Euan Uglow

Euan Ernest Richard Uglow (10 March 1932 – 31 August 2000) was a British painter.

He is best known for his nude and still life paintings, such as German Girl and Skull.

Born in London, he studied at the Camberwell School of Art.

His instructors included William Coldstream, whose meticulous method of painting from life involved repeated, careful measurements.

Euan Uglow was born in 1932 in London.

As a child, he lived in Tulse Hill in south London, where his father was an accountant.

Uglow went to the local grammar school in Tulse Hill, Strand School.

Afterwards he studied at Camberwell School of Art from 1948 to 1950, during a time when Camberwell students studied under artists such as Victor Pasmore, Lawrence Gowing, John Minton, Kenneth Martin and William Coldstream.

Uglow was influenced by Coldstream whilst at Camberwell, although he believed that another tutor there, the painter Claude Rogers, was more significant in his development.

Nonetheless, when Coldstream left Camberwell to teach at the Slade School of Art in 1951, Uglow followed him, and remained a student at the Slade until 1954.

Uglow continued his studies under Coldsteam at the Slade School of Art until 1954, and later taught there.

Uglow's adaptation of Coldstream's method of painting included the use of a metal instrument of his own design with which he could take the measure of an object or interval to compare against other objects or intervals in his field of vision.

By the use of such empirical measurements he contrived to paint what the eye sees without the use of conventional perspective.

Uglow's finished paintings display the many small horizontal and vertical markings with which he recorded these coordinates so that they could be verified against reality.

Public collection holding Uglow's works include the Tate Gallery, the Metropolitan Museum of Art, and the National Museum of Wales.

Refusing compulsory military service, Uglow was registered as a conscientious objector in 1954, and spent two years undertaking community work, assisting in the restoration of a war-damaged church by Christopher Wren in the City of London, redecorating the house of the artist Patrick George, and helping on a farm in Surrey.

Success in art was not immediate, and he did not sell a painting until eight years after leaving art school.

During this time he took a variety of part-time teaching jobs, most notably at the Slade from 1961, an institution with which he was to be associated for the rest of his life.

Despite this, Uglow was generally a shy artist who shunned publicity as well as honours, including an offer to become a member of the Royal Academy in 1961.

Uglow's first solo show was in 1961 at the Beaux Arts Gallery, but his slow and methodical working method did not lead to a large number of solo shows.

In 1962, he was at the centre of a storm at the municipal art gallery in Bradford, Yorkshire, when a local councillor, Horace Hird, had one of Uglow's paintings, German Girl, removed from an Arts Council exhibition at the gallery.

Hird claimed the painting 'offended decency'.

In 1969 he exhibited drawings at the Gardener Centre at Sussex University, in 1974 at the Whitechapel Art Gallery in London and then periodically at the Browse & Darby Gallery in London.

He also took part in numerous group shows, including exhibitions of the London Group and the annual John Moores Prize exhibitions in Liverpool.

In 1980, Uglow was invited by the artist Stass Paraskos to become the first artist-in-residence at the new Cyprus College of Art arts centre in village of Lempa on the island of Cyprus.

He has work in the collections of the Arts Council of England, the British Council, the National Museum of Wales, the Ferens Art Gallery in Hull, Glasgow Art Gallery, the Metropolitan Museum of Art in New York, Southampton City Art Gallery, the British Government Art Collection, the Tate Gallery and The Hepworth in Wakefield.

In 1981 he took part in the exhibition Eight Figurative Painters at the University of Yale Center for British Art in New Haven, Connecticut, United States, and in 1984 in The Hard Won Image at the Tate Gallery, London.

Writing in 1990, Tim Wilcox said "[Uglow's] staple is the traditional studio nude but set in relation to an artificial space contrived by the artist himself with geometrical markings and the odd prop used as if by a minimalist stage designer."

The measuring process was laborious and time-consuming to the point that Uglow himself joked that one model he began painting when she was engaged, was still painting when she got married and did not finish painting until she was divorced.

As this indicates, Uglow worked directly from life, and one of the features of his paintings was that he did not attempt to hide the process of construction.

Remnants of the measurements he took and the drawing guide he used remain visible in the finished paintings.

This was a process that Uglow developed from his early studies under William Coldstream, and it was to become a mainstay of teaching at the Slade School of Art in London tying into an already long standing emphasis on drawing there.

However, he did become a trustee of the National Gallery in London in 1991, although, in his own words, he was generally ignored by the other trustees.

In 1992 he featured in the exhibition British Figurative Painting of the 20th Century at the Israel Museum in Jerusalem, and in 2000 in the exhibition Encounters at the National Gallery in London.

Uglow died of liver cancer at his home in Wandsworth, London, in 2000.

The Estate of Uglow is represented by Marlborough Fine Art, London.

Uglow was predominantly a painter of the human figure, although he also painted still life and landscapes.

His method was meticulous, involving a great deal of measuring and correction to create images that are not hyper real, but appear almost sculptural.

In 2002 a posthumous retrospective was organised by the Arts Council for England, entitled Spotlight on Euan Uglow, which toured around Britain.

In 2003 there was a retrospective Euan Uglow: Controlled Passion, Fifty Years of Painting at the Abbot Hall Gallery, in Kendal.