Frank Harte

His repertoire included, amongst many others, songs of the 1798 rebellion, Napoleonic ballads and the street ballads of Zozimus.

As well as traditional songs, he also sang numerous music hall songs such 'The Charladies' Ball' and 'Biddy Mulligan' as popularised by Jimmy O'Dea.

These last four albums covered the huge topics of the 1798 Rebellion, the Great Irish Famine, Napoleon Bonaparte and the Irish navvies abroad.

Each album is characteristically accompanied by comprehensive liner notes of meticulous research into each song and the subject in question, though his accuracy and impartiality as a historian is not as unanimously praised as his singing.

Frank Harte (14 May 1933 – 27 June 2005) was a traditional Irish singer, song collector, architect and lecturer.

He was born in Chapelizod, County Dublin, and raised in Dublin.

His father, Peter Harte, who had moved from a farming background in Sligo, owned 'The Tap' pub in Chapelizod.

Harte emigrated to the United States for a short period, but returned to Ireland where he worked as an architect, lecturer at DIT (Dublin Institute of Technology) in Rathmines, Dublin before concentrating fully on singing and collecting songs.

Harte's introduction to Irish traditional singing came, he said, from a chance listening to an itinerant who was selling ballad sheets at a fair in Boyle, County Roscommon, sing "The Valley of Knockanure":

Harte became a great exponent of the Dublin street ballad, which he preferred to sing unaccompanied.

He was widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register.

His voice mellowed considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as 'Bonny Light Horseman' on the album 'My Name is Napoleon Bonaparte'.

This is contrasted sublimely by Frank's cogent interpretation of the popular 'Molly Malone'.

He also became more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and did not come naturally to him.

Though Irish Republican in his politics, he believed that the Irish song tradition need not be a sectarian or nationalist preserve: "The Orange song is just as valid an expression as the Fenian".

He believed that songs were a key to understanding the past often saying: "those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs."

Though considered a stalwart of traditional Irish singing and well aware of it, Harte did not consider himself to be a sean-nós singer.

He claimed he liked to sing out of his love for a song rather than a desire to please an audience: "A traditional singer is not singing for a commercial audience so he doesn't have to please an audience."

Harte also performed in London in Ewan MacColl and Peggy Seeger's 'Singers Club' in 1971 and at the on two occasions.

Harte felt that the traditional singer, unlike the latter type of vocalist, had absolutely no responsibility to entertain or please the crowd that might be listening, because the singer's real purpose is simply to perform the song, the act of the performance being a justification in itself.

He appeared at many American festivals including The Blarney Star in New York, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and Irish Fest in Milwaukee and for seventeen years he was a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins in the Appalachian mountains of West Virginia where he often performed with Mick Moloney.

Harte recorded several albums and made numerous television and radio appearances, most notably the Singing Voices series he wrote and presented for RTÉ Radio, which was produced by Peter Browne in 1987.

Harte's first two LPs, though released with six years between them, were recorded in one session in England by Bill Leader with concertina accompaniment on some songs by Alf Edwards.

From 1998 he recorded four albums for the Hummingbird record label on which he was accompanied by Dónal Lunny on bouzouki and guitar.

He was also in demand as a teacher and gave many talks about traditional song including a lecture entitled "My name is Napoleon Bonaparte – the significance of Napoleon Bonaparte in the Irish Song Tradition" at the Willy Clancy Summer school on 12 July 2001.

Harte won the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003, he received the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte began collecting early in life and he remembered buying ballads from a man who sold them by the sheet at the side of the Adelphi Cinema and by the end of his life had assembled a database of over 15,500 recordings.

As a young man, Harte encountered many songs in his father's pub, 'The Tap', in Chapelizod saying:

He once wrote about his song collecting:

This was a philosophy that Frank went on to espouse greatly himself, having given countless songs and encouragement to singers in Ireland and abroad for over fifty years.

Recipients of songs and information about them include Christy Moore, Andy Irvine, Karan Casey, The Voice Squad, and musicians alike.

Despite his extensive collecting, he firmly believed that songs only existed when sung and to augment the point, he often quoted the poem "Living Ghosts" by Brendan Kennelly:

Harte is mentioned as a source of songs by members of Planxty:

In 2004, Harte's first two albums were re-released on CD, though the first track of his first album 'Traveller All Over The World' was omitted.

Harte was a regular at the Sunday morning sessions at The Brazen Head pub, along with the late Liam Weldon who ran the session.

He was also a supporter of An Góilín Traditional Singer's Club.

A regular at singers' sessions in Ireland, he appeared at clubs, seminars and festivals in France, Britain and America as well as touring the festivals at Fleadhanna in Ireland.

Harte died of a heart attack, aged 72, on 27 June 2005 and is survived by his wife Stella (née Maguire), daughters, Sinead and Orla, and his sons Darragh and Cian.

His influence is still evident in singers such as Karan Casey.

Frank continues to be remembered fondly in sessions and folk clubs on both sides of the Irish sea.