Age, Biography and Wiki
Eva Franch i Gilabert was born on 10 December, 1978 in Deltebre, Catalonia, is a Spanish architect, curator, and educator. Discover Eva Franch i Gilabert's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 45 years old?
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45 years old |
Zodiac Sign |
Sagittarius |
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10 December, 1978 |
Birthday |
10 December |
Birthplace |
Deltebre, Catalonia |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 10 December.
She is a member of famous architect with the age 45 years old group.
Eva Franch i Gilabert Height, Weight & Measurements
At 45 years old, Eva Franch i Gilabert height not available right now. We will update Eva Franch i Gilabert's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Eva Franch i Gilabert Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Eva Franch i Gilabert worth at the age of 45 years old? Eva Franch i Gilabert’s income source is mostly from being a successful architect. She is from United States. We have estimated Eva Franch i Gilabert's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
Source of Income |
architect |
Eva Franch i Gilabert Social Network
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Timeline
Eva Franch i Gilabert (born 10 December 1978 in Ebro Delta) is a Catalan architect, curator, critic and educator based in New York City who works in the fields of contemporary art, architecture, and public space.
Franch holds master’s degrees in architecture with honors from both ETSA Barcelona (2003, UPC Universitat Politècnica de Catalunya), and Princeton University (2007).
She also studied at the School of Fine Arts and the School of Philosophy in Barcelona/UB, and at TU Delft as part of the European Erasmus Exchange Programme.
During her studies Franch worked in the Catedra Gaudi, a research center dedicated to the architect Antoni Gaudi.
Aged 22, Franch had a three-month internship in a Rotterdam-based firm, working on public buildings, masterplanning and social housing, after which she became a full-time employee heading the competitions team.
She then moved to Barcelona and founded OOAA, Office Of Architectural Affairs.
Aged 24, she obtained a La Caixa full fellowship to study in the United States and went to Princeton.
She was then awarded a Reyner Banham Fellowship that enabled her to teach and develop new research in Buffalo, and a Wortham Fellowship at Rice University in Houston, Texas where she led the Ecologies of Excess research unit and was also the coordinator of its masters thesis program.
From 2010 to 2018, she was executive director and chief curator of Storefront for Art and Architecture in New York.
In 2010, Franch became the executive director and chief curator of Storefront for Art and Architecture in New York City where she presented more than 30 exhibitions and a series of public events and debates that catalyzed the art and architecture community for almost a decade around spatial issues addressing the relation between politics, representation, and aesthetics.
Under her tenure Storefront gained an international presence with a series of innovative curatorial projects and initiatives including the World Wide Storefront, the Storefront International Series, Letters to the Mayor, the Competition of Competitions, and the Storefront TV.
Franch curated international projects including Borders, the 2011 Think Space biennial concept competition program, and OUT, the 2014 Arquia Proxima biennial competition.
The Letters to the Mayor project launched in 2014 invites architects to write letters to their city mayors as a way to open up dialogue about the making of cities and public life.
The project has had more than twenty editions globally including New York, Mexico City, Buenos Aires, Athens, Taipei, Madrid and Rotterdam.
Franch, together with a curatorial and design team including Ana Miljacki, Ashley Schafer, Natasha Jen, Carlos Minguez Carrasco, Lars Müller, and architects Leong Leong among more than 300 collaborators, was selected by the US State Department to represent the United States at the XIV Venice Architecture Biennale (2014) with the project OfficeUS, an experiment for the making of new histories and global architecture practice.
At Storefront, she collaborated with hundreds of artists and architects including both prominent and emerging voices such as Vito Acconci, Alon Schwabe and Daniel Fernandez-Pascual (Cooking Sections), Matilde Cassani, Amie Siegel, Andres Jaque - Office for Political Innovation, Agnieska Kurant, Lan Tuazon, Gary Husbit, Frida Escobedo, Anna Puigjaner (MAIO) and Jing Liu and Florian Idenburg (So-IL), among many others.
Selected exhibitions curated by Franch included:
The Digital Archive project, directed by Chialin Chow, started in 2015 and was finalized and launched in December 2019.
From 2018 to 2020, Franch was director of the Architectural Association School of Architecture in London.
She is currently a visiting lecturer at Princeton University.
Eva Franch i Gilabert grew up in Deltebre, a town 100 mi southwest of Barcelona in Catalonia, working in her mother's hair salon before leaving to study architecture in Barcelona and Delft.
It is said a potential career as a figure skater had been cut short by injury at the age of 17, after which Franch studied architecture.
In 2018, Franch launched the New York Architecture Book Fair.
In 2018 Franch commissioned "Marching On: the Politics of Performance" by Bryony Roberts and Mabel Wilson presented as part of Performa addressing issues of race and politics.
The same year, Franch launched the "New York Architecture Book Fair" in partnership with the New York Public Library, E-Flux, the Cooper Union, GSAPP, Printed Matter and small bookstores throughout New York City.
Throughout her tenure, Franch expanded Storefont’s footprint in Kenmare Street in SoHo with two additional spaces for operations and the indexing and digitization of the Storefront Archive.
In March 2018, while at Storefront, Franch was appointed Distinguished Professor of Shanghai Academy of Fine Arts.
She was appointed - from a three-strong shortlist - as the first female permanent director of the Architectural Association in London in 2018, succeeding Brett Steele.
Under her tenure the AA gained taught degree awarding powers for the first time in the institution’s history and financial stability, enabling the relaunch of AA Files and the publications department after the institution had closed them due to a financial crisis prior to Franch’s appointment.
In autumn 2019, Franch launched the AA Residence, a research and cultural platform to develop new ideas and forms of practice at the intersection of architecture, art, technology, policy and design including the AA Wood Lab and the AA Ground Lab.
Franch launched the Experimental Program, the Speculative Studies department as well as a set of changes to ignite cross-programme collaborations around issues of climate and diversity.
Franch introduced a series of pedagogical experiments including the Open Tutorials, the Open Seminars and the Architecture in Translation Juries.
During her tenure, Franch launched the AA Global Forums, a student care centre, the writing centre, a careers office and a hardship fund to support students and alumni worldwide.
She also launched the Expanding Horizons campaign, offering, for the first time, full scholarships across all programmes to deserving students across the globe.
Following votes of no confidence in her leadership, Franch was fired in July 2020 for "failure to develop and implement a strategy and maintain the confidence of the AA School Community which were specific failures of performance against clear objectives outlined in the original contract of employment."
Her dismissal came despite support from academics who wrote an open letter talking of "systemic biases" against women and of sexism, and accusing the AA of using "the pandemic for anti-democratic purposes".
A number of academics later retracted their names from the letter after learning further details of her dismissal.
Architectural magazine Dezeen reported tutor and alumni views that the failure to investigate allegations of bullying and sexism had damaged both the AA school and the architecture profession, leaving "a cloud over the school".
However, a retaliatory open letter from two male AA tutors called the accusation of sexism "grossly uninformed", while other letters accused the AA of mixing the vote on leadership with "systemic issues" relating to its lack of diversity.
Franch herself remained silent, her PR consultant saying she could not comment for legal reasons.