Age, Biography and Wiki
Hanns Christian Löhr was born on 1961, is a German historian. Discover Hanns Christian Löhr's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 63 years old?
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He is a member of famous Historian with the age 63 years old group.
Hanns Christian Löhr Height, Weight & Measurements
At 63 years old, Hanns Christian Löhr height not available right now. We will update Hanns Christian Löhr's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Hanns Christian Löhr Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Hanns Christian Löhr worth at the age of 63 years old? Hanns Christian Löhr’s income source is mostly from being a successful Historian. He is from . We have estimated Hanns Christian Löhr's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Timeline
The three books each contain a catalogue of lost works of art that have been missing since 1945.
He published photographs of objects that had previously been largely unknown to researchers.
Hanns Christian Löhr (born 1961 in Marburg/Lahn) is a German historian.
Hanns Christian Löhr grew up in West Germany.
After graduating from high school, he studied ancient, medieval and contemporary history as well as philosophy at the University of Hamburg and the University of Bonn.
He completed his studies in 1988 with a master of arts degree.
In 1992 he received his Ph.D. from the University of Bonn in history under Klaus Hildebrand, with a thesis on the foundation of the modern state of Albania and the outbreak of the First World War.
Loehr's first book described the privatization of East German agriculture by the "Treuhandanstalt Berlin".
Later he concentrated his scientific research on National Socialist art theft.
In the course of this work he evaluated the photo file of the special commission Linz ("Sonderauftrag Linz") for the Führermuseum and the so called Führerbaukartei, which he was the first to identify in the archive of the former regional tax office Berlin, which was not open to the public at the time.
Both card indexes show a large part of the works of art acquired by Adolf Hitler.
As a result, a monograph on Hitler's looted art organization was published in 2005.
Together with the foundation German Historical Museum (represented by curator Monika Flacke) and the former Federal Office for Open Property Issues (represented by staff Angelika Enderlein), Löhr published the database on the "Special Commission Linz" on the Internet in 2008, which lists all works of art acquired for Hitler between 1939 and 1945.
In 2009 he published an analog work on the collection of Hermann Göring.
In September 2009, the Bavarian State Criminal Police Office, together with the Central Institute for Art History in Munich, secured the painting "The Sermon on the Mount" by Frans Francken the Younger, which he had listed as a loss from Hitler's collection in his book The Brown House of Art.
He supplemented his academic work on National Socialist cultural policy with a study on the architectural and cultural plans, which Hitler wanted to realize in his former hometown of Linz on the Danube.
In 2021 Löhr participated in the French database Répertoire des acteurs du marché de l'art en France sous l'Occupation, 1940-1945, RAMA as an author.
An analogous database was published by the same working group in 2012 for the Goering Collection.
Löhr lives and works as a provenance researcher in Berlin.
In 2018, the last work in this series to appear was a study on the art theft carried out by Hitler's chief ideologist Alfred Rosenberg during the Second World War.
Löhr thus published a trilogy on the three important National Socialist art thefts.