Age, Biography and Wiki
Gordon Watson (pianist) was born on 28 February, 1921 in Australia, is an Australian classical pianist and teacher. Discover Gordon Watson (pianist)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 78 years old?
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Age |
78 years old |
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Pisces |
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28 February, 1921 |
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28 February |
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Date of death |
16 April, 1999 |
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Australia
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We recommend you to check the complete list of Famous People born on 28 February.
He is a member of famous pianist with the age 78 years old group.
Gordon Watson (pianist) Height, Weight & Measurements
At 78 years old, Gordon Watson (pianist) height not available right now. We will update Gordon Watson (pianist)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Gordon Watson (pianist) Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Gordon Watson (pianist) worth at the age of 78 years old? Gordon Watson (pianist)’s income source is mostly from being a successful pianist. He is from Australia. We have estimated Gordon Watson (pianist)'s net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Source of Income |
pianist |
Gordon Watson (pianist) Social Network
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Timeline
The Australian pedagogue and composer Alex Burnard (1900–1971), a student of Ralph Vaughan Williams, wrote a set of Twelve Folk-Songs Settings for Watson.
Gordon Charles Watson AM (28 February 1921 – 16 April 1999) was an Australian classical pianist and teacher.
Gordon Charles Watson was born in Parkes, New South Wales in 1921.
He served with the Australian Imperial Force for four years in World War II.
He studied piano under Laurence Godfrey Smith in Sydney, and later had advanced studies at Mills College, Oakland, California with Egon Petri (piano), and Darius Milhaud (composition).
As early as 1943, commentators such as Neville Cardus were noticing that his piano playing, while showing great skill and promise, revealed the soul of someone other than a performer (Cardus suggested composing or conducting might be Watson's natural bents).
Watson spent some years living in the United Kingdom as a touring performer.
In 1950 in London he also gave some months of lessons to another of Burston's pupils, Geofrey Parsons.
On 22 October 1951, to celebrate the 140th anniversary of the birth of Franz Liszt, he performed the complete Transcendental Études in a concert at the Wigmore Hall.
On that occasion he also premiered Humphrey Searle's Piano Sonata, Op. 21, written for the occasion.
(The sonata was loosely based on Liszt's Sonata in B minor and has been described as "probably, both the finest and most original piano work ever produced by a British composer". ) Watson later recorded the sonata, but the recording was quickly deleted.
In 1951 he was chosen by Constant Lambert to play the difficult piano part in the premiere of his final ballet, Tiresias.
In late 1952 he gave the premiere performance of Darius Milhaud's 1st Piano Concerto, in London.
In 1954/55, Watson commissioned a piano concerto from Humphrey Searle (his first), but was unable to be the soloist at the premiere at the Cheltenham Festival in July 1955 as he was touring in Australia.
He did, however, premiere Searle's 2nd Piano Concerto, Op. 27, on 14 August 1956, at the Royal Albert Hall, with the BBC Symphony Orchestra under John Hollingsworth.
In 1957 he was able to introduce Searle to his teacher Egon Petri.
In 1958 on a visit home to Sydney he was asked by Winifred Burston, a renowned piano teacher at the Sydney Conservatorium of Music, to assess the young Larry Sitsky's skills.
He did so, and he and Burston jointly formed the view that Sitsky would benefit from study with Egon Petri, who accepted him as a pupil.
Sitsky went on to study with Petri for over three years, from May 1958 until the end of 1961.
He taught at the Sydney Conservatorium of Music from 1964 to 1986, retiring as Head of the Keyboard Department.
In 1964 Sir Bernard Heinze appointed Watson to succeed Winifred Burston on the teaching staff of the Sydney Conservatorium.
Watson wrote the sleeve notes for the LP recording of classic Egon Petri performances issued by EMI in 1967 as number 7 in its Great Instrumentalists series.
He was a juror for the Sydney International Piano Competition in 1981 and 1985.
He was the head of the Keyboard Department until 1986, being succeeded by Elizabeth Powell.
Gordon Watson was appointed a Member of the Order of Australia (AM) in the Australia Day Honours of 1987, for his services to music as a performer and teacher.
An obituary appeared in The Sydney Morning Herald on 27 April.