Eve Langley

Suzanne Falkiner, writing about women writing about the wilderness, suggests that "Those rare women who have deliberately gone into the landscape alone, and not trailing in the tracks of a protective husband – from Daisy Bates in the 1880s to Eve Langley in the 1930s and Robyn Davidson in the 1970s – have often had to combat being considered eccentric, or even mad".

In her latter years she became extremely reclusive, living in a shack in the Katoomba bush in the Blue Mountains.

She became increasingly eccentric, wearing 'mannish clothes' and a white topi and always wore a knife in her belt.

Dale Spender writes that much has been written of her eccentricities, such as the wearing of trousers, and says that "it is distressing to find that sometimes there is more comment about her eccentricities as a person than about the strengths of her writing".

The first group – The Pea-Pickers, White Topee, Wild Australia, The Victorians and Bancroft House – "reconfigures her life in Gippsland, intermingling this story with those of the bushmen and women of the 1880s, and further embellishing her text with poems, playlets, songs and paeans of praise addressed to ancient gods and mythical lands".

The second group – all unpublished – cover her departure for and life in New Zealand.

In them she again entwines her stories, but "now with apparently current and factual journal entries tangled in the genre-blurring tapestry of poetry, fantasy and multi-faceted subjectivity".

Eve Langley (1 September 1904 – c. 1 June 1974), born Ethel Jane Langley, was an Australian-New Zealand novelist and poet.

Her novels belong to a tradition of Australian women's writing that explores the conflict between being an artist and being a woman.

Langley was born in Forbes, New South Wales, the eldest daughter of carpenter Arthur Alexander Langley (died 1915), and his wife Mira (1868 - 1944), née Davidson, both of whom came from Victoria.

Eve's mother was disinherited as the result of her marriage and the family spent much of its life in poverty.

After Arthur died, Mira returned to Victoria, initially managing her brother's hotel at Crossover.

Eve and her sister June attended several schools in New South Wales and Victoria, including Brunswick Central and Dandenong State Schools, and Dandenong High School.

In the 1920s Eve and her sister worked their way around the countryside of Gippsland as agricultural labourers, which experience forms the base of her first novel The Pea Pickers.

Langley first made a name for herself as a writer in New Zealand in the 1930s where, with Douglas Stewart, Gloria Rawlinson and Robin Hyde, her poetry was regularly published in magazines.

McLeod writes that she was "by the late thirties known in New Zealand literary circles as a promising poet".

She continued to be published as a poet after her return to Australia, with her poems appearing in magazines like The Bulletin.

One of her poems, "Native-born", regularly appears in Australian anthologies.

Her journalism and short stories were also published in the 1930s and 1940s, and occasionally in the 1950s.

While Langley wrote consistently throughout her life, she had only two novels published in her lifetime.

Ten other novels are held in the Mitchell Library in manuscript form.

In 1932 she followed her mother and sister to New Zealand and in 1937 she married 22-year-old art student Hilary Clark.

They had three children: a daughter, Bisi Arilev, and two sons, Langley Rhaviley and Karl Marx.

In 1942, her husband had her admitted to Auckland Mental Hospital where she stayed until she was released into her sister's care in 1949.

She wrote actively during her twenties – journals, letters, poems and stories – and some of these writings were used in her semi-autobiographical novel, The Pea-Pickers, which was published in 1942.

The Pea-Pickers has been described as "a fanciful, autobiographical, first-person narrative of the adventures of two young women, 'Steve' and 'Blue' who seek excitement, love and 'poetry' in rural Gippsland".

Her second novel, White Topee, is a sequel.

Langley often referred to herself as 'Steve' in her journals.

Langley worked in Auckland as a book repairer 1950–1955, and then visited Australia 1956–1957, where she travelled extensively through the east coast.

She was divorced in 1952.

Langley claimed Oscar Wilde as her alter ego, going so far as to officially take that name by deed poll in 1954.

Her work presents many clues to her enigmatic life.

The manuscripts of ten of her unpublished novels are held among her papers in the Mitchell Library.

She travelled to the United Kingdom in 1959–1960 and then returned to New South Wales in 1960, where she remained for the rest of her life, except for one trip to Greece.

In an interview in 1964, Langley described her writing process as "embroidery of literature" and saw herself as "one who chatters and embroiders all the time, endlessly, a great fantasy of romance".

McLeod describes her as "a subtle, ironic and complex novelist" and says that her best voice is "sometimes lyrical, sometimes cynical, with a marvellous descriptive flair and an ear for dialogue".

Makowiecka suggests that Langley's novels – published and unpublished – fall into two groups.

Hal Porter wrote in 1965 about many of the writers he had met, and said that "of them all, Eve Langley is the one with whom, on a first meeting, I spent the most dazzling day, enlivened by the unforeseen".

She spent the last years of her life living alone in the Blue Mountains.

She died alone at home sometime between 1 and 13 June, but her body was not found until about 3 weeks after her death.