Age, Biography and Wiki

Frank McComb was born on 15 July, 1970 in Cleveland, Ohio, is a Frank McComb is soul singer and record producer soul singer and record producer. Discover Frank McComb's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 53 years old?

Popular As N/A
Occupation Singer, songwriter
Age 53 years old
Zodiac Sign Cancer
Born 15 July, 1970
Birthday 15 July
Birthplace Cleveland, Ohio
Nationality United States

We recommend you to check the complete list of Famous People born on 15 July. He is a member of famous Singer with the age 53 years old group.

Frank McComb Height, Weight & Measurements

At 53 years old, Frank McComb height not available right now. We will update Frank McComb's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Frank McComb Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Frank McComb worth at the age of 53 years old? Frank McComb’s income source is mostly from being a successful Singer. He is from United States. We have estimated Frank McComb's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Singer

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Timeline

1970

Frank McComb (born July 15, 1970) is a soul singer and record producer.

He has collaborated with Prince, Chaka Khan, Will Smith, Najee, Branford Marsalis, George Duke, Frankie Beverly and Maze, Phyllis Hyman, Gamble and Huff, Patrice Rushen, Lalah Hathaway, Fred Hammond, and John P. Kee.

1980

Though he did attend a school for the performing arts in the mid-1980s, he found more recognition playing Cleveland nightclubs with seasoned musicians.

1983

Frank McComb began his career in February 1983 when an aunt began teaching him piano at the family church.

1988

By 1988, McComb was in high school fronting his own trio.

After graduating from Glenville High School in Cleveland, McComb was asked to be in the band for Atlantic Records male R&B singing group The Rude Boys, protégés of Gerald Levert.

1990

He was soon promoted to musical director and toured with them through the early 1990s.

While touring, McComb met Jeff Townes of seminal rap duo DJ Jazzy Jeff & The Fresh Prince who invited him to record and tour with the group.

Townes eventually convinced Frank to move to Philadelphia.

Once settled, he was introduced to legendary songwriting duo Kenny Gamble and Leon Huff.

McComb was eventually put on payroll as a musician for Gamble/Huff and moved down the street from their headquarters so that he could walk to work every day.

While working for Gamble & Huff, a chance encounter with future president of Motown Records Steve McKeever led to McComb's first record deal.

At the time, McKeever was scouting for a new jazz-oriented Motown imprint called MoJazz.

The contract was signed on the strength of one live performance and an admittedly poor recording of a song called "Time and Time Again."

Subsequently, McComb shifted his home to Los Angeles to accommodate his new label.

1993

However, after recording two albums of unreleased material, and recording two songs for the soundtrack to the 1993 film The Meteor Man, he sought a release from his contract.

"It was nothing personal...just politics and money which caused me to get lost in the shuffle," Frank states.

Following the defunct contract with MoJazz, McComb toured as a musician for Teena Marie and Phillip Bailey, until getting word that Branford Marsalis was looking for a male vocalist for a new band he was beginning.

A song called "Mona Lisas and Mad Hatters" secured him the gig, making him an official member of Buckshot LeFonque.

McComb later discovered that it was Steve McKeever who recommended him for the project.

1994

While with Buckshot LeFonque, McComb recorded and toured worldwide in support of two critically acclaimed albums: 1994's debut Buckshot LeFonque and the 1997 follow-up Music Evolution.

This momentum led to a solo recording contract with Columbia Records.

1995

This set has also circulated in multiple markets under the title The 1995 Bootleg, as well as The Motown Sessions.

2000

In summer of 1999, he began recording what would become his debut album Love Stories, released on March 14, 2000.

The 14-track set produced by both McComb and Branford Marsalis was entirely self-penned with the exception of the bookending covers of the gospel staple "His Eye Is On The Sparrow," and the jazz standard "Some Other Time."

Though the album was a solid effort and remains a fan favorite, its sales suffered from lack of support and record company politics.

Eventually, McComb asked to be released from his contract.

2002

Once free, McComb, wary of his past experience with major record companies, signed next to the independent label Malibu Sessions in 2002.

McComb states, "I felt that maybe I needed to be with an independent company, a smaller company that would be able to give more time and dedication to their artists."

2003

2003 saw the release of Frank's first independent set, The Truth.

The set was produced by Steve Harvey, producer of Donnie's widely lauded The Colored Section.

The Truth also featured contributions from Billy Preston, Ledisi, and percussion master Paulinho Da Costa.

Though the album was desperately sought after in America, it was only licensed for release through Expansion Records in England and Toy's Factory in Japan.

2004

The set was eventually made available stateside through iTunes in 2004.

2005

For his next release, McComb took the reins to deliver Straight From The Vault in 2005.

The 12-track collection of both vocal and instrumental compositions was entirely self-written and self-produced.

Moreover, the album was released through his own label Boobescoot Music, putting McComb in complete control of his recordings for the first time in his career.

The move paid off, as the set won the SoulTracks Readers Choice Awards for Best Album (2005)

Frustrated by fan reports that his early work at MoJazz was being sold for exorbitant amounts on the black market, McComb took steps to release the recordings himself.

2006

In 2006, Malibu/Expansion Records Sessions released what would have been McComb's MoJazz debut as The Truth, Volume 2.