Age, Biography and Wiki

Huang Hsin-yao was born on 1973, is a Huang Hsin yao is Taiwanese film director Taiwanese film director. Discover Huang Hsin-yao's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 51 years old?

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Age 51 years old
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Born 1973
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We recommend you to check the complete list of Famous People born on . He is a member of famous Film Director with the age 51 years old group.

Huang Hsin-yao Height, Weight & Measurements

At 51 years old, Huang Hsin-yao height not available right now. We will update Huang Hsin-yao's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Huang Hsin-yao Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Huang Hsin-yao worth at the age of 51 years old? Huang Hsin-yao’s income source is mostly from being a successful Film Director. He is from . We have estimated Huang Hsin-yao's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income Film Director

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Timeline

1951

The film attracted director Chung Mong-Hong’s attention at the 51st Golden Horse Award, who encouraged Huang to develop it into a feature film he helped produced, The Great Buddha +.

The feature film expands the original plot to tell a story reflecting the social discrepancy in rural Taiwan that is surrealistically realistic.

The film is stylistically creative by playing with color and narrator’s voiceover.

1957

Despite the many nominations in the 57th Golden Horse Awards and 23rd Taipei Film Festival, the film only won the Best Production Design Award from both, and Best Supporting Actor (Nadow Lin) from the Golden Horse Awards.

1973

Huang Hsin-yao (born in 1973) is a Taiwanese film director.

He was born and raised in Tainan City, Taiwan.

1998

It was first filmed when Huang was in the documentary training program at Fullshot Film Studio in 1998.

It also motivated him to make Seaman for his first-year assignment at graduate school later on.

2002

During his study at TNNUA, Huang made Dog with Man in 2002 about the controversial personality Ke Sìh Hǎ, who was known to stand behind politicians interviewed by news broadcasting channel with written protesting message to gain free TV coverage.

2005

He graduated from the Graduate Institute of Documentary & Film Archiving, TNNUA, and received an MFA in 2005.

For his MFA degree production, Huang made Bluffing in 2005, a documentary about four of his high school best friends as a social section of his generation, which received many awards, including the Golden Harvest Awards for Best Documentary.

After Bluffing Huang’s documentaries begin to focus on the relationship between humanity and the environment, including Nimbus, Taivalu , and Ali-88 .

2006

Huang was one of the three executive board members of the Taipei Documentary Filmmakers' Union from 2006 to 2013.

2007

His documentary works include Bluffing (winner of Golden Harvest Awards for Best Documentary in 2007), Nimbus (winner of Special Jury Prize at Bi-annual Taiwan International Documentary Festival in 2010), and Taivalu (winner of Grand Prize and Best Documentary at Taipei Film Festival in 2011).

2014

Huang’s debut fictional film is a short film, Da Fo (nominated for Best Live Action Short Film at Golden Horse Award in 2014), which he later developed into a feature-length, The Great Buddha + (winner of Best Adapted Screenplay and Best New Director at Golden Horse Award, and other awards at Taipei Film Festival in 2017).

Born and raised in Tainan City, Taiwan, Huang Hsin-yao moved around from district to district with his family "more than twenty times since [he] was a child" before he was thirty.

Since junior high, Huang has worked part-time in factories and for the Democratic Progressive Party (DPP), putting up posters and distributing flyers to support his family.

The life of Martial Law and subsequent burgeoning political activities inspired him to pay attention to social issues.

Later, he studied at the evening school of Chinese Culture University College of Journalism & Communication in Taipei and became active in social movements.

Huang’s interest in documentaries was kindled by the mantra of the South Digital Newsletter : "Make our own media, sing our own song ."He first applied for the documentary training program organized by Fullshot Film Studio (, now named 財團法人全景傳播基金會).

He then went on to study at the Graduate Institute of Documentary & Film Archiving at TNNUA and got an MFA degree.

Yantian Cin Zih marked Huang Hsin-yao’s first attempt as a documentary director.

Shot in Yantian, Tainan City, the film follows a man who waits for compensation for the relocation and demolition of his village.

In 2014, Huang made his first fictional short film, Da Fo about a murder committed by the boss of a buddha statue factory witnessed by his security guard and his friend, who collects recyclables for a living.

2015

In 2015, he made Cloud Nation, in which he intentionally suppresses his own presence and abandons narrator’s voiceover, for which his films were known.

With no dialogue or human subject in the entire film, the film leaves the audience to determine what is documented and for what.

2017

Huang was awarded Best New Director at Golden Horse Award for this film in 2017.

Huang continued to make documentaries after his successful fictional film debut.

2020

In 2020, Huang drew inspiration from his documentary Bluffing to make another feature film, Classmates Minus also produced by Chung Mong-Hong.

The film weaves the lives of four high school classmates after they graduated from high school to provide a glimpse of the ambitions and frustrations of Taiwan’s contemporary males in their late thirties as well as their changed friendship.

Huang’s colorful voiceover once again plays an active role in the film not only as a narrator but also as an invisible character.