Harry Davenport

One of nine children, two of his siblings died young while the seven surviving children went on to share their parents' love of the arts, including actress Fanny (1850-1898) and opera singer Lillie Davenport (1851-1927).

The scion of an acting dynasty, he was born Harold George Bryant Davenport on January 19, 1866, in New York City to actors Edward Loomis Davenport (1815-1877) and Fanny (Elizabeth) Vining (1829-1891).

Harry took his first stage bow in an 1871 production of "Damon and Pythias" in Philadelphia, and by his teen years was playing Shakespeare in stock companies. Re-settling in New York, Harry began assertively building up his theater credits.

In 1893, at age 27, he married actress Alice Shepard (aka Alice Davenport). Their brief marriage of three years produced daughter Dorothy Davenport, who would continue the acting dynasty into a new generation. She earned further recognition as the wife of tragic silent screen star Wallace Reid.

Making his Broadway debut with the musical comedy "The Voyage of Suzette" in 1894, Harry continued in the musical vein with Broadway productions of "The Belle of New York" (1897) (with wife Phyllis) (1895), "In Gay Paree" (1899) and "The Rounders" (1899) (again with Phyllis).

Shortly after his divorce from Alice was final in early 1896, Harry married musical comedy star Phyllis Rankin (1875-1934). Their children Kate Davenport, Edward Davenport and Fanny Davenport became actors as well.

The new century ushered in more musicals with "The Girl from Up There" (1901), "The Defender" (1901), "The Girl from Kay's" (1903), "It Happened in Nordland" (1904), "My Best Girl" (1912), "Sari" (1914) and "The Dancing Duchess" (1914).

On the legit side he played expertly in "A Country Mouse" (opposite Ethel Barrymore), and in "The Next of Kin" (1909) and "Children of Destiny" (1910). Co-founding the Actor's Equity Association along with vaudeville legend Eddie Foy as a means to confront the deplorable exploitation of actors, Harry was held in high regard as the acting community subsequently came together and executed strikes to protect and guarantee their rights. This dire situation also prompted Harry to seek work elsewhere -- in films.

He joined up with Vitragraph in 1914 and made his silent screen debut with the film Too Many Husbands (1914).

He and his actress/wife Phyllis joined forces once again with the Broadway hit comedies "Lightnin'" and "Three Wise Fools", both in 1918.

Throughout the 1920s decade he continued to find employment on the stage with "Thank You," Cock O' the Roost, "Hay Fever" and "Julius Caesar".

In the next year he starred in and directed a series of "Jarr Family" shorts, and made his last silent feature with an unbilled part in Among Those Present (1921) before refocusing completely on his first love -- the stage.

The untimely death of wife Phyllis in 1934 prompted Harry to abandon his stage pursuits and travel to California, at age 69, to again check out the film industry. It proved to be a very smart move.

Harry graced a number of Oscar-caliber films during his character reign: The Life of Emile Zola (1937), You Can't Take It with You (1938), The Hunchback of Notre Dame (1939), Gone with the Wind (1939), All This, and Heaven Too (1940), Foreign Correspondent (1940), One Foot in Heaven (1941), Kings Row (1942) and The Ox-Bow Incident (1942). Several of his films also featured family or extended family members.

His brother-in-law Lionel Barrymore appeared in a number of Harry's films and Gone with the Wind (1939) also had a son and grandson in the cast.

Character fame on film came quite late for long-time stage actor Harry Davenport at age 70, but he made up for lost time in very quick fashion with well over a hundred film roles registered from the advent of sound to the time of his death in 1949. Beloved for his twinkle-eyed avuncular and/or grandfatherly types in both comedy and drama, Davenport also represented a commanding yet comforting wisdom in his more authoritative roles as judge, doctor, minister, senator, etc.

In an in-depth article on Harry by Ken Dennis in the Fall 2009 issue of Films of the Golden Age, it was revealed that Harry's second wife, Phyllis Rankin, also came from a family of actors, as did Harry. Her parents were McKee Rankin and Kitty Blanchard. Her sisters Doris and Gladys both married into the Barrymore family (Lionel Barrymore and Sidney Drew, respectively). Phyllis' son Arthur Rankin was raised by Harry and later acted.