Age, Biography and Wiki

Gregorio Fernandez was born on 25 May, 1904 in Sarria, Spain, is a Spanish artist (1576-1636). Discover Gregorio Fernandez's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?

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Occupation director,actor,writer
Age 69 years old
Zodiac Sign Gemini
Born 25 May, 1904
Birthday 25 May
Birthplace Sarria, Spain
Date of death 1636
Died Place Valladolid, Spain
Nationality Spain

We recommend you to check the complete list of Famous People born on 25 May. He is a member of famous Director with the age 69 years old group.

Gregorio Fernandez Height, Weight & Measurements

At 69 years old, Gregorio Fernandez height not available right now. We will update Gregorio Fernandez's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Who Is Gregorio Fernandez's Wife?

His wife is María Pérez Palencia (m. 1605–1636)

Family
Parents Not Available
Wife María Pérez Palencia (m. 1605–1636)
Sibling Not Available
Children Not Available

Gregorio Fernandez Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Gregorio Fernandez worth at the age of 69 years old? Gregorio Fernandez’s income source is mostly from being a successful Director. He is from Spain. We have estimated Gregorio Fernandez's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Director

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Timeline

1636

Gregorio Fernández (April 1576 – 22 January 1636) was a Spanish Baroque sculptor.

He belongs to the Castilian school of sculpture, following the style of other great artists like Alonso Berruguete, Juan de Juni, Pompeyo Leoni, and Juan de Arfe.

Gregorio Fernández was born in Sarria, in what is now the province of Lugo, Galicia.

Later in his life he travelled to Valladolid, lured by the royal household.

After working as an assistant in other studios, Gregorio Fernández founded his own, where he received many apprentices and collaborators and developed a huge activity thanks to his wide clientele.

After his death, Gregorio Fernández left many pupils who followed his style, but he did not have any significant disciples.

He achieved great reputation during his life, a good example of this would be the fact that in his tomb in the convent of the Carmen Calzado a portrait of him was placed, painted by his friend Diego Valentín Díaz, accompanied by a text praising his work.

Gregorio Fernández was a great expert on his trade, which he practiced with high technical perfection.

His extensive knowledge of the human body allowed him to create highly detailed anatomies with the hardness of bones, the tension of muscles, the tenderness of flesh or the smoothness of skin.

Compared to the extreme expressiveness of the bodies, the robes are heavy, cardboard like, arranged in sharp and rigid folds which produce a strong contrast of light and shadow.

The deep expressive world of his figures Swings between the dramatic quality of physical and moral pain and the evasion of mystical experience, and is expressed through calm postures and restrained gesticulation, leaving the greatest expressive influence to both face and hands, all of that in a simple composition.

The quality of his works was improved thanks to the extensive collaboration of painters who developed the polychrome of the statues.

The embodiments are usually matt and plain colours stand out in the cloths, except for the small borders which are more colorful.

The realism is accentuated with the help of added false elements which boost the feeling of authenticity: eyes are made of glass, nails and teeth of ivory, blood clots of cork, sweat drops and tears of resin.

Fernández created sculptures for altarpieces and

“pasos procesionales”, like Camino del Calvario (Spanish for “the way to Calvary”).

He made many iconographic images (Cristo Yacente, La Piedad, el Ecce Homo, Santa Teresa) which served as models for other artists for many years to come.

He died in Valladolid.