Hugh Cornwell

Hugh Alan Cornwell (born 28 August 1949) is an English musician, singer-songwriter and writer, best known for being the lead vocalist and lead guitarist for the punk rock and new wave band the Stranglers from 1974 to 1990.

Since leaving the Stranglers, Cornwell has recorded a further ten solo studio albums and continues to record and perform live.

Cornwell grew up in Tufnell Park and Kentish Town and attended William Ellis School in Highgate, where he played bass in a band with Richard Thompson, later a member of folk rock band Fairport Convention.

In the late 1960s, after earning a bachelor's degree in biochemistry from the University of Bristol, he embarked on post-graduate research at Lund University in Sweden.

Not long after his arrival he formed the band Johnny Sox.

Cornwell returned to the UK in 1974 with Johnny Sox (minus Hans Wärmling).

Drummer Jet Black then joined the band.

At one stage it was just Cornwell and Black, who were then joined by bassist Jean-Jacques Burnel.

Guitarist, keyboardist and saxophonist Hans Wärmling, on holiday from Sweden, joined the line-up towards the end of 1974.

The Johnny Sox name was dropped, with the band adopting the name the Guildford Stranglers before settling on the Stranglers.

Throughout his Stranglers career, Hugh used a Black Fender Telecaster all the way from 1974 until 1989 when he adopted a Gibson Melody Maker for the 10 Tour.

Wärmling was soon replaced by Dave Greenfield, who joined in 1975 after answering an advertisement placed in the Melody Maker magazine.

Cornwell was the lead guitarist in the group and he also sang the majority of songs, with Burnel handling lead vocals on about a third of the band's songs.

Years later, Burnel recalled that he often sang lyrics written by Cornwell, and vice versa, depending on "who had the best voice for that particular song".

By 1977, the group had secured a recording contract with United Artists Records.

They went on to become the most commercially successful band to emerge from the UK punk scene, with numerous hit singles and record albums.

Prior to a Scottish tour that year The Herald wrote "The album yields its eloquent lyrical strengths on repeated listenings: stand-out tracks include the evocative 'A Street Called Carroll', 'Love Me Slender', 'I Want One of Those', a commentary on consumerism, and, unquestionably best of all, the atmospheric, nine minute noir epic, 'In the Dead of Night', which should become a live favourite. Cornwell's forthcoming tour sees him play the new album and the Stranglers' landmark 1977 record, No More Heroes, but Totem and Taboo is strong enough on its own."

A review on the Witchdoctor.co.nz website stated that "In a world or egotistic over-achieving and slack-arse under-achieving, Hugh Cornwell knows how to play it just right, and Totem & Taboo is a master class in sticking to your guns and doing what you do well".

He recorded his first studio album away from the group, Nosferatu, in collaboration with the Captain Beefheart's Magic Band's drummer, Robert Williams, in 1979.

He also used a Bass guitar when performing Dead Loss Angeles on The Raven tour in 1979 and was instrumental in teaching Stranglers bassist Jean Jacques Burnel how to play bass guitar.

Hugh also used a Hofner Razorwood for the La Folie Tour in 1981-82 for certain songs which required distinctive sounds.

Cornwell's first solo studio album, Wolf (1988) was produced by Ian Ritchie with additional production on two tracks by Clive Langer and Alan Winstanley, who had engineered the first three Stranglers albums and produced their fourth studio album, The Raven (1979).

In 1990, due to growing tensions within the band and a constant clash with Jean Jacques Burnel, he decided that he could go no further artistically.

He recorded the album 10 with the band before leaving them after 16 years.

After leaving the Stranglers, Cornwell worked with Roger Cook and Andy West as CCW.

Their self-titled studio album was released in 1992, with five of the ten tracks co-produced by Neil Davidge.

Wired (1993), produced by Gary Langan (Art of Noise) with the exception of "Ain't It Strange", which was produced by Cornwell; Guilty (1997); Hi Fi (2000) (both produced by Laurie Latham).

It was recorded in Bath with James Kadsky, who engineered the album Wired (1993).

Footprints in the Desert released in 2002 is Cornwell's second "lost album" and compiles rare and unreleased tracks from the mid-1990s, that were not part of a record deal.

Beyond Elysian Fields (2004) was produced by Tony Visconti.

MusicOMH described it as "something like a cross between [Bob] Dylan and Dire Straits at their best...with a dash of Travelling Wilburys for good measure".

In June 2008, Cornwell followed in the footsteps of Radiohead and Nine Inch Nails by initially offering his new album, Hooverdam, as a free download on his website.

The album was recorded at Toe Rag Studios with record producer, Liam Watson.

It was accompanied by a film, Blueprint, which depicted the recording process of the album.

Cornwell explained that the film was partly motivated by the risible quality of the DVDs accompanying contemporary CD releases.

Blueprint was described as "an engrossing film that borrows from [Jean-Luc] Godard's Sympathy for the Devil and [Norman] Jewison's The Thomas Crown Affair".

The studio album Totem and Taboo followed in 2012; engineered and mixed by Steve Albini, it was described as "Cornwell's finest and most unashamedly epic moment since the punk era".

In 2016, Cornwell collaborated with performance poet John Cooper Clarke to create the album This Time It's Personal, a collection of classic American and British pop songs from their youth.

HiFi was released on 180g vinyl in 2020 through HIS Records Ltd with a new remix by Hugh Cornwell and a remaster.

Beyond Elysian Fields was released on 180g vinyl in 2020 on HIS Records Ltd.