Age, Biography and Wiki
Giuseppe Pinot-Gallizio was born on 1902, is a Giuseppe Pinot Gallizio was painter. Discover Giuseppe Pinot-Gallizio's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 62 years old?
Popular As |
N/A |
Occupation |
N/A |
Age |
62 years old |
Zodiac Sign |
|
Born |
1902, 1902 |
Birthday |
1902 |
Birthplace |
N/A |
Date of death |
1964 |
Died Place |
N/A |
Nationality |
|
We recommend you to check the complete list of Famous People born on 1902.
He is a member of famous painter with the age 62 years old group.
Giuseppe Pinot-Gallizio Height, Weight & Measurements
At 62 years old, Giuseppe Pinot-Gallizio height not available right now. We will update Giuseppe Pinot-Gallizio's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Giuseppe Pinot-Gallizio Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Giuseppe Pinot-Gallizio worth at the age of 62 years old? Giuseppe Pinot-Gallizio’s income source is mostly from being a successful painter. He is from . We have estimated Giuseppe Pinot-Gallizio's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
painter |
Giuseppe Pinot-Gallizio Social Network
Instagram |
|
Linkedin |
|
Twitter |
|
Facebook |
|
Wikipedia |
|
Imdb |
|
Timeline
Giuseppe Pinot-Gallizio (1902–1964) was an Italian painter, the formulator of industrial painting, and a founding member of the Situationist International.
He was also a scholar of popular culture, archaeology, nomadism, and botany.
Pinot-Gallizio was born in Alba, Piedmont, where he became an independent Left councilman and a chemist.
In 1955, he met Asger Jorn, with whom he co-founded the Experimental Laboratory of the Imaginist Bauhaus in Alba, which was part of the International Movement for an Imaginist Bauhaus, in opposition to the return to productivism by others in the Bauhaus school, in particular Max Bill.
It was held in Pinot-Gallizio's studio, a monastery from the seventeenth century, and was attended by such artists as Enrico Baj who experimented with nuclear painting techniques, Walter Olmo, who experimented with musical interventions, Ettore Sottsass, Elena Verrone, and Piero Simondo.
Pinot-Gallizio drew from his background as a chemist in developing new painting techniques.
In 1956 he, along with Jorn, organized the First World Congress of Free Artists, at which a representative from the Lettrist International spoke, foreshadowing the foundation of the Situationist International in 1957 by members of both groups, including Pinot-Gallizio.
At this conference, the Italian artists withdrew from the Laboratory, and after the formation of the SI only Pinot-Gallizio and his son, Giors Melanotte, remained.
The first of these was the cavern of anti-matter, prepared in 1957 after the formation of the SI.
It was composed of 145 metre canvases which were painted by hand or with the aid of spray guns and machines using resins invented by Pinot-Gallizio himself.
He helped to make the SI known in the art world with an exhibition in Paris in 1959.
It was displayed at the Galerie René Drouin in 1959, draped around the gallery and sold by the meter.
He left the SI in 1960 as it became focused on political, rather than artistic, action.
He died in Alba in 1964, and the laboratory continued its work until his death.
Many of Pinot-Gallizio's works were industrial paintings.
Rather than a small image to be interpreted, these huge canvases were intended to cover a large area.