Age, Biography and Wiki

Ernest Llewellyn was born on 21 June, 1915 in Australia, is an A 20th-century australian male musician. Discover Ernest Llewellyn's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 67 years old?

Popular As N/A
Occupation N/A
Age 67 years old
Zodiac Sign Gemini
Born 21 June, 1915
Birthday 21 June
Birthplace N/A
Date of death 12 July, 1982
Died Place N/A
Nationality Australia

We recommend you to check the complete list of Famous People born on 21 June. He is a member of famous musician with the age 67 years old group.

Ernest Llewellyn Height, Weight & Measurements

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Dating & Relationship status

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Ernest Llewellyn Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Ernest Llewellyn worth at the age of 67 years old? Ernest Llewellyn’s income source is mostly from being a successful musician. He is from Australia. We have estimated Ernest Llewellyn's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income musician

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Timeline

1915

Ernest Victor Llewellyn CBE (21 June 1915 – 12 July 1982) was an Australian violinist, concertmaster, violist, conductor and musical administrator.

He was the founding director of the Canberra School of Music and is commemorated by Llewellyn Hall, the concert venue at the School.

Ernest Llewellyn was born in Kurri Kurri, New South Wales in 1915.

He was educated at Kurri Kurri State School, Maitland High School, and, for six months, at the NSW Conservatorium of Music in Sydney.

1933

In 1933 the 17-year-old Llewellyn gave a ‘grand farewell violin recital’ at the West Maitland Town Hall.

It was later decided that the money raised by the concert and by public appeal should be given to those suffering in the Great Depression.

1934

In 1934 he commenced studies with Jascha Gopinko.

From 1934 to 1937 he was the violist in the Sydney String Quartet and the leader of the viola section of the ABC Sydney Orchestra.

1936

In 1936 he appeared as a solo violinist under the baton of Sir Malcolm Sargent.

He was offered the position of deputy leader of the Scottish Orchestra, but turned it down.

That year he married Ruth Smith, daughter of the violin and viola maker A.E. Smith, whose wedding gift was a violin of his own making.

1940

In 1940 he moved to Melbourne to become Deputy Leader of the Melbourne Symphony Orchestra.

He also taught at the University of Melbourne, and was the leader of the Melbourne University String Quartet.

1942

He served his country between 1942 and 1944 in the Royal Australian Air Force.

1944

From 1944 to 1948 he was leader of the Queensland State String Quartet (QSSQ), taking them on a tour of New Zealand in 1948 at the invitation of the Wellington Chamber Music Society.

Reviews of the tour led to the establishment of the New Zealand Federation of Chamber Music Clubs.

1947

In 1947, Isaac Stern visited Australia for the first time.

He attended a performance by the QSSQ and was impressed by the tonal qualities of the violin being played by Llewellyn.

Stern went backstage to meet Llewellyn and learned about A.E. Smith for the first time.

The next morning they swapped instruments and played together; the two became lifelong friends.

1949

In 1949 Ernest Llewellyn and Hephzibah Menuhin (then married to an Australian and living in western Victoria) presented the complete violin sonatas of Beethoven in a series of recitals in the eastern states of Australia.

Llewellyn was appointed Concertmaster of the Sydney Symphony Orchestra in 1949, and Assistant Conductor in 1959.

From 1949 to 1955 he was the leader of the ABC String Quartet.

1950

In the 1950s Ernest Llewellyn inaugurated and directed music camps and festivals for the National Music Camp Association and for Musica Viva Australia at Mittagong.

He also directed workshops through Musica Viva and the Musica Viva Younger Group.

1952

In 1952 he again toured New Zealand, this time as part of the Llewellyn-Kennedy Piano Trio (with John Kennedy, cello, and Scylla Kennedy, piano; they were the parents of Nigel Kennedy, although they never married).

1954

When Isaac Stern toured Australia again in 1954, he and Llewellyn played Bach's Double Concerto with the Sydney Symphony Orchestra.

The pianist William Kapell had recently been killed in a plane crash while returning from his Australian tour, and Stern set up the William Kapell Memorial Fund to bring notable musicians to the US for wider experience.

Stern gave a concert in Sydney in July 1954 for the William Kapell Memorial Fund, and ensured that Ernest Llewellyn was the inaugural recipient.

At the same time he was awarded a Fulbright grant to study teaching methods in the US, the UK and Europe for 15 months.

He spent most of his time studying with Isaac Stern at the Juilliard School in New York.

1964

Llewellyn resigned from the Sydney Symphony Orchestra in 1964 to devote his time to full-time teaching.

He intended to teach privately in Wollongong, Goulburn, Mittagong and Canberra, and to establish regional orchestras.

1965

A year later, in September 1965, at the invitation of the Department of the Interior, he became founding director of the Canberra School of Music, immediately appointing some of the finest performers in the country to the staff, including Larry Sitsky (keyboard), Vincent Edwards (strings) and Murray Khouri (woodwind).

1966

During his time as Director he continued to perform, taking part in many of the School's faculty concerts, leading the Canberra String Quartet, and in 1966 becoming musical director and conductor of the Canberra Symphony Orchestra, a semi-professional full symphony orchestra that was formed out of the amateur Canberra Orchestral Society by joining its forces with staff and students from the School of Music.

1969

Between 1969 and 1979, the Canberra Symphony's annual program under Llewellyn featured masterworks of the choral repertoire (including Orff's Carmina Burana, Elgar's The Dream of Gerontius, Beethoven's Choral Symphony and the Verdi Requiem) performed with a combined choir known as the Singers of Canberra, made up of the leading choral organisations in the city: the Canberra Choral Society, ANU Choral Society, Canberra Philharmonic and Canberra Society of Singers.

1976

The Canberra School of Music operated until 1976 in temporary premises that were previously the Manuka Mothercraft Centre.

In 1976 he was given approval to proceed with his plans for a permanent School of Music in Canberra.

He based his conception of the School as a centre of excellence on the Juilliard School, and he regarded Isaac Stern as the "father" of the school.

He envisioned one that would not only be a centre of creativity and performance but also be the home of a world-class concert venue.