Gilbert & George

Gilbert Prousch, sometimes referred to as Gilbert Proesch (born 17 September 1943), and George Passmore (born 8 January 1942) are artists who work together as the collaborative art duo Gilbert & George.

They are known for their formal appearance and manner in performance art, and for their brightly coloured graphic-style photo-based artworks.

The two first met on 25 September 1967 while studying sculpture at Saint Martin's School of Art.

The two claim they came together because George was the only person who could understand Gilbert's rather poor English.

Since 1968, Gilbert & George have been residents of Fournier Street, Spitalfields, East London.

Whilst still students, Gilbert & George made The Singing Sculpture, which was performed at the National Jazz and Blues Festival in 1969 and at the Nigel Greenwood Gallery in 1970.

For this performance they covered their heads and hands in multi-coloured metalised powders, stood on a table, and sang along and moved to a recording of Flanagan and Allen's song "Underneath the Arches", sometimes for a day at a time.

The suits they wore for this became a uniform for them.

They rarely appear in public without wearing them.

It is also unusual for one of the pair to be seen without the other.

The pair regard themselves as "living sculptures".

They refuse to dissociate their art from their everyday lives, insisting that everything they do is art.

Between 1970 and 1974 they made drawings (referred to as 'Charcoal on Paper Sculptures') and paintings to give a more tangible form to their identity as 'living sculptures'.

One of their first notable works of art was a photographic self-portrait of them wearing their trademark suits.

George the Cunt and Gilbert the Shit was so titled in order to pre-empt criticism.

In 1986, Gilbert & George were criticised for a series of pictures seemingly glamourising 'rough types' of London's East End such as skinheads, while a picture of an Asian man bore the title "Paki".

Some of their work has attracted media attention because of the inclusion of (potentially) shocking imagery, such as nudity, depictions of sexual acts, and bodily fluids (faeces, urine and semen).

The titles of these works, such as Naked Shit Pictures (1994) and Sonofagod Pictures (2005), also contributed to the attention.

In a 2002 interview with The Daily Telegraph, they said of their meeting: "it was love at first sight".

They married in 2008.

They are often seen together on walks through East London.

They were listed as among the fifty best-dressed over-50s by The Guardian in March 2013.

The pair are known for their large scale photo works, known as The Pictures.

The early work in this style is in black and white, later with hand-painted red and yellow touches.

They proceeded to use a range of bolder colours, sometimes backlit, and overlaid with black grids.

Their work has addressed a wide variety of subject matter including religion and patriotism.

The two artists also often appear in their own "pictures".

They have described their "pictures" as a sort of "visual love letter from us to the viewer".

In 2017 the pair celebrated their 50th anniversary as collaborators.

In April 2023 Gilbert & George opened the Gilbert & George Centre in Heneage Street, London E1, to showcase their work in regular exhibitions.

Gilbert Prousch was born in San Martin de Tor in South Tyrol, northern Italy, his native language being Ladin.

He studied art at the Sëlva School of Art in Val Gardena and Hallein School of Art in Austria and the Akademie der Kunst, Munich, before moving to England.

George Passmore was born in Plymouth in the United Kingdom, to a single mother in a low-income household.

He dropped out of regular school by the time he was fifteen years old and studied art at Dartington College of Arts and then Oxford School of Art.

They live in an 18th-century house that has been restored to its original decor.

Their entire body of work has been created in, and focused on, London's East End, which they see as a microcosm.

According to George, "Nothing happens in the world that doesn't happen in the East End."

Gilbert and George claim that their approach to art has always been anti-elitist.

Adopting the slogan 'Art for All', they aimed to be relevant beyond the narrow confines of the art world.

Although they work in a variety of media, they have always referred to all of their works as "sculpture".