Ernst Neizvestny

Ernst Iosifovich Neizvestny (Эрнст Ио́сифович Неизве́стный; 9 April 1925 – 9 August 2016 ) was a Russian sculptor, painter, graphic artist, and art philosopher.

Erik Neizvestny was born 9 April 1925 in Sverdlovsk (now Yekaterinburg) into a Jewish family.

His father was a doctor and his mother was a scientist.

Their surname, given originally to Neizvestny's great grandfather, derived from an early nineteenth century practice of taking very young Jewish boys from their families, baptising them in the Orthodox Church.

During his teens, he went to the Sverdlovsk School № 16.

There, he was on friendly terms with another student named Vladimir Vinnichevsky, who later on became a serial killer.

In 1942, at the age of 17, he joined the Red Army as a volunteer.

He changed his name to Ernst during this period because the name Erik "sounded childish," but his mother and friends still called him Erik.

At the close of World War II, he was heavily wounded and sustained a clinical death.

Although he was awarded the Order of the Red Star "posthumously" and his mother received an official notification that her son had died, Neizvestny managed to survive.

In 1947, Neizvestny was enrolled at the Art Academy of Latvia in Riga.

He continued his education at the Surikov Moscow Art Institute and the Philosophy Department of the Moscow State University.

His sculptures, often based on the forms of the human body, are noted for their expressionism and powerful plasticity.

Although his preferred material was bronze, his larger, monumental installations were often executed in concrete.

Most of his works are arranged in extensive cycles, the best known of which is The Tree of Life, a theme he had developed since 1956.

In November 1962 Neizvestny was invited to contribute to an exhibition organised by the Moscow Union of Artists.

There was tension between this body and the Academy of Fine Arts, and part of the point of the exhibition was to try to demonstrate that the Academy had too narrow a definition of what constituted art.

The exhibition drew large crowds, but the organisers were ordered to close it after a few days, and transfer the exhibits to a building near the Kremlin, which was visited by Nikita Khrushchev, accompanied by a large entourage, and a film crew.

He shouted that the exhibits were "Dog shit!", and picked out Neizvestny as the person he believed to be in charge.

Neizvestny told him: "You may be Premier and Chairman, but not here in front of my works. Here I am Premier and we shall discuss as equals."

As they continued to argue, someone in Khrushchev's entourage called Neizvestny a homosexual, but 'after excusing himself to Minister of Culture Yekaterina Furtseva', Neizvestny replied: "Give me a girl right here and now and I'll show what sort of homosexual I am."

At the end of the session, Khrushchev told him: "You are the kind of man I like. There's an angel and a devil in you. If the angel wins, we can get along together. If it's the devil who wins, we'll destroy you."

On 15 December, Neizvestny was among 400 guests invited to hear Khrushchev speak at Moscow's House of Receptions.

Khrushchev reputedly intended to be conciliatory, but went off script and pointing at one of Neizvestny's statues and demanded: "is that a horse or a cow? Whatever it is, it makes an ugly mockery of a perfectly noble animal."

Pointing at another he said: "If that's supposed to be a woman, then you're a faggot. And the sentence for them is ten years in prison."

He went on to compare looking at Neizvestny's work to being in a toilet looking up while someone else was sitting on it.

Other well-known works he created during the Soviet period include Prometheus in Artek (1966).

Much of his art from the Soviet era was destroyed before he was forcibly exiled to America.

Despite these insults, in 1975, four years after Khrushchev's death, his family commissioned Neizvestny to design the monument over his grave at the Novodevichy Cemetery.

He emigrated to the U.S. in 1976 and lived and worked in New York City.

His last name in Russian literally means "unknown".

American playwright Arthur Miller once described Neizvestny as an "artist of the East" who is regarded by Russians as an "expression of the country, of its soul, language, and spirit" and as a "prophet of the future" who represents the "philosophical conscience of his country."

Alexander Calder, the American artist, once said to Neizvestny, "All my life I create the world of children, and you create the world of man."

Neizvestny's talent for large monumental sculptures was again recognized when in the late 1980s six Taiwan cities commissioned the New Statue of Liberty to be built in Kaohsiung harbor.

Like the original in New York, it was planned to be 152 feet tall.

Several models were built.

At least one about five feet tall, and approximately 13 smaller bronzes, each slightly over 18 inches, sold to clients of Magna Gallery in San Francisco.

Although the authorized maximum number of signed and numbered castings was 200, far fewer were actually cast and sold, in part because the monument was never built in Taiwan.

The reasons are largely political and are described in Albert Leong's bio of Neizvestny, referred to below.

During the 1980s, Neizvestny was a visiting lecturer at the University of Oregon and at UC Berkeley.