Age, Biography and Wiki

Ellen McMahon was born on 1951 in United States, is an An american woman graphic designers. Discover Ellen McMahon's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 73 years old?

Popular As N/A
Occupation Artist, illustrator, educator, graphic designer
Age 73 years old
Zodiac Sign N/A
Born 1951
Birthday
Birthplace N/A
Nationality United States

We recommend you to check the complete list of Famous People born on . She is a member of famous Artist with the age 73 years old group.

Ellen McMahon Height, Weight & Measurements

At 73 years old, Ellen McMahon height not available right now. We will update Ellen McMahon's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Husband Not Available
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Children Not Available

Ellen McMahon Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Ellen McMahon worth at the age of 73 years old? Ellen McMahon’s income source is mostly from being a successful Artist. She is from United States. We have estimated Ellen McMahon's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

1951

Ellen McMahon (born 1951) is a professor in the School of Art and Associate Dean for Research in the Arts in the College of Fine Arts at the University of Arizona.

1978

McMahon attended Southern Oregon State College and in 1978 received a Bachelor of Science degree in biology, she continued her education at the University of Arizona and earned her Master of Science degree in Scientific Illustration in 1983.

1990

McMahon's early work, from the 1990s to 2005, looked at the intimacy of relationships between a mother and child.

1993

1993 “It’s All Relative,” Galleria Mesa, Mesa, Arizona, Juror's Award

1993 “Beyond Words,” Woman Made Gallery, Chicago, Illinois

1994

1994 “The University and College Designers Association Annual Exhibition,” Minneapolis, Minnesota

1995

1995 “Josten, McMahon, Penn,” three-person exhibition, funded by grants from the Arizona Commission on the Arts and the Tucson/Pima Arts Council, Dinnerware Artist's Cooperative Gallery, Tucson, Arizona

1995 “Billboards for Democracy,” Hunter College, New York City

1995 “Deadly Responses: Murder and Suicide by Women,” Longwood Arts Project, a program of the Bronx Council on the Arts, Bronx, New York

1995 “Public as Private,” Boulder City Arts Commission Gallery, Boulder, Colorado

1996

McMahon continued her education at Vermont College and received a Master of Fine Arts in Visual Art in 1996.

She uses a range of media to examine the relationship between visual art and how people might apply artistic practice to address environmental issues.

1996 “Transforming the Mirror: Women in Photography,” Marshal/Reade Gallery, Boston, Massachusetts

1996 “International Photography and Digital Imaging Exhibition,” Wellington B. Gray Gallery, East Carolina University, Greenville, North Carolina

1996 “An Invitational Exhibition of U.S. Posters in Rzeszow," originating in Rzeszow Poland, venues to date: Rzeszow Art Gallery, Czestochowa Town Art Gallery, Krosno Art Gallery, Przemysl Center of Artbeen, and locations in Bydgoszcz and Zakopane, traveled to several locations in Hungry and Slovakia in 1998

1996 “Maternity, Autonomy, Ambivalence and Loss,” Wood Gallery, Vermont College of Norwich University, Montpelier, Vermont

1997

1997, 1999, 2001, 2003 “Arizona Biennial," Tucson Museum of Art, Tucson, Arizona

1997, 1998, 2002 “Generations," A.I.R. Gallery, New York City

1997 “Redressing the Mother: Photographs, Text, and Objects,” A.I.R. Gallery II, New York City

1997 “Mama Do You Love Me,” an installation of objects, light, and sound, Icehouse Alternative Art Space, Phoenix, Arizona

1998

1998 “Cleavage: an exhibition on the breast,” Adams State College, Luther Bean Museum, Alamosa, Colorado (traveled to Jonson Gallery of the University of New Mexico Art Museum)

1998 “The Fragmented Body: Violence or Identity?” W. Keith and Janet Kellogg University Art Gallery, California State Polytechnic University, Pomona, California

1998 “Low Land Horizon,” Cullity Gallery, Western Australia University School of Architecture and Fine Arts, Perth, Australia

1998 “Visual Arts Fellowship Recipients Exhibition,” Tucson/Pima Arts Council Gallery, Tucson, Arizona

2002

2002 –2004 “Rounce and Coffin Western Books Exhibition,” traveling to over thirty public and academic libraries over two years.

Originating at Occidental College, Los Angeles

2002 “Maternal Matter: Books, Cards and Drawings,” California State University, San Marcos, California

2005

Since 2005 she has focused her educational approach on how creative practice might contribute to environmental awareness.

2007

She received a Fulbright Fellowship in 2007 to work at the Center for the Study of Deserts and Oceans in Mexico (CEDO ) and presented at the ICOGRADA World Design Congress in Cuba.

She has developed projects that connect artists, students, scientists and community organizations in this effort.

2010

McMahon was the project director and co-editor of the publication Ground|Water: The Art, Design and Science of a Dry River in 2010.

The book looks at how different factors such as environmental change and water policy have affected groundwater in the Southwest.

Her work has been featured in Mother Reader: Essential Writings on Motherhood, AIGA Journal of Graphic Design, in an essay titled Outside the Cookie Cutter: Approaches to Teaching Graphic Design, Representations: Journal of the Design Communication Association, in an essay titled Exchanges: A collaborative Teaching Project, The Education of the Graphic Designer, edited by Steve Heller, in an essay titled Have Sign Will Travel: Cultural Issues in Design Education, and in the Longwood Arts Journal, a publication of the Longwood Arts Project,in an essay titled Maternity, Autonomy, Ambivalence and Loss.