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Hideo Azuma (吾妻 日出夫 (Azuma Hideo)) was born on 6 February, 1950 in Urahoro, Hokkaidō, Japan, is a Japanese manga artist (1950–2019). Discover Hideo Azuma's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?

Popular As 吾妻 日出夫 (Azuma Hideo)
Occupation Manga artist
Age 69 years old
Zodiac Sign Aquarius
Born 6 February, 1950
Birthday 6 February
Birthplace Urahoro, Hokkaidō, Japan
Date of death 13 October, 2019
Died Place Tokyo, Japan
Nationality Japan

We recommend you to check the complete list of Famous People born on 6 February. He is a member of famous Manga artist with the age 69 years old group.

Hideo Azuma Height, Weight & Measurements

At 69 years old, Hideo Azuma height not available right now. We will update Hideo Azuma's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
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Children Not Available

Hideo Azuma Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Hideo Azuma worth at the age of 69 years old? Hideo Azuma’s income source is mostly from being a successful Manga artist. He is from Japan. We have estimated Hideo Azuma's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Manga artist

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Timeline

Hideo Azuma (吾妻 ひでお) was a Japanese manga artist.

1968

In 1968, after graduating from high school, he moved to Tokyo and found employment with Toppan Printing.

He left this job after three months to work as an assistant to manga artist Rentarō Itai, where he did uncredited work for Weekly Shōnen Sunday on series such as Mini Mini Manga.

1969

Azuma made his professional debut in 1969 in the Akita Shoten manga magazine Manga Ō.

Azuma made his professional debut in 1969 in Manga Ō with his work Ringside Crazy.

The following year he quit working as an assistant and doing his own work.

He gradually expanded his work to include both shōjo and seinen manga.

His first works tended to be light gag manga, though he began to include science fiction elements influenced by his being a fan of the New Hollywood movement in American film.

It was during this period that he experimented a lot with one panel manga (as opposed to four panel).

1970

Azuma, together with Jun Ishikawa, is considered part of the manga creators in the 1970s.

1972

Beginning in 1972, Azuma began rising in popularity due to the off-color humor in his Weekly Shōnen Champion series Futari to 5-nin.

1975

Azuma began serializing in 1975 his story Yakekuso Tenshi in the semimonthly manga magazine Play Comic.

He also began publishing science fiction themed works in many different niche magazines such as Kisō Tengai and Peke.

1978

Due to works such as science fiction novel parody Fujōri Nikki, published in Bessatsu Kisō Tengai in 1978, Azuma began to gain a large following among science fiction fans.

1979

Fujōri Nikki was awarded the 1979 Seiun Award for Best Comic of the Year.

In 1979, Azuma was a major contributor to the first issue of the dōjinshi series Cybele (doujinshi), which is credited with launching the lolicon genre.

From there, he began publishing in magazines such as Shōjo Alice, becoming a fixture in the pornographic lolicon manga business and becoming very involved in otaku culture.

1979年、沖由加雄、蛭児神建らとともに日本初のロリコン同人誌『シベール』をコミックマーケットで販売、1980年代前半に自動販売機本『少女アリス』などに「純文学シリーズ」と題してロリコン漫画を発表.

メジャー誌出身の漫画家がポルノ誌に進出したことは周囲に衝撃を与え、80年代のロリコンブームの立役者とみなされるようになる.

その後、作品はどんどん実験の度合いを深めてゆき、「でたらめ」などと自己批判をしたり[3]、「もうネタがありません、ゆるして下さい」とだけ書いてオチをつけなかったり[4]、「感情のない」顔を並べて「あまり長いことみつめないでください」と書いたり[5]した.

1980

He was most well known for his science fiction lolicon-themed works appearing in magazines such as Weekly Shōnen Champion, as well as children's comedy series such as Nanako SOS and Little Pollon (which both became anime television series in the early 1980s).

He has been called the "father of lolicon".

He also married his assistant the same year, with whom he had a daughter in 1980 and a son in 1983.

His wife was credited as "Assistant A" in his works, and his daughter and son were respectively credited as "Assistant B" and "Assistant C".

In the late 1980s and into the 1990s, due to stress from his hectic and demanding schedule during 20 years (to that point) as a manga artist, Azuma began drinking heavily, disappeared twice for several months to over a year, attempted suicide at least once, and was finally forcibly committed to an alcohol rehabilitation program.

1980年代半ばから約8年に渡る沈黙期に入る.

その間に二度長い失踪をしている.

1983

1983年4月、『SF大会本』(虎馬書房刊)に発表した「冷たい汗」は、それまでのアニメ絵とは違った劇画的な絵で、その年のSF大会の様子を描いている.

自分のホームグランドにすら違和感を覚え、声をかけられただけでギクリとしてしまう疲れ果てた作者の姿が描かれている.

1984

1984年、連作『夜の魚』、『笑わない魚』を発表.

『冷たい汗』の絵とも異なる暗い絵で、自分の生活をシュールリアリスティックに描いている.

この時期の吾妻の詳細は失踪日記の項目を参照.

1990

1990年代後半にはアルコール依存症となり入院.

2005

In 2005 he published an autobiographical manga titled Disappearance Diary that has won several awards including the Tezuka Osamu Cultural Prize.

His name is also sometimes romanized Hideo Aduma.

While attending Hokkaidō Urahoro High School, Azuma participated in the Hokkaidō branch office of COM, along with other artists such as Monkey Punch and Fumiko Okada.

In 2005, he published a manga journal of this experience titled Disappearance Diary.

The manga won several awards, including the prestigious Tezuka Osamu Cultural Prize, and it was translated into English, French, Spanish, German, Italian, Russian and Polish.

2019

Azuma died in hospital on October 13, 2019 due to esophageal cancer at the age of 69.