Isabel Nicholas

Isabel Rawsthorne (born Isabel Nicholas, 10 July 1912 – 27 January 1992), also known at various times as Isabel Delmer and Isabel Lambert, was a British painter, scenery and costume designer, and occasional artists' model.

During the Second World War she worked in black propaganda.

She was part of an artistic bohemian society that included Jacob Epstein, Alberto Giacometti and Francis Bacon.

Born Isabel Nicholas, the daughter of a master mariner, in the East End of London, she was raised in Liverpool and the Wirral.

She studied at the Liverpool College of Art, won a scholarship to the Royal Academy in London and spent two years in the studio of the sculptor Jacob Epstein.

She was the mother of Epstein's son Jackie (born 1934), and briefly assumed the name "Margaret Epstein" (the name of Epstein's wife) in order to register Jackie's birth.

Rawsthorne's first show was a sell-out, and by September 1934 she was living in Paris.

She worked with André Derain, and lived and travelled for a time with Balthus and his wife.

She was painted several times by Derain and Pablo Picasso.

In 1936 she married her first husband, the foreign correspondent for the Daily Express, Sefton Delmer.

The travel, parties and luxurious apartment in the Place Vendôme, never replaced her Left Bank life, however; and most days she made the long walk there and back.

A lifelong socialist, she visited Spain while Delmer was reporting the Spanish Civil War.

Rawsthorne was at the heart of the Paris avant-garde and became involved with Alberto Giacometti.

They shared many intellectual enthusiasms and a commitment to a modern form of representational painting.

Her characteristically astonished gaze and defiant stance can be seen in the new kind of etiolated figure that Giacometti developed over the next decade.

The onset of World War II forced Rawsthorne to leave Paris.

She relinquished at least one ticket out and did not flee until the day the Germans arrived on 14 June 1940.

About this time, 1943–44, she encountered Francis Bacon within the arty set around the BBC, although they probably did not become intimate until a few years later.

Rawsthorne's closest wartime friends appear to have been John Rayner (typographer, journalist and soldier (SOE), the photographer Joan Leigh Fermor (then Rayner), the Schiaparelli model Anna Phillips, and the composer Elizabeth Lutyens, but her social life encompassed many others including the poets Louis MacNeice and Dylan Thomas (she shared working quarters with Thomas), Ian Fleming, and old friends from Paris, Peter Rose Pulham, Peter Watson (editor of the journal Horizon) and the spy Donald Maclean.

Returning to Paris in 1945, Rawsthorne was re-united with Giacometti and lived with him for a short while, but they never married.

She continued to be involved in the evolution of the figurative style associated with Existentialism.

She socialised with Simone de Beauvoir, Jean-Paul Sartre, Jean Wahl and other intellectuals, and for a time lived a few doors away from the headquarters of the journal Les Temps Modernes.

She also entertained the philosopher A. J. Ayer in Paris, saw Eduardo Paolozzi and Bacon, and had relationships with Georges Bataille and the composer René Leibowitz.

In the winter of 1946/47 she withdrew to modest lodgings in the Indre to work alone.

She remained with Delmer for the first part of the war, but they divorced in 1947.

She maintained indirect links with France by working in intelligence and black propaganda for the Political Warfare Executive.

During the Italian Campaign, she edited the magazine Il Mondo Libero.

The composer Constant Lambert visited her in 1947 and they married later that year.

Following her second marriage, her base became London.

Her art world associates, including Bacon and Lucian Freud, created a potent mix with a glitzier musical set, including the Sitwells, Lutyens, Frederick Ashton, Margot Fonteyn and Alan Rawsthorne.

From 1949, she and Bacon showcased their figurative brand of modern art at the Hanover Gallery and she exhibited in group shows organised by the ICA and the British Council.

She began a career as a designer for the Royal Ballet and the opera at Covent Garden and Sadler's Wells.

Lambert died in 1951 and Rawsthorne returned to Paris to paint.

She continued to see Giacometti, but eventually married Alan Rawsthorne in 1951.

They moved to a thatched cottage in rural Essex with a purpose built studio, near friends such as the politician Tom Driberg, poet Randall Swingler, artists Michael Ayrton and Biddy and Roy Noakes; Bacon had a house not far away.

In all, between 1964 and 1970 he painted 14 images of her, including five triptychs.

Giacometti died in 1966, Alan Rawsthorne in 1971, and Isabel Rawsthorne in 1992; Bacon outlived her by a few months.

Six of Bacon's portraits of Rawsthorne were shown in his 1967 show, including Portrait of Isabel Rawsthorne.

Apart from visits to London and Paris, Africa, Greece and Australia, and a short period in Cambridge (1972-3), she lived in the cottage for forty years - half of her life.

She raised geese, a nod to her interest in Konrad Lorenz, and became involved in the emergent environmentalist movement.