Gerald Barry

Gerald Barry (born 28 April 1952) is an Irish composer.

Gerald Barry was born in Clarehill, Clarecastle, County Clare, in the Republic of Ireland.

He was educated at St. Flannan's College, Ennis, County Clare.

He went on to study music at University College Dublin, in Amsterdam with Peter Schat, in Cologne with Karlheinz Stockhausen and Mauricio Kagel, and in Vienna with Friedrich Cerha.

The Intelligence Park (1981–8)

Barry taught at University College Cork from 1982 to 1986.

Growing up in rural Clare, he had little exposure to music except through the radio: "The thing that was the lightning flash for me, in terms of Saint Paul on the road to Damascus, would have been an aria from a Handel opera, from Xerxes maybe, that I heard on the radio. I heard this woman singing this, and bang – my head went. And that was how I discovered music."

"Barry's is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else's in its diamond-like hardness, its humour, and sometimes, its violence."

He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television opera The Triumph of Beauty and Deceit:"It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn't just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward."

His most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican, London.

Libretto by Vincent Deane, was commissioned by the London Institute of Contemporary Arts and premiered at the 1990 Ameida Opera Festival staged by David Fielding, broadcast on BBC Radio 3 and recorded on NMC Recordings.

The Triumph of Beauty and Deceit (1991–92)

With a libretto by Meredith Oakes, it was commissioned by Channel 4 Television with the Composers Ensemble conducted by Diego Masson.

The Bitter Tears of Petra von Kant (2001-4)

It was staged at the 2002 Aldeburgh Festival by Nigel Lowery, conducted by Thomas Adès, and toured to the London Almeida Festival and the Berliner Festwochen.

Concert performances followed with the Los Angeles Philharmonic and the Birmingham Contemporary Music Group in New York and in Radio France, Paris.

To the text by Rainer Werner Fassbinder, the opera received its first staging in 2005 at English National Opera directed by Richard Jones and was revived in 2007 at Theater Basel.

It was done in concert in 2005 by the NSO in Dublin.

Acts 1, 3 and 4 were the basis of Barry’s Piano Concerto commissioned by Musica Viva, Munich, and performed by Nicholas Hodges and the Bavarian Radio Symphony Orchestra under Peter Rundel.

In 2022 the Berlin Philharmonic commissioned a version of Act 2 as a Double Bass concerto played by Matthew McDonald and conducted by John Storgards.

La Plus Forte (2007)

To the text by Strindberg, this one-woman opera was commissioned by Radio France for the 2007 Festival Présence in Paris and sung by Barbara Hannigan with the CBSO conducted by Thomas Adès.

It was subsequently done in Miami, Dublin, London, Toronto, Amsterdam and Porvoo.

The Importance of Being Earnest (2010)

To a libretto by Gerald Barry based on Oscar Wilde’s text, it was commissioned by the Los Angeles Philharmonic and the Barbican.

After concert performances with Thomas Adès in Los Angeles, London and Birmingham, it was staged at Opéra Nationale de Lorraine-Nancy by Sam Brown and broadcast on France Musique, in Belfast and Dublin by Northern Irish Opera and Irish National Opera staged by Antony McDonald, at Nouvel Opéra Fribourg and Théâtre de L’Athénée, Paris, by Julien Chavaz, conducted by Jerome Kuhn, and the Royal Opera House Linbury Theatre by Ramin Gray.

This production travelled to the Lincoln Center, New York, with the New York Philharmonic and Ilan Volkov.

A critic comments:"He writes 'what he likes' in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialities, a kind of platform for his own musical specialities. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they've been out for the day. In Gerald's opera the whole apparatus – for that's what it is – takes on a kind of surrealistic shape, like one person's torso on someone else's legs being forced to walk, half the characters in the opera and half the composer."The Importance of being Earnest was awarded the Royal Philhamonic Society Prize for Large Scale Composition in 2013.

In 2022 the Berlin Philharmonic commissioned Aus Die bitteren Tränen der Petra von Kant, a double bass concerto based on Act 2 from Petra, premiered in Berlin in June 2022, played by Matthew Mcdonald and conducted by John Storgards.

In September 2022 the Berlin Philharmonic played Barry’s orchestral piece, Chevaux de frise, conducted by Thomas Adès.

Barry’s Kafka’s Earplugs was premiered at the 2023 BBC Proms with the BBC Philharmonic conducted by John Storgards.

In 2013 it was staged at the Badisches Staatsthater Karlsruhe by Sam Brown.

It was awarded the Royal Philharmonic Society Prize for Large-Scale Composition in 2013.

The NMC recording was nominated for a Grammy Award.

Alice's Adventures Under Ground (2014/15)

To a libretto by Gerald Barry based on the Lewis Carrol text, Alice was commissioned by the Los Angeles Philharmonic, the Barbican Centre and Britten Sinfonia.

It was subsequently seen at Dublin’s Gate Theatre, The Irish Museum of Modern Art and in a new staging by Nigel Lowery at the Royal Opera House Linbury Theatre in 2019.

The libretto was translated into German by Harald Beck.

The English language version was premiered in 2019 in Amsterdam by Kerstin Avemo and The Concertgebouw Orchestra with Thomas Adès.

It will be recorded by the BBC Concert Orchestra in 2024 at Alexandra Palace, London, and semi-staged at Nouvel Opéra Fribourg in 2024 with Alison Scherzer, soprano, and conducted by Jerome Kuhn.