Age, Biography and Wiki

Getulio Alviani was born on 5 September, 1939, is an Italian painter (1939–2018). Discover Getulio Alviani's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 78 years old?

Popular As N/A
Occupation N/A
Age 78 years old
Zodiac Sign Virgo
Born 5 September, 1939
Birthday 5 September
Birthplace N/A
Date of death 24 February 2018 in Milan
Died Place N/A
Nationality

We recommend you to check the complete list of Famous People born on 5 September. He is a member of famous painter with the age 78 years old group.

Getulio Alviani Height, Weight & Measurements

At 78 years old, Getulio Alviani height not available right now. We will update Getulio Alviani's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Getulio Alviani Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Getulio Alviani worth at the age of 78 years old? Getulio Alviani’s income source is mostly from being a successful painter. He is from . We have estimated Getulio Alviani's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income painter

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Timeline

1939

Getulio Alviani (5 September 1939 in Udine – 24 February 2018 in Milan) was an Italian painter based in Milan.

He is considered to be an important International Optical - kinetic artist.

Alviani was born in Udine, where he showed talent for design and geometric drawing from his childhood.

He enrolled in the Venice Art School, but soon showed little interest in his studies, spending afternoons in Venice's museums in contemplation of classical masterpieces.

He also started doing small jobs for local architects, and helped local artists in inking projects such as etchings.

His first series was "The Wires", inspired by aerial electric wires.

Fascinated by some polished aluminium surfaces found in a factory in which he was working: after further polishing and abrasion, he created his landmark "Superfici a testura vibratile" (vibrating texture surfaces), winning international acclaim.

1961

In 1961 he was invited to the Zagreb exhibition "Nove Tendencije", together with other artists working along similar lines and exploring the opportunities of a dynamic art which interacts with the viewer.

He started exchanging ideas with artists like Julio Le Parc, François Morellet and Enrico Castellani, actively participating in the activities of the so-called G.R.A.V. (Groupe de Recherche d'Art Visuelle) in Paris.

1962

In 1962 he moved to Milan, where he became friends with Piero Manzoni and Lucio Fontana, who was very interested in his works and bought some of his "surfaces".

He also worked with other famous artists like Max Bill, Bruno Munari and Josef Albers.

1964

In 1964 he was invited to show at the Venice Biennale, successfully sharing a room with Enrico Castellani.

1965

In 1965 Alviani took part in The Responsive Eye at MoMA in New York, together with other artists associated with Kinetic and Programmed Art.

His work was purchased by MoMA and used as a poster image for the museum's next exhibition, "The New Acquisitions".

1968

In 1968 he was invited at Kassel's Documenta 4.

1970

Throughout the 1970s he travelled to South America, and accepted, upon request of Jesús Rafael Soto, the directorship of the Jesús Soto Museum of Modern Art, Ciudad Bolívar, Venezuela.

1984

His work was again included in the Venice Biennale in 1984, 1986 and 1993.

He also exhibited at the Milan Triennale, the Kunsthaus Graz, Palazzo delle Papesse in Siena, Academie de France in Rome, the Buenos Aires Biennale, the travelling exhibition "Light, Movement and Programming", and the Rome Quadriennale.

Alviani's works are actively traded in Italian and international modern art auctions, such as the "Italian sales" held in London by Christie's and Sotheby's. Among his works, the most appreciated by the market are the "Superfici a testura variabile" where the polished aluminium reflects the light in different hues according to the angle at which they are viewed.

Other works by Alviani are the "chromodynamic surfaces", where primary colour interactions are studied, and his "mirrors" with their illusion of rings created on reflecting metal surfaces.

1987

He also edited with Giancarlo Pauletto a book on Michel Seuphor (1987), and contributed with his photographs to a book of Pauletto and Margaret A. Miller on Richard Anuszkiewicz (1988).

1988

Alviani was the author of a book on Josef Albers (1988).