Gary Trousdale

Gary Trousdale (born June 8, 1960) is an American animator, film director, screenwriter and storyboard artist.

Wise recalled, "Gary and I actually met at CalArts in my first year, that would've been 1981 ...We didn't cross paths again until I was at Disney. I worked at the end of The Great Mouse Detective, I got laid off for a year and came back in '87/'88 on Oliver & Company in the story department and that's where Gary and I started working together."

He was hired in 1982 to design storyboards and do other animation.

He then went to work designing restaurant menus and T-shirts.

Trousdale was hired by Walt Disney Productions in 1984 as an inbetween effects animator on The Black Cauldron (1985).

Trousdale then worked as a storyboard artist on Oliver & Company (1988) and The Little Mermaid (1989).

It was on the former film Trousdale became re-acquainted with Kirk Wise, his future collaborator.

In 1988, Richard Purdum had been hired to direct Beauty and the Beast (1991).

A storyboard reel was screened for Jeffrey Katzenberg, to which he strongly disapproved declaring it was too dark and dramatic.

As a result, in December 1989, Purdum amicably resigned as director.

At the time, Trousdale and Wise were developing Goofy of the Apes, a spoof of Tarzan of the Apes starring Goofy.

Trousdale and Wise received a phone call from Charlie Fink, the studio's vice president of creative affairs, requesting they board "a plane next Monday for New York".

Recalling their success on Cranium Command, Katzenberg had been considered them as potential candidates to direct the film.

Both men met with Katzenberg, Howard Ashman, Peter Schneider, Don Hahn, and Linda Woolverton to begin overhauling the story, and subsequently flew back to Glendale.

Within three months, they served as acting directors before they became the film's official directors.

As directors, Trousdale directed the live-action reference footage and supervised the layout and special effects, while Wise supervised the character animation and character cleanup.

Both directors nevertheless were involved in the art direction, storyboarding, voice recording, editing, and background design.

While working on The Rescuers Down Under (1990), Trousdale and Wise were fired from the project due to creative differences, most particularly after their desire to have an Aboriginal Australian child actor hired to voice Cody was ignored.

They both moved to Orlando, Florida to the Disney-MGM Studios where they developed a Roger Rabbit short film titled Buggy Buggy Blunder, which told of Baby Herman's stroller getting away from Roger while they were out in the city.

Their pitch was rejected by the studio's management.

Trousdale and Wise then directed the animated opening sequence for Cranium Command, an attraction ride at the Walt Disney World Resort's EPCOT Center.

Trousdale explained, "...there was a shakeup on the directorial side... they said you guys go, that's how we got put together."

He is best known for directing films such as Beauty and the Beast (1991), The Hunchback of Notre Dame (1996), and Atlantis: The Lost Empire (2001).

He frequently works with Kirk Wise and Don Hahn.

Trousdale was raised in La Crescenta, north of Glendale, California.

He had planned to be an architect, but had failed at math.

Instead, he had decided to study animation at CalArts, where he studied for three years.

After his studying, he applied to work as an animator for Carter/Mendez Productions.

Beauty and the Beast was released to critical acclaim, and by February 1992, it became the first animated film to gross $100 million in North America alone.

The film was subsequently nominated for an Academy Award for Best Picture, becoming the first animated film to achieve this feat.

However, in 1993, both directors received a phone call from Katzenberg, telling them: Guys, drop everything—you're working on Hunchback now.

That same month, Trousdale and Wise helped to rewrite The Lion King (1994), working alongside Hahn, Roger Allers, Brenda Chapman, and Chris Sanders to conceive a new story outline in two days.

For about a year, Trousdale and Wise developed Song of the Sea, an animated retelling of the Greek myth of Orpheus and Eurydice but with humpback whales.

During the film's production, in November 1995, Trousdale and Wise signed a long-term contract extension with Disney.

Upon release, the film earned $325 million worldwide, though it received a mixed response from film critics.

The Hunchback of Notre Dame (1996) reunited most of the production team that had worked on Beauty and the Beast (1991), with the inclusion of two Parisian-based animators Paul and Gaëtan Brizzi.

Together, they embarked to create a more complex, literary, and sophisticated film than its predecessor.

In October 1996, Trousdale, Wise, Hahn, and screenwriter Tab Murphy decided their next film should be an action-adventure film during lunch at a Mexican restaurant.

The resulting film became Atlantis: The Lost Empire, released in 2001.

Prior to the film's release, Trousdale and Wise were developing a theatrical sequel, which would have told of another attempted re-take of Atlantis, in which Milo Thatch and his crew battle Helga Sinclair.