Age, Biography and Wiki
George Barnes (George Scott Barnes) was born on 16 October, 1892 in Pasadena, California, USA, is a cinematographer,camera_department. Discover George Barnes's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?
| Popular As |
George Scott Barnes |
| Occupation |
cinematographer,camera_department |
| Age |
60 years old |
| Zodiac Sign |
Libra |
| Born |
16 October, 1892 |
| Birthday |
16 October |
| Birthplace |
Pasadena, California, USA |
| Date of death |
30 May, 1953 |
| Died Place |
Los Angeles, California, USA |
| Nationality |
United States
|
We recommend you to check the complete list of Famous People born on 16 October.
He is a member of famous Cinematographer with the age 60 years old group.
George Barnes Height, Weight & Measurements
At 60 years old, George Barnes height not available right now. We will update George Barnes's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is George Barnes's Wife?
His wife is Margaret Atkinson (9 June 1947 - 30 May 1953) ( his death), Melba Marshall (1939 - 1945) ( divorced) ( 2 children), Betty Wood (13 September 1936 - 11 May 1938) ( divorced) ( 1 child), Joan Blondell (4 January 1933 - 4 September 1936) ( divorced) ( 1 child), Marie Namara (15 February 1926 - 1932) ( divorced), Ethel Johnson (13 March 1923 - 23 March 1923) ( divorced), Helen Howell (27 January 1915 - ?) ( divorced)
| Family |
| Parents |
Not Available |
| Wife |
Margaret Atkinson (9 June 1947 - 30 May 1953) ( his death), Melba Marshall (1939 - 1945) ( divorced) ( 2 children), Betty Wood (13 September 1936 - 11 May 1938) ( divorced) ( 1 child), Joan Blondell (4 January 1933 - 4 September 1936) ( divorced) ( 1 child), Marie Namara (15 February 1926 - 1932) ( divorced), Ethel Johnson (13 March 1923 - 23 March 1923) ( divorced), Helen Howell (27 January 1915 - ?) ( divorced) |
| Sibling |
Not Available |
| Children |
Not Available |
George Barnes Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is George Barnes worth at the age of 60 years old? George Barnes’s income source is mostly from being a successful Cinematographer. He is from United States. We have estimated George Barnes's net worth, money, salary, income, and assets.
| The Awakening (1928) | $500 per week |
George Barnes Social Network
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| Wikipedia |
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| Imdb |
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Timeline
Veteran cinematographer George S. Barnes had a well-earned reputation for reliability and a knack for combining artistry with economic efficiency. As a result, he was seldom out of work. Having started as a still photographer for Thomas H. Ince in 1918, Barnes quickly rose through the ranks to director of photography.
In the course of his career he spent time at just about every major studio in Hollywood: Paramount (1919-21), Metro (1924-25), United Artists (1926-31), MGM (1932), Warner Brothers (1933-38), 20th Century-Fox (1940-41), Universal (1942) and RKO (1942-48).
During the 1920s he was the primary cinematographer for Samuel Goldwyn and was largely responsible for the success of films like The Dark Angel (1925). Under his auspices Gregg Toland learned his craft, particularly Barnes' trademark soft-edged, deep-focus photography and intuitive composition and camera movement. Barnes was an expert at lighting. He often utilized curtains or reflective surfaces to create patterns of light and shade. Most importantly, he perfectly suited the required style of photography to each individual assignment.
He also excelled at shooting vivid dramatic scenes, such as the flood sequences featured in The Winning of Barbara Worth (1926).
At Warner Brothers the dark, somewhat grainy texture of films like Marked Woman (1937) was in sync with the realistic look the studio wanted to achieve for its product.
He had a child, Norman S. Powell, with Joan Blondell. He gave up parental rights to Norman in 1938, when Blondell's new husband Dick Powell adopted him.
Barnes did his best work in the 1940s, shooting two classic Alfred Hitchcock thrillers: for Rebecca (1940) he created an atmosphere of sinister foreboding, right from the beginning, with his shots of Manderley (Barnes was hired because Toland was unavailable, but he ended up winning an Academy Award); and Spellbound (1945), with its unsettling surrealist Salvador Dalí-designed dream sequence of wheels, eyes and staircases.
He brought a vivid opulence to the dullish Technicolor romance Frenchman's Creek (1944), making it a triumph of style over content.
In contrast, he created a suitably lavish look for his color photography, which enlivened two charismatic swashbuckling adventures, The Spanish Main (1945) and Sinbad, the Sailor (1947). Popular with directors and producers (though he was once fired by David O.
His 'catoon colours' were just as perfectly suited to the fantasy adventure Sinbad, the Sailor (1947).
A lesser, but nonetheless good-looking, addition to Barnes' resume is a minor film noir, The File On Thelma Jordon (1949).
