Age, Biography and Wiki

Francesco Monico was born on 27 February, 1968 in Venice, is an A bioartist. Discover Francesco Monico's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 56 years old?

Popular As N/A
Occupation Critical Artist, Academic
Age 56 years old
Zodiac Sign Pisces
Born 27 February, 1968
Birthday 27 February
Birthplace Venice
Nationality

We recommend you to check the complete list of Famous People born on 27 February. He is a member of famous Artist with the age 56 years old group.

Francesco Monico Height, Weight & Measurements

At 56 years old, Francesco Monico height not available right now. We will update Francesco Monico's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Francesco Monico Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Francesco Monico worth at the age of 56 years old? Francesco Monico’s income source is mostly from being a successful Artist. He is from . We have estimated Francesco Monico's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

1968

Francesco Monico (born Venice, February 27, 1968) is a teacher, researcher, pedagogist in Italy.

Monico worked for ten years as a director, screenwriter and program chief in Italian broadcast, sperimentale and interactive TV, is both a Technoetic researcher and artist.

He was director and author for Rai3, Mediaset, Rai2, France 2, and channel manager for Tele+3, SeiMilano.

Monico did research at Studium S3, at Fabrica, at the McLuhan Program in Culture and Technology at the University of Toronto.

Former member of the Scientific Committee of Milano in Digitale with Antonio Caronia, Paolo Rosa, Pier Luigi Capucci, and Franco Torrani.

Former member of the Scientific Committee of the Leonardo da Vinci Science and Technology Museum in Milan, with Giulio Giorello, Emanuele Severino, and Enrico Bellone.In the past in the style of the new left media theorist Raymond Williams he was a regular media commentator for the International Herald Tribune's Italian news section.

Today Monico is Dean at Accademia di Belle Arti Unidee at the Fondazione Pistoletto in Biella and Director of the School of Media Design & Multimedia Arts at the Accademia Costume e Moda in Rome and both working on research and development in education, technology and arts.

Former director of the Media Design and Multimedia Arts Department he founded at the Nuova Accademia di Belle Arti Milano in Milan.

Former professor of Theory and Method of Mass Media at the same institution, as well as founder director of the PhD program M-Node, Planetary Collegium, today known as T-node and a Senior Fellow of the McLuhan Program in Culture and Technology in Toronto, Canada.

He is an alumnus of Derrick de Kerckhove.

2007

Among his artworks is The Artist Formerly Known as Vanda (Tafkav - 2007/10) and Is there Love in the Technoetic Narcissus? In 2009 he was curator for the first Italian solo show of bioartist Brandon Ballengée, Monstre Sacré.

2011

As a Scholar of Marshall McLuhan Monico became more focused on how technology shapes human communication, behaviour, and thought and is currently researching with Roy Ascott as member of the board of the international PhD program Planetary Collegium.Member of the Programme Committee of the Isea 2011.

Monico writes in online and print publications, and did New Media art commentary for Wired Italian edition.

As Director of the Planetary Collegium's M-Node he was part, with Roy Ascott, of the 2011 World Universities Forum Award for Best Practice in Higher Education.

In fall 2011 Monico presented the tryptic The Hybrid Constitution at the Istanbul International Art Festival Amber.

2013

As Director of Research & Development project he settled up in 2013, with IOCOSE, the Transmodal Research between Art & Technology of STMICROELECTRONICS STINNOVATIONCUP 2013.

In 2013, he is invited by European Commission President José Barroso to join New Narrative for Europe, a working network of European artists, creators, scientists and intellectuals to strengthen the contours of European unity.

2015

He was selected for the 2015 Italian edition of TED, as keen thinker about Higher Education, Cultural Management & Entrepreneurships at TEDxRoncade.

Monico was Professor of Social Digital Innovation at the Faculty of Scienze Matematiche, Informatiche, Multimediali of the Università of Udine, and Professor of Archetype of Imagery at Accademia Belle Arti di Milano Brera.Today is Professor of Sociology of Media at the Consorzio Universitario Pordenone ISIA Roma and Professor of Artchetype of Imaginery at the Accademia Costume e Moda in Rome.

After a research stint at the McLuhan Program he changed his expression channel from video to art, with a penchant for interactive installations, telematic art, BioArt, and various art-science combinations.

Deeply influenced by Roy Ascott, Monico believes science and art can contribute to expanding global consciousness, but only with the help of alternative systems of knowledge.

His modus operandi is based on a combination of science, art, philosophy, and esoteric knowledge in which the artist recognizes the paradoxical nature of knowledge and the contradictions inherent in formal epistemologies, and in his deep speculation his dealing with an hermeneutical approach.

His methodology is a syncretic, mixing critical theory and a pragmatic art approach that he applied as founder of the School of Media design & New Media Art at NABA.

Monico has changed his expression channel from video to art, with a penchant for interactive installations, telematic art, BioArt, and various art-science combinations.