Florian Hecker

Florian Hecker is a German sound and visual artist.

Born in 1975 in Augsburg, Germany and raised in Kissing, Germany Hecker studied Computational Linguistics and Psycholinguistics at Ludwig Maximilian Universität, Munich and Fine Arts at the Akademie der Bildenden Künste, Vienna, where he received his diploma in 2003.

He lives and works in Vienna and Kissing, Germany.

In performances, publications and installations, Hecker deals with specific compositional developments of post-war modernity, electro-acoustic music as well as other, non-musical disciplines.

He dramatizes space, time and self-perception in his sonic works by isolating specific auditory events in their singularity, thus stretching the boundaries of their materialization.

Their objectual autonomy is exposed while simultaneously evoking sensations, memories and associations in an immersive intensity.

Hecker has given a multitude of performances, audio presentations and concerts internationally since 1996.

büro 30, Spiral Hall / CAY, Tokyo; Sónar, MACBA, Barcelona; Synthèse 2000, IMEB, Bourges; Avanto, Kiasma, Museum of Contemporary Art, Helsinki; Wien Modern, Konzerthaus, Vienna in 2000.

büro 44, Purple Institute, Paris; Número Festival, Lisbon; International Triennale of Contemporary Art, Yokohama, Japan; Nesh, Electrowerkz, London; LoveBytes, Sheffield all in 2001.

CCA, Kitakyushu; Ars Electronica, Brucknerhaus, Linz; All Tomorrows Parties, Chamber Sands; Sonic Light (Sonic Acts Festival) Amsterdam in 2003.

Off the Record, Musée d'Art Moderne de la Ville de Paris, Paris and 3rd Berlin Biennale, Berlin, in 2004, 2nd International Biennial for Contemporary Art, Gothenburg, 2003 and Mutations, TN Probe Gallery, Tokyo and Ausgeträumt..., Secession, Vienna both in 2001.

Casa Da Música, Porto; ZKM, Karlsruhe; No Fun Festival, Brooklyn, in 2005.

Since 2005 Hecker presented a series of UPIC Diffusion Sessions in collaboration with Russell Haswell, as “Haswell & Hecker”, performing recordings made exclusively with Iannis Xenakis graphic input computer music system.

Together with artist Yasunao Tone, he performed Palimpsest at Recombinant Media Labs, San Francisco; Experimental Intermedia, New York, in 2005; MIT Media Lab, Cambridge, MA, 2004; LAMPO, 6Odum, Chicago and at Spectacles Vivants, Centre Georges Pompidou, Paris, in 2002 amongst other locations.

Taktlos, Dampfzentrale, Bern; Freunde Guter Musik, Maria am Ufer, Berlin, in 2006.

Manifesta 7, Trentino - South Tyrol, Italy, Art unlimited, Art Basel, Experiment Marathon Reykjavik, Reykjavík Art Museum in 2008, and Cerith Wyn Evans, Lenbachhaus, Munich in 2006.

Bawag Contemporary, Vienna, 2009; Sadie Coles HQ, London, 2008 and Galerie Neu, Berlin, 2007.

Amongst many other locations, at Serralves em Festa, Fundação Serralves, Porto, 2009; Conway Hall, London; Patronage of Space, Lopud; Donaufestival, Krems; Kunsthalle, Zürich all in 2007 and Cubitt at City University, London, 2005.

In 2009 he collaborated on a series of performances with Aphex Twin, including amongst others Sacrum Profanum, Kraków; Warp20, Cité de la Musique, Paris and Bloc Weekend, Minehead.

Solo exhibitions include: MMK, Museum für Moderne Kunst, Frankfurt am Main, Germany; IKON Gallery, Birmingham and Chisenhale Gallery, London, all in 2010.

Some of the group exhibitions and projects Hecker has participated in include Push and Pull, MUMOK, Vienna, 2010; Evento, Bordeaux, Thyssen-Bornemisza Art Contemporary, The Kaleidoscopic Eye, Mori Art Museum, Tokyo, UBS Openings: Saturday Live: Characters, Figures and Signs, Tate Modern, London and his most recent collaboration with Cerith Wyn Evans, No night No day, was premiered at the Teatro Goldoni as part of Fare Mondi, 53rd Venice Biennale, all in 2009.

In 2011, Editions Mego released Kanal GENDYN, a vinyl record and audio only DVD set, documenting a performance of Haswell & Hecker from 2004 employing exclusively Alberto de Campo's SuperCollider 2 version of Xenakis’ GENDYN (French for ‘GENeration DYNamique stochastique’ or English ‘Dynamic Stochastic Synthesis’) sound synthesis procedure.

Amongst many other places, he presented his work at Les Spectacles vivants, Centre Georges Pompidou, Paris, 2012; MIT Saarinen Chapel, Cambridge, MA; Lampo, Graham Foundation, Chicago; Push & Pull, Tate Modern, all 2011, Life is Live # 2: listen with pain!, Hebbel am Ufer, Berlin, 2010; Sound out of line, Urbanomic Studio, Falmouth; Comme des Garçons Homme Plus, Palais de la Bourse, Paris, 2009; Utopia of Sound, Akademie der Bildenden Künste, Vienna, 2008; Bridge the Gap?4, CCA, Kitakyushu and Shanghai; Cut and Splice, ICA, London, both 2006.