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Hamid Dabashi was born on 15 June, 1951 in Ahvaz, Imperial State of Iran (present-day Iran), is an American academic (born 1951). Discover Hamid Dabashi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 72 years old?

Popular As N/A
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Age 72 years old
Zodiac Sign Gemini
Born 15 June, 1951
Birthday 15 June
Birthplace Ahvaz, Imperial State of Iran (present-day Iran)
Nationality Iran

We recommend you to check the complete list of Famous People born on 15 June. He is a member of famous with the age 72 years old group.

Hamid Dabashi Height, Weight & Measurements

At 72 years old, Hamid Dabashi height not available right now. We will update Hamid Dabashi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Who Is Hamid Dabashi's Wife?

His wife is Golbarg Bashi (ex-wife)

Family
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Wife Golbarg Bashi (ex-wife)
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Hamid Dabashi Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Hamid Dabashi worth at the age of 72 years old? Hamid Dabashi’s income source is mostly from being a successful . He is from Iran. We have estimated Hamid Dabashi's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1951

Hamid Dabashi (born 1951) is an Iranian-American professor of Iranian Studies and Comparative Literature at Columbia University in New York City.

He is the author of over twenty books.

Among them are Theology of Discontent, several books on Iranian cinema, Staging a Revolution, the edited volume Dreams of a Nation: On Palestinian Cinema, and his one-volume analysis of Iranian history, Iran: A People Interrupted.

1984

Born and raised in the southern city of Ahvaz in Iran, Dabashi was educated in Iran and then in the United States, where he received a dual Ph.D. in sociology of culture and Islamic studies from the University of Pennsylvania in 1984, followed by a postdoctoral fellowship at Harvard University.

He wrote his dissertation on Max Weber's theory of charismatic authority with Freudian cultural critic Philip Rieff.

Hamid Dabashi's books are Iran: A People Interrupted, which traces the last two hundred years of Iran's history including analysis of cultural trends, and political developments, up to the collapse of the reform movement and the emergence of the presidency of Mahmoud Ahmadinejad.

Dabashi argues that "Iran needs to be understood as the site of an ongoing contest between two contrasting visions of modernity, one colonial, the other anticolonial".

His book Theology of Discontent, is a study of the global rise of Islamism as a form of liberation theology.

2001

His other book Close Up: Iranian Cinema, Past, Present, Future (2001) is a text on modern Iranian cinema and the phenomenon of (Iranian) national cinema as a form of cultural modernity and featured in the Lonely Planet travel guide for Iran.

In his essay "For the Last Time: Civilizations", he has also posited the binary opposition between "Islam and the West" as a major narrative strategy of raising a fictive centre for European modernity and lowering the rest of the world as peripheral to that centre.

In Truth and Narrative, he has deconstructed the essentialist conception of Islam projected by Orientalists and Islamists alike.

Instead he has posited, in what he calls a "polyfocal" conception of Islam, three competing discourses and institutions of authority – which he terms "nomocentric" (law-based), "logocentric" (reason-based) and "homocentric" (human-based) – vying for power and competing for legitimacy.

The historical dynamics among these three readings of "Islam", he concludes, constitutes the moral, political and intellectual history of Muslims.

2002

In 2002, Dabashi sharply criticized Rabbi Charles Sheer (who was the university's Jewish chaplain between 1969 and 2004) after he admonished several professors for cancelling their classes to attend pro-Palestinian rallies.

Dabashi wrote in the Columbia Spectator that Rabbi Sheer "has taken upon himself the task of mobilizing and spearheading a crusade of fear and intimidation against members of the Columbia faculty and students who have dared to speak against the slaughter of innocent Palestinians."

Dabashi was one of the three professors named in the Columbia Unbecoming controversy, which included accusations of antisemitism against the professors.

According to the New York Times, Dabashi was mentioned principally because of his published political viewpoints, and that he had canceled a class to attend a Palestinian rally.

The New York chapter of the American Civil Liberties Union sided with the professors.

