Age, Biography and Wiki

Hiroki Yamamura was born on 11 February, 1981 in Anjō, Aichi Prefecture, Japan, is a Japanese animator & director. Discover Hiroki Yamamura's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 43 years old?

Popular As N/A
Occupation Animator, character designer
Age 43 years old
Zodiac Sign Aquarius
Born 11 February, 1981
Birthday 11 February
Birthplace Anjō, Aichi Prefecture, Japan
Nationality

We recommend you to check the complete list of Famous People born on 11 February. He is a member of famous Animator with the age 43 years old group.

Hiroki Yamamura Height, Weight & Measurements

At 43 years old, Hiroki Yamamura height not available right now. We will update Hiroki Yamamura's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Hiroki Yamamura Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Hiroki Yamamura worth at the age of 43 years old? Hiroki Yamamura’s income source is mostly from being a successful Animator. He is from . We have estimated Hiroki Yamamura's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Animator

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Timeline

Hiroki Yamamura (山村洋貴) is a Japanese animator and character designer.

Yamamura is from Anjō, Aichi Prefecture, and graduated from.

1982

Their first meeting occurred when Yamamura was in the Shaft production studio and he was watching Sasuga no Sarutobi (1982) on DVD, and Shinbo had come up to him to ask if he was watching Sasuga no Sarutobi.

Sayonara, Zetsubou-Sensei was Yamamura's first time working directly with Shinbo, however; and as a fan of Shinbo's work, having watched his series for a "long time", Yamamura was initially nervous.

2000

He still belonged to Studio Pastoral as of the 2000s, but Pastoral's relationship with Shaft ended around 2011 or 2012.

Whether Yamamura stayed with Pastoral and did work for Shaft, left Pastoral and went freelance (working exclusively with Shaft), or left Pastoral and joined Shaft is not known.

However, both he and Shaft veteran animator Genichirou Abe participated on Onimai: I'm Now Your Sister! (2023) with "Shaft" (シャフト) listed parenthetically next to their names in the credits.

In early 2023, Yamamura's Twitter account also mentioned him as a part of Shaft.

This is an incomplete list.

Highlights character design and chief animation direction roles.

2002

Initially, he joined eroge game company Studio Lux as an illustrator around 2002 and used the name Takahiro Murayama (むらやまたかひろ), a play on the Hiragana spelling of his name Hiroki Yamamura (やまむらひろき), but left the company in August 2003.

2005

After leaving Studio Lux, Yamamura joined Actas briefly before joining newly founded animation production company Studio Pastoral, where he initially did in-between animation and was quickly promoted to key animator in less than a year, and again to animation director by 2005.

While Studio Pastoral itself was a sub-contracting animation firm not producing its own titles, from the very beginning of the studio's history it developed a close relationship to studio Shaft.

Yamamura worked on a number of different titles from a number of different studios that were outsourcing work to Studio Pastoral, but he gained prominence within Shaft's works and mainly took on jobs for the studio.

2006

As previously mentioned, Yamamura worked on Shaft's gross outsources to Studio Pastoral previously, and had met director Akiyuki Shinbo during the latter-half of the production to Negima!? around 2006.

2007

In 2007, he was given his first job as a chief animation director on Shaft's adaptation of Sayonara, Zetsubou-Sensei, with characters designed by Hideyuki Morioka whom Yamamura had worked with on REC (2006) and liked the designs of.

2009

Although from different studiosMorioka an employee of Studio Silver and doing work for a studio neither belonged to (at the time), Morioka and Yamamura have worked together on numerous occasions since Sayonara, Zetsubou Sensei including all of the series' sequels, and the first season of Maria Holic (2009), which Morioka also designed the characters for, and Studio Pastoral assisted in the production of.

Since 2009, Shaft had started adapting Nisio Isin's Monogatari series of light novels; and when Bakemonogatari, the first seasondirected by Shinbo and Tatsuya Oishi, and with character designs by Akio Watanabeended, a new adaptation titled Kizumonogatari was announced.

However, for several years, Oishi worked on the project and Shinbo invested in Tomoyuki Itamura to continue with other parts of the series, which Yamamura occasionally participated in alongside other series.

2010

In 2010, Yamamura started doing character design work, with his first job as such being Shaft's And Yet the Town Moves; and a year later, he also designed the characters for the Katteni Kaizō OVA, an adaptation of another manga from the author of Sayonara, Zetsubou-Sensei.

Yamamura's employment history during the 2010s is ambiguous.

2014

Eventually, production on the films started with Hideyuki Morioka taking on duties as chief animation director (and character designer, co-credited with Watanabe); and around the spring of 2014, Yamamura was joined as the second chief animation director.

2016

Eventually, the project was announced to be a film trilogy that premiered in 2016 and 2017.

For the first film, Morioka and Yamamura split their duties as animation directors somewhat evenly, with Morioka working on the first half of the film and Yamamura on the second half, or split scene-by-scene.

For the second and third films, however, they divvyed up the work based on the characters: Morioka supervised the drawings for the female characters, and Yamamura was in charge of the male characters; and for any particularly important scenes, Oishi assigned them to Yamamura or Morioka.

Oishi was adamant about the female characters being "cute" and the male characters being "hot" to appeal to the fans, which coincides with Yamamura's drawing style according to Shinbo's comment that his drawings appeal to women.

2018

In 2018, Yamamura collaborated with Masaaki Takiyama to draw the character designs and supervise the animation to Fate/Extra: Last Encore.

2020

In 2020, Yamamura participated as one of the chief animation directors for the first season of Magia Record, helping on 10 of the 13 episodes.

Unlike with Kizumonogatari, however, he and Nobuhiro Sugiyama, the other chief animation director helping series character designer Junichirou Taniguchi, did not split the work between time halves or characters.

Instead, they divided the work mainly through scene type: Sugiyama supervised the "daily" scenes, while Yamamura focused mainly on the "action" scenes.

Yamamura found difficulty in drawing the characters cutely, so he used Sugiyama's supervised parts as references due to a scene in episode 2 that Yamamura thought was impressive.

The next year, he designed the characters for an adaptation of another Nisio Isin title, Pretty Boy Detective Club.