Age, Biography and Wiki

Greg Smallman was born on 19 June, 1947 in Australia, is an Australian luthier (born 1947). Discover Greg Smallman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 76 years old?

Popular As N/A
Occupation N/A
Age 76 years old
Zodiac Sign Gemini
Born 19 June, 1947
Birthday 19 June
Birthplace N/A
Nationality Australia

We recommend you to check the complete list of Famous People born on 19 June. He is a member of famous with the age 76 years old group.

Greg Smallman Height, Weight & Measurements

At 76 years old, Greg Smallman height not available right now. We will update Greg Smallman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Greg Smallman Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Greg Smallman worth at the age of 76 years old? Greg Smallman’s income source is mostly from being a successful . He is from Australia. We have estimated Greg Smallman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1947

Greg Smallman (born 19 June 1947 in Cronulla, Australia) is the first internationally successful non-traditional Australian guitar-maker.

He is known worldwide for his innovative guitar designs Although his guitars are in outward appearance similar to a traditional Spanish classical guitar, there are numerous innovative differences.

Among the differences from the classical Spanish guitar is the use of a high, arched and carved back, which is considerably thicker and heavier than for a conventional guitar.

The back is made of Madagascar rosewood, while the top is always made of western red cedar.

The light weight of the top combined with Smallman's unique system of bracing makes the guitar very responsive to input with a full rounded sound (not thin).

The top of Smallman guitars is braced using a "lattice" framework composed of balsa wood and carbon fibre.

By contrast, traditional classical guitars use struts made of cedar or spruce arranged in a "fan" shape.

The world-renowned classical guitarists John Williams, Miloš Karadaglić, Xuefei Yang and many others use Greg Smallman guitars.

1999

In 1999 the Greg Smallman label changed to Greg Smallman & Sons Damon & Kym.

2002

Based for many years in Glen Innes, New South Wales, in 2002 the Smallmans briefly relocated to the Mornington Peninsula outside Melbourne.

The Greg Smallman and Sons workshop is now located near Esperance, Western Australia.

2012

They did not have a website till 2012.

Greg Smallman is admired for the open way in which he shares his ideas.

He does not hide them from fellow luthiers, nor has he patented them.

A large number of luthiers worldwide have incorporated Smallman's design innovations into their own guitar designs.

"'The Australian luthier, Greg Smallman has been responsible for a minor revolution in guitar design, bringing some subtle but important changes to the classical instrument that have had a more profound effect than those contributed by any other modern maker.'"

"'What I find interesting and wonderful about Greg's approach, is that he starts from admiring the traditional - not knocking it, but wanting to know if it's possible to improve it in some way. He has quite clearly done that for me. Basically, he is making the guitar a more musical instrument.'"

"'Smallman's significance to the development of the classical guitar worldwide places him on an evolutionary chart as successor to the heritage established by Torres and Fleta.'"

"'I feel that the loudness of Greg's guitars is a by-product of their musical qualities rather than an end in itself'"