Age, Biography and Wiki

Eulalia Bernard (Maunrice Eulalee Bernard Little) was born on 7 July, 1935 in Limón, Costa Rica, is an Afro-Costa Rican writer and poet (1935–2021). Discover Eulalia Bernard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 86 years old?

Popular As Maunrice Eulalee Bernard Little
Occupation N/A
Age 86 years old
Zodiac Sign Cancer
Born 7 July, 1935
Birthday 7 July
Birthplace Limón, Costa Rica
Date of death 11 July, 2021
Died Place N/A
Nationality Costa Rica

We recommend you to check the complete list of Famous People born on 7 July. She is a member of famous writer with the age 86 years old group.

Eulalia Bernard Height, Weight & Measurements

At 86 years old, Eulalia Bernard height not available right now. We will update Eulalia Bernard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Eulalia Bernard Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Eulalia Bernard worth at the age of 86 years old? Eulalia Bernard’s income source is mostly from being a successful writer. She is from Costa Rica. We have estimated Eulalia Bernard's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income writer

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Timeline

1935

Maunrice Eulalee Bernard Little (7 July 1935 – 11 July 2021), known as Eulalia Bernard, was a Costa Rican writer, poet, activist, politician, diplomat, and educator.

She is considered in her country as an icon of the African descent culture.

Bernard was the first Afro-Costa Rican woman to be published in her country.

She was born in Port Limón, Costa Rica, on July 7, 1935.

Her parents were Carolina Little Crosby (also known as Carolina Bernard), a teacher with a transformative vision, and Christopher Bernard Jackson, a tailor.

Both were Jamaican immigrants.

Her mother supported her breaking with traditional racist culture, by getting roles such as the angel in Catholic events.

For her primary schooling, Eulalie attended Colegio Nuestra Señora de Sion in San José (Costa Rica) and secondary school at Colegio Diurno in Limón City.

1956

In 1956, she started working as a teacher.

After teaching in San José and Heredia, she decided to continue studying at the university, becoming the first Afrodescendant woman to graduate from the School of Modern Languages.

Later, at the University of Wales she did graduate studies in Linguistics and Educative Television.

1969

As part of her graduate studies, Bernard researched on the phonology of Limonese Creole in 1969, becoming a pioneer of the field.

Bernard was also a pioneer in the black political field within her country and the region.

1970

In the 1970s, she was a consolidated activist of the African diaspora.

In the 1970s she released a recording of her poetry and the fact that she chose a record instead of the established print media to publish her poetry caused quite some controversy among the Latin American academics.

1974

In 1974, Bernard served as a cultural attaché in Jamaica.

That same year, she proposed and led the "Educative Plan for Limón" at the Ministry of Public Education.

The goal of this Plan was to have bilingual and bicultural education.

However, the plan was interrupted because the Minister of the moment argued that the racism was a problem that was being imported to the country, as some personalities such as Harriet Tubman were part of the posters for the campaign.

For the Plan, Bernard has taken advantage or her knowledge in linguistics.

Additionally, Bernard's studies on educative television made her a precursor for the foundation of the Costa Rican public System for National Radio and Television.

1977

In 1977, she participated in the First Conference on Black Culture in the Americas.

She was part of the executive committee, being one of the only two women in the body which included prominent figures such as Nelson Estupiñán Bass or Manuel Zapata Olivella.

1978

In 1978, Bernard was a protagonist figure in the First National Seminar of the Black People in Costa Rica; she was the only woman in the board of directors.

The goal of the event was reviewing the conditions of the black community in Costa Rica as well as the structural racism of the country.

1981

In 1981, she established a Chair of Afro-American Cultural Studies at the University of Costa Rica.

1982

In 1982, with her book Ritmohéroe, Bernard became the first Afro-Costa Rican woman with a printed publication.

The poetry in the book focused on her hometown Limon.

From 1982 until 1993, she taught the class "Introduction to the African-American Culture: Africa in the Americas" at the University of Costa Rica.

Part of Bernard's goals was having a political effect in her students, and among her students a prominent figure is Epsy Campbell, former vice-president of Costa Rica and the first woman of color on that position in the country.

Bernard was also a professor for Afro-Caribbean literature in universities at the United States and Canada.

She was invited to numerous international conferences to present about afrodescendants in the Caribbean, Europe, and the Americas.

She also worked at the United Nations doing research on the creative works of black people in the Americas.

With her writing and advocacy, Bernard has contributed to safeguarding the heritage of the African descent community and to passing it down.

1986

In 1986, she was a candidate to congresswoman for the United People's Party.

She was the first black candidate in a non-traditional and communist party, as there was a historic covenant of the black community and the National Liberation Party.

She decided to break that covenant in response to the social inequalities of the time.

Bernard Little published in Spanish, English and Limonese Creole.

Her works focus on Limon as a repository of the ancestral memory of African descendants, particularly on the relationships of Africa and America.

They also express the tensions of the relationship of the black community and the ideas of belonging to the Costa Rican nation-State.