Age, Biography and Wiki
Fiona Banner was born on 1966 in Merseyside, England, is a British artist. Discover Fiona Banner's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 58 years old?
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She is a member of famous artist with the age 58 years old group.
Fiona Banner Height, Weight & Measurements
At 58 years old, Fiona Banner height not available right now. We will update Fiona Banner's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Who Is Fiona Banner's Husband?
Her husband is Nick Rosen
Family |
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Not Available |
Husband |
Nick Rosen |
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Not Available |
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Fiona Banner Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Fiona Banner worth at the age of 58 years old? Fiona Banner’s income source is mostly from being a successful artist. She is from United Kingdom. We have estimated Fiona Banner's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
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artist |
Fiona Banner Social Network
Timeline
Fiona Banner (born 1966), also known as The Vanity Press is a British artist.
Her work encompasses sculpture, drawing, installation and text, and demonstrates a long-standing fascination with the emblem of fighter aircraft and their role within culture and especially as presented on film.
She is well known for her early works in the form of 'wordscapes', written transcriptions of the frame-by-frame action in Hollywood war films, including Top Gun and Apocalypse Now.
Her work has been exhibited in prominent international venues such as the Museum of Modern Art, New York and Hayward Gallery, London.
Fiona Banner was born on Merseyside, North West England in 1966.
She studied at Kingston University and completed her MA at Goldsmiths College of Art in 1993.
The next year she held her first solo exhibition at City Racing.
Since graduating from Goldsmiths College of Art, Banner has continued to evolve an important, considered and interrelated practice, rooted in language.
Publishing, in the broadest sense, is central to her practice.
Since 1994 Banner has created handwritten and printed texts - 'wordscapes' - that retell in her own words entire feature films, including Point Break (1991) and The Desert (1994), or particular scenarios in detail.
Her work took the form of solid single blocks of text, often the same shape and size as a cinema screen.
She also investigates the formal components of written language, giving significance to the symbols that punctuate sentences.
In 1995, she was included in General Release: Young British Artists held at the XLVI Venice Biennale.
In 1997, when she published THE NAM, she started working under the imprint of The Vanity Press, and has since published an extensive archive of books, objects and performances, many questioning the notion of authorship and copyright.
For Banner, the act of publishing is itself a performative one.
Consequently, her work resits traditional notions of grandeur and exclusivity, instead deploying a pseudo formality that is playful and provocative.
THE NAM is a 1,000-page book which describes the plots of six Vietnam films in their entirety: the films are Apocalypse Now, Born on the Fourth of July, The Deer Hunter, Full Metal Jacket, Hamburger Hill and Platoon.
Since early 2000, Banner has been working with pornographic film as a basis for an exploration of our obsession with sex, and the extreme limits of written communication.
In large, densely filled works she transcribe the varied sexual activities taking place in Asswoman in Wonderland, starring Tiffany Minx, who also directed this X-rated version of Alice's fictional adventures.
Banner's own Arsewoman in Wonderland (2001), presented in the Turner Prize exhibition, is a 4 x 6 m printed description of the film pasted and layered sheet after sheet onto the wall like and overladen billboard.
'I wanted to make some work about sex but I couldn't describe it.
I was too close to it and I did not have the words that close to hand.
I looked again at ports as a way of investigating my own taboo.
Just as with the war films I enjoyed it but found it hard to grasp; it was intimate yet distant, seductive yet sometimes repulsive.
My response to the film was very emotional.' The Guardian asked, "It's art. But is it porn?"
calling in "Britain's biggest porn star", Ben Dover, to comment.
The prize was won that year by Lancastrian artist Keith Tyson.
In 2009 she issued herself an International Standard Book Number (ISBN 0-9548366-7-7), and registered herself as a publication under her own name.
She was then photographed with the ISBN tattooed on her lower back.
Banner was shortlisted for the Turner Prize in 2002.
Following her shows at the Neuer Aachener Kunstverein, and Dundee Contemporary Arts, Banner was nominated for the Turner Prize in 2002.
In 2010, she was selected to create the 10th Duveen Hall commission at Tate Britain for which she transformed and displayed two decommissioned Royal Air Force fighter jets.
On 1 October 2010, in an open letter to the British government's culture secretary Jeremy Hunt—co-signed by a further 27 previous Turner prize nominees, and 19 winners—Banner opposed any future cuts in public funding for the arts.
In the letter the cosignatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity."
Banner’s work includes sculpture, drawing and installation; text is the core of her oeuvre.