Age, Biography and Wiki

Emily Howard was born on 23 February, 1979 in Liverpool, is a British composer (born 1979). Discover Emily Howard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 45 years old?

Popular As N/A
Occupation Composer
Age 45 years old
Zodiac Sign Pisces
Born 23 February, 1979
Birthday 23 February
Birthplace Liverpool
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 23 February. She is a member of famous Composer with the age 45 years old group.

Emily Howard Height, Weight & Measurements

At 45 years old, Emily Howard height not available right now. We will update Emily Howard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Emily Howard Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Emily Howard worth at the age of 45 years old? Emily Howard’s income source is mostly from being a successful Composer. She is from United Kingdom. We have estimated Emily Howard's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

Emily Howard Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Emily Howard Wikipedia
Imdb

Timeline

1979

Emily Howard (born 1979) is a British composer whose work is best known for its inventive connections with mathematical shapes and processes.

Howard was born in Liverpool, England.

After completing a degree in mathematics and computer science at Lincoln College, Oxford, Howard studied composition at the Royal Northern College of Music (MMus) and the University of Manchester (PhD).

2008

In 2008, Howard was commissioned to write a work for the Royal Liverpool Philharmonic Orchestra to mark Liverpool's recognition as a European Capital of Culture in 2008.

The resulting piece, Magnetite, received critical acclaim, and Howard went on to win an award from the Paul Hamlyn Foundation.

2009

Wild Clematis in Winter featured in The NMC Songbook (NMC), NMCD150 (2009)

Outback in A Garland For John McCabe (Divine Art), DDA25166 (2018)

2010

In 2010, Howard became the inaugural UBS Composer in Residence in conjunction with the London Symphony Orchestra (LSO) at the Bridge Academy in Hackney, writing Solar (2010) for the LSO conducted by Nicholas Collon, a work that the Financial Times praised for its ability 'to suggest galactic power on a compact scale'.

In addition to her role as Director of PRiSM, Howard is Professor of Composition at the RNCM, where she has taught since 2010.

2011

In 2011, Howard's music was the focus of Wien Modern, which saw performances of Magnetite in the Musikverein (by the Tonkünstler Orchestra under Andrés Orozco-Estrada), Solar and Calculus of the Nervous System (2011) in the Wiener Konzerthaus (performed by the Vienna Radio Symphony Orchestra with Sir James MacMillan).

Masquerade for basset clarinet and piano featured in Prism: New Works for Clarinet (NMC), NMCD139 (2011)

The overlap between music, maths and computer science is reflected in some of the titles, for example Calculus of the Nervous System (2011) and the 2013 children's work Pi (a Pie?).

2012

Meanwhile, Howard continued to explore musical wordplay and wrote the operatic biopic Zátopek!, commissioned by Second Movement as part of New Music 20x12 for the 2012 London Cultural Olympiad, and the Ada sketches, premiered at the Royal Opera House's Linbury Theatre.

In the same year, Mesmerism, a Diamond Jubilee commission for the Liverpool Mozart Orchestra with pianist Alexandra Dariescu, won a British Composer Award.

Howard's work increasingly blurred the boundaries between art and science, although, as Simon Rattle once remarked 'her music doesn't feel the least bit mechanical – she has her own very particular sound world'.

Zátopek! (NMC), NMCDL2012-10 (2012)

Sky and Water featured in John McCabe: Farewell Recital (Toccata Classics), TOCC0139 (2011)

2015

In 2015, she was Leverhulme Trust Artist in Residence at the University of Liverpool's Department of Mathematical Sciences.

Cloud Chamber featured in Paul Vowles's recital disc (Prima Facie), PFCD035 (2015)

Howard uses a broad range of sonic colour, at times exploring the extremities of instrumental and vocal timbre.

Architectural shape and narrative arc are important elements in her writing.

2016

Torus, a 2016 BBC Proms commission, was described by the Times as 'visionary' and won the orchestral category of the 2017 British Composer Awards.

Magnetite (NMC), NMCD219 (2016)

2017

Howard collaborated with mathematician Marcus du Sautoy to create string quartet Four Musical Proofs and a Conjecture, which was premiered at the New Scientist Live Festival in 2017.

In recent years, Howard has explored what she terms 'orchestral geometries', with several large-scale works that evoke shapes and processes.

In 2017, Howard co-launched PRiSM, the RNCM Centre for Practice & Research in Science & Music.

2018

Howard's first full-length opera, To See The Invisible (2018), was an Aldeburgh Festival commission with a text by Selma Dimitrijevic after a short sci-fi story by Robert Silverberg.

The Telegraph remarked that the opera demonstrated that 'Howard's idiom has a cool confidence and clarity of its own' while the Times observed that the achievement 'raised hopes for Howard's future work'.

Alongside her artistic commitments, Howard is active as a researcher and teacher.

2019

Antisphere, the latest in the unofficial series, was commissioned by the Barbican for Rattle and the LSO, and opened the 2019–20 season.

That same year The Anvil: An Elegy for Peterloo, for orchestra, chorus and soloists with a text by Michael Symmons Roberts, was performed by Kate Royal, Christopher Purves, three Hallé Choirs, the BBC Singers and BBC Philharmonic under Ben Gernon at the Manchester International Festival, who described Howard as one of British music's 'most original voices'.

Howard's music was also the subject of the Barbican's high-profile Life Rewired season in 2019, which explored artistic responses to society and technology.

Howard curated 'Ada Lovelace: Imagining the Analytical Engine', an evening of new music and discussion in honour of mathematician Ada Lovelace.

In 2019, Howard was a TORCH visiting research fellow at the University of Oxford and was elected honorary fellow of Oxford's Lincoln College.

Howard is based in Manchester and is represented by Cathy Nelson Artists & Projects.

All works are published by Edition Peters.

In 2023 Howard received an Ivor Novello Award nomination at The Ivors Classical Awards.

Elliptics, composed for orchestra, soprano and countertenor, was nominated for Best Orchestral Composition.

Torus (NMC), NMC D274 (2023)

The Anvil (Delphian), DCD34285-CD (2023)