Age, Biography and Wiki

Etienne-Henri Martin was born on 7 April, 1905 in Paris, France, is an Etienne Henri Martin was designer. Discover Etienne-Henri Martin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 92 years old?

Popular As N/A
Occupation Decorator, furniture designer
Age 92 years old
Zodiac Sign Aries
Born 7 April, 1905
Birthday 7 April
Birthplace Paris, France
Date of death 1997
Died Place N/A
Nationality France

We recommend you to check the complete list of Famous People born on 7 April. He is a member of famous designer with the age 92 years old group.

Etienne-Henri Martin Height, Weight & Measurements

At 92 years old, Etienne-Henri Martin height not available right now. We will update Etienne-Henri Martin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Etienne-Henri Martin Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Etienne-Henri Martin worth at the age of 92 years old? Etienne-Henri Martin’s income source is mostly from being a successful designer. He is from France. We have estimated Etienne-Henri Martin's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income designer

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Timeline

1905

Etienne-Henri Martin (7 April 1905 – 1997) was a French designer and decorator whose work combined elements of classic and avant-garde French design.

He undertook many private and public decoration projects, and led the design workshops of major department stores in France and Belgium.

Etienne Henri Martin was born in Paris on 7 April 1905.

He studied at the École Boulle, where he specialized in metal.

1923

He worked with Edgar Brandt from 1923 to 1928.

During this period he exhibited at the Salon des Artistes Décorateurs.

1925

He decorated the reception room for the city of Paris at the 1925 Exposition Internationale des Arts décoratifs, for which he was awarded the Grand Prize.

Martin worked for the Primavera workshop of the Printemps department store.

He became head of an agency and a collaborator with René Prou.

He worked on many private and public commissions in France and Belgium, worked on decoration of passenger ships and worked with René Prou on the decoration of the Council Chamber of the League of Nations.

1938

He was artistic director of the Studium Louvre, the creative workshop of the Grands Magasins du Louvre, from 1938 to 1945.

The workshop produced designs for the growing number of customers who wanted modern styles of decoration.

1944

The designer Michel Mortier joined the Studium-Louvre in 1944.

Martin was awarded the Prix Blumenthal.

1950

From 1950 he was a professor at the École nationale supérieure des arts décoratifs.

Martin became artistic and technical director for the Bon Marché department stores in Brussels, where he stayed until 1950.

After his return from Belgium he again participated in the Salon des Artistes Décorateurs (SAD) and the Salon des Arts Ménagers.

From 1950 he was a professor at the École nationale supérieure des arts décoratifs.

He was also an honorary professor at the Ecole des Arts appliqués.

He was a member of the SAD Committee, and the treasurer of the SAD.

One of his pieces of furniture was acquired by the state and is held by the Musée National d'Art Moderne.

1997

Martin died in 1997.

Martin's work had elements of traditional decorative art and elements of avant-garde.

Towards the end of his career he moved towards freer forms.