L. Kyyanovska maintained that all of the composers who influenced Karabyts' music were united by passion and a willingness to confront the officially accepted canons of art.

Nevertheless, Karabyts' teacher Borys Lyatoshynsky had a noticeable influence on his music, as well as a group of like-minded students including V. Silvestrov, L. Grabovsky, V. Godziatsky, V. Guba, E. Stankovych, and O. Kiva.

O. Beregova considered that Karabyts' work showed the breadth and universality of creative thinking and an innovative approach to traditional musical genres and forms.

Early works by Karabyts are distinguished by the expressiveness of musical language and the search for individual style and the composer's liberal use of dodecaphony.