Age, Biography and Wiki
Ellen Pau was born on 1961 in Hong Kong, is a Chinese artist, curator, and researcher. Discover Ellen Pau's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 63 years old?
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She is a member of famous artist with the age 63 years old group.
Ellen Pau Height, Weight & Measurements
At 63 years old, Ellen Pau height not available right now. We will update Ellen Pau's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Who Is Ellen Pau's Husband?
Her husband is Mandy Wong
Family |
Parents |
Not Available |
Husband |
Mandy Wong |
Sibling |
Not Available |
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Not Available |
Ellen Pau Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Ellen Pau worth at the age of 63 years old? Ellen Pau’s income source is mostly from being a successful artist. She is from Hong Kong. We have estimated Ellen Pau's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
artist |
Ellen Pau Social Network
Timeline
Ellen Pau is an artist, curator and researcher based in Hong Kong.
She is also co-founder of Videotage and founding artistic director of the Microwave International New Media Arts Festival.
She later found out that what she saw was the Pepsi-Cola Pavilion Project (1968-1972) by renowned American experimental group, Experiments in Art and Technology (E.A.T.).
The exhibition included major video installations ranging from the 1980s to the present.
Pau graduated from Diagnostic Radiography in 1985 at Hong Kong Polytechnic University and has worked as a professional radiographer and mammographer in Queen Mary Hospital.
Ellen Pau was born to a family of medical doctors.
Growing up, she was immersed in an intellectual environment enriched by her father's intensive scientific knowledge.
When she was nine-years old, Pau received a Kodak 135 film camera from her father and became interested in photographic techniques and the world of imagery.
During her undergraduate study, she worked as a stage actor, music editor, and concert organizer while at Polytechnic.
She also joined experimental theatre company Zuni Icosahedron where she became more familiar with contemporary art.
In 1986, together with Wong Chi-fai, May Fung, and Comyn Mo, she founded Videotage, Hong Kong's oldest video and media art space.
In the early 1990s, Pau began to create video installations, such as Alice Doesn’t Live Here Anymore in collaboration with Chan Pik Yu and Jesse Dai and Recycling Cinema (1998), a video that captures blurred images of moving vehicles on a Hong Kong highway, was exhibited at the Hong Kong Pavilion in the 49th Venice Biennale in 2001, and in Art and China after 1989: Theater of the World at the Guggenheim Museum (2017).
Pau is active as a curator and organizer in the art world.
A vocal supporter of the independent arts scene, she has advocated for increasing funding and exhibition opportunities for artists in non-traditional.
In 1996, she founded Microwave International New Media Arts Festival, an annual event that includes exhibitions, conferences, seminars, school tours and workshops.
A mostly self-taught artist, she gained a master's degree in Visual Culture at Chinese University of Hong Kong in 2008.
Pau's interest in art and technology perhaps could be traced back to her visit to the Expo '70 when she was eight-year-old.
The Expo '70 has been massively promoted in Asia, including Hong Kong.
With her family, Pau had spent a few days at the Expo and went through most of the pavilions.
One of them with people doing weird things and with a lot of screens leaves a great impression on her.
Pau has also independently curated exhibitions including Digit@logue (2008) at the Hong Kong Museum of Art.
From 2013 to 2019, Pau was appointed by the Hong Kong Arts Development Council (HKADC) as a representative of the arts sector in Film Arts.
Later in 2014, she was further appointed to the interim acquisition committee of M+ in West Kowloon Cultural District to advise on collection development.
Works by Pau can be found in these collections: VMAC, Videotage and Video Bureau.
The artist's first retrospective exhibition in Hong Kong was organized by Para Site in 2018.