Age, Biography and Wiki
Hila Lulu Lin was born on 6 November, 1964 in Afula, Israel, is an Israeli multi-disciplinary artist. Discover Hila Lulu Lin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 59 years old?
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Age |
59 years old |
Zodiac Sign |
Scorpio |
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6 November, 1964 |
Birthday |
6 November |
Birthplace |
Afula, Israel |
Nationality |
Israel
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We recommend you to check the complete list of Famous People born on 6 November.
She is a member of famous artist with the age 59 years old group.
Hila Lulu Lin Height, Weight & Measurements
At 59 years old, Hila Lulu Lin height not available right now. We will update Hila Lulu Lin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Hila Lulu Lin Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Hila Lulu Lin worth at the age of 59 years old? Hila Lulu Lin’s income source is mostly from being a successful artist. She is from Israel. We have estimated Hila Lulu Lin's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
Source of Income |
artist |
Hila Lulu Lin Social Network
Timeline
Hila Lulu Lin (Hebrew: הילה לולו לין) (born November 6, 1964) is an Israel i multi-disciplinary artist, engaged in painting, cinema, poetry, sculpture, visual arts, photography, performance and video art.
Hila Lin (later Lulu Lin) was born on Kibbutz Mishmar HaEmek.
When she was two years old, her parents were sent to Qazvin, Iran for three years as aliyah emissaries.
When the family returned to Israel they moved to Kfar Bilu.
Lynn emerged in the scene in the late 1980s, with self-documentation video art including brusque images.
She used her body as a way of presenting a body that is an infinite creative space that allows us to point to 'polar' tension between strangers and sellers, clean and impure, life and death, external and internal, large and small.
Lulu Lin studied at Bezalel Academy of Arts and Design in Jerusalem in 1986–1989.
She lives and works in Tel Aviv.
Lin works in various artistic areas in local culture and her works has had a remarkable effect in Israeli art.
Until Lin, in Israeli art, it was rare to deal with internal organs of body or connect them to architecture or transformation processes as they performed.
She continually deals with body, sexuality, alienation, and detachedness, and the body of her works are sculpture, poetry, drawings, photographs, video works, and her later works - express a personal aesthetic that breaks normative boundaries.
Her artistic-surrealistic language is expressed in crossbreeding and manipulations that she creates in her body in front of a camera, processes computer simulations or expresses words in her poems, with rhetoric that combines erotica, fear, distress and rejection.
Her work echoes the trend of surrealism and Dada of the first half of the 20th century, but at the same time her artistic language speaks out beyond the trends of the era.
Her first solo, "The Voice of the Right" (1992), Lin presented sculptural objects made of various items, it was not conventional leave, but rather interrupting breaks between organic and synthetic, concrete and fictional, pleasurable and delightful.
Her aesthetics get deeper into more physical direction later on, which already used as objects.
In "No More Tears" (1994), video work which was shown in the exhibition "Metasex 94: Identity, Body and Sexuality" (1994) sensuously expressed the experience of female embodiment in an erotic way.
Lin manipulated an egg yolk on her body: the artist slowly rolls an egg yolk along her arm and into her mouth; then, gently easing it out of her mouth and repeated on other side.
"Cold Blood" (A Poem in Three Parts), in 1996 created a moment before of Prime Minister Yitzhak Rabin's assassination.
The hedonistic character of Tel Aviv's seashore was juxtaposed with the sacredness of the Dome of the Rock, the most sacred Muslim site in Jerusalem.
Both iconic landscapes were depicted under raw, bloody skies.
At that time, Lin refused to give any interpretation to her work, and insisted on her right of movement and definition of identity without belonging to any art group.
Nevertheless, she was characterized as: "A provocative challenge to the limited notion of women as mothers and nurturers, this sensuous back-and-forth demonstrated an embodied continuity between inside and outside, linking the passions and pleasures of food with those of sex."
Around the year 2000, Lin expanded the range and size of her works which also became more political, with materials from the public sphere entering and affecting her style.
In her art and poetry, Lin uses her own designed font for her work.