In an interview with the Electronic Intifada in September 2002, Dabashi referred to the pro-Israel lobby as "Gestapo apparatchiks" and that "The so-called "pro-Israeli lobby" is an integral component of the imperial designs of the Bush administration for savage and predatory globalization."

He also criticized "fanatic zealots from Brooklyn" who have settled on Palestinian lands.

Dabashi has also harshly criticized the New York Times for what he describes as a bias towards Israel, stating that the paper is "the single most nauseating propaganda paper on planet."

2003

In an interview with AsiaSource in June 2003, Dabashi stated that supporters of Israel "cannot see that Israel over the past 50 years as a colonial state - first with white European colonial settlers, then white American colonial settlers, now white Russian colonial settlers—amounts to nothing more than a military base for the rising predatory empire of the United States. Israel has no privilege greater or less than Pakistan or Kuwait or Saudi Arabia. These are all military bases but some of them, like Israel, are like the hardware of the American imperial imagination."

2004

In September 2004, Dabashi sharply criticized Israel in the Egyptian newspaper Al-Ahram, writing that:

"What they call 'Israel' is no mere military state. A subsumed militarism, a systemic mendacity with an ingrained violence constitutional to the very fusion of its fabric, has penetrated the deepest corners of what these people have to call their 'soul.' What the Israelis are doing to Palestinians has a mirror reflection on their own soul -- sullied, vacated, exiled, now occupied by a military machinery no longer plugged to any electrical outlet. It is not just the Palestinian land that they have occupied; their own soul is an occupied territory, occupied by a mechanical force geared on self-destruction. They are on automatic piloting. This is they. No one is controlling anything. Half a century of systematic maiming and murdering of another people has left its deep marks on the faces of these people, the way they talk, the way they walk, the way they handle objects, the way they greet each other, the way they look at the world.

There is an endemic prevarication to this machinery, a vulgarity of character that is bone-deep and structural to the skeletal vertebrae of its culture."

Responding to Dabashi's Al-Ahram essay, Columbia University President Lee Bollinger said, "I want to completely disassociate myself from those ideas. They're outrageous things to say, in my view."

Jonathan Rosenblum, director of Jewish Media Resources, later also criticized Dabashi's column.

In The Bulletin, Herb Denenberg wrote that Dabashi's article "is not borderline racism. It's as gross and obvious as racism can get."

2005

Among his other work are his essays Artist without Borders (2005), Women without Headache (2005), For the Last Time Civilization (2001) and "The End of Islamic Ideology" (2000).

Hamid Dabashi is also the author of numerous articles and public speeches, ranging in their subject matters from Islamism, feminism, globalised empire and ideologies and strategies of resistance, to visual and performing arts in a global context.

Dabashi was consulted by Ridley Scott for Kingdom of Heaven (2005).

Scott claimed his film was approved and verified by Dabashi: "I showed the film to one very important Muslim in New York, a lecturer from Columbia, and he said it was the best portrayal of Saladin he's ever seen".

Dabashi was the chief consultant to Hany Abu-Assad's Paradise Now (2005) and Shirin Neshat's Women Without Men (2009).

An ad hoc committee formed by Lee C. Bollinger, Columbia University's president, reported in March 2005 that they could not find any credible allegations of antisemitism, but did criticize the university's grievance procedures, and recommended changes.

Dabashi has described the state of Israel as "a dyslexic Biblical exegesis," "occupied Palestine," "a vicarious avocation," "a dangerous delusion," "a colonial settlement," "a Jewish apartheid state," and "a racist apartheid state".

2010

Dabashi appears in Bavand Karim's Nation of Exiles (2010), providing analysis of the Iranian Green Movement.

Dabashi has also served as jury member on many international art and film festivals, most recently the Locarno International Festival in Switzerland.

In the context of his commitment to advancing trans-national art and independent world cinema, he is the founder of Dreams of a Nation, a Palestinian Film Project, dedicated to preserving and safeguarding Palestinian Cinema.

For his contributions to Iranian cinema, Mohsen Makhmalbaf, the Iranian film-maker called Dabashi "a rare cultural critic".

Dabashi has been a commentator on a number of political issues, often regarding the Middle East, Columbia University, American foreign policy, or a combination of those.