Age, Biography and Wiki
Hans Canosa was born on 6 January, 1970 in Holden, Massachusetts, US, is an American film director (b. 1970). Discover Hans Canosa's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 54 years old?
Popular As |
N/A |
Occupation |
Film director Screenwriter Film editor Film producer |
Age |
54 years old |
Zodiac Sign |
Capricorn |
Born |
6 January, 1970 |
Birthday |
6 January |
Birthplace |
Holden, Massachusetts, US |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 6 January.
He is a member of famous Film director with the age 54 years old group.
Hans Canosa Height, Weight & Measurements
At 54 years old, Hans Canosa height not available right now. We will update Hans Canosa's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Hans Canosa Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Hans Canosa worth at the age of 54 years old? Hans Canosa’s income source is mostly from being a successful Film director. He is from United States. We have estimated Hans Canosa's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Film director |
Hans Canosa Social Network
Timeline
Toward Canosa's first project, Alma Mater, Film Threat wrote that with the film being set in 1963, it was a "stylistic throwback", but that it captures the era "quite well", in "terms of what the audience sees on the screen and in the way they see it."
Hans Canosa (born January 10, 1970) is an American film director, screenwriter, film editor and producer best known for his independent film Conversations with Other Women (2005), starring Aaron Eckhart and Helena Bonham Carter.
Canosa was born in Holden, Massachusetts, US, where he received a Fundamentalist Christian education from his parents.
Because their beliefs did not support films, Canosa did not go to a movie theater until he was 17 years old.
It was that day he first saw a film in a theater that Canosa first came up with the idea for a splitscreen film which he used in filming Conversations with Other Women.
Canosa first attended Atlantic Union College, then transferred to Harvard College (class '93).
There he directed several plays and videos.
While at Harvard, Canosa also met his partner Gabrielle Zevin when she was a cast member in a campus TV show he worked on.
Zevin would later go on to write the screenplay for Conversations with Other Women, and for Canosa's 2022 film The Storied Life of A. J. Fikry, adapting her own 2014 international bestseller.
He later entered New York University's graduate film program, but dropped out when he felt it was too restrictive for him.
In speaking toward Conversations with Other Women, Film Threat wrote "The story is deceptively simple – and yawningly familiar".
And in briefly addressing the plot of a man and woman, lovers when far younger, reuniting at a New York wedding reception over drinks and cigarettes, and rekindling their past attraction now that they are older and wiser, the reviewer praised Canosa by writing "director Hans Canosa transforms this over-used premise into something moving and memorable".
The Montreal Gazette noted that Canosa's use of a split screen format, gave "nuance" to what they termed a "brilliant, witty romance", and offered that it "is also one of the few movies that employs technical trickery to its advantage."
Contrarily, San Francisco Chronicle while also praising his film, felt that where other directors might use a split screen occasionally, Canosa's use of the effect for the entire film was "distancing, often frustrating and sometimes just plain odd."
They added that although the director's use of split screen might have been questionable, "Canosa brings it off with grace and inventiveness".
They felt the director created a 2002 film that felt like it had actually been shot in 1963.