Elizabeth Stephens

Her work has been shown internationally, including at Museum Kunstpalast (Düsseldorf), El Ojo Atomico Antimuseo de Arte Contemporáneo (Spain), Museo Reina Sophia (Madrid), the San Francisco Museum of Modern Art, 53rd Venice Biennale, and Documenta 14.

Elizabeth M. "Beth" Stephens (born November 18, 1960) is an American filmmaker, artist, sculptor, photographer, professor and two time Chair of the Art Department at UC Santa Cruz.

Stephens was born in Montgomery, West Virginia, on November 18, 1960.

Her family co-owned Marathon Coal-bit company.

She grew up in Appalachia, moving to Boston, New Jersey, and later to San Francisco.

In her youth, her family attended a Presbyterian church.

Stephens studied Fine Arts at Tufts University, The Museum School, and Rutgers University.

She worked with Martha Rosler and Geoffrey Hendricks in her graduate education.

She has been a professor at UCSC since 1993, chaired the department from 2006 until 2009 and again from 2017 until 2020.

Stephens, who describes herself as "ecosexual", collaborates with her wife since 2002, ecosexual artist, radical sex educator, and performer Annie Sprinkle.

In December 2004, Stephens committed to doing seven years of art projects about love with her wife and art collaborator, Annie Sprinkle.

They call this their Love Art Laboratory.

Part of their project was to do an experimental art wedding each year, and each year had a different theme and color.

The seven-year structure was adapted to their project by invitation of artist Linda M. Montano.

Sprinkle and Stephens have done seventeen art weddings, fourteen with ecosexual themes.

Critics relate the project to contemporary political debates including marriage equality, ecofeminism, and the environmental movement.

Critics also note that Stephens' work explores and challenges the validity of the boundary between what is "art," and what is "pornography."

Starting with their 2008 performance wedding to the Earth, Stephens and her partner Annie Sprinkle became pioneers of ecosexuality, a kind of earth-loving sexual identity, which states, "The Earth is our lover."

Their Ecosex Manifesto proclaims that anyone can identify as an Ecosexual along with being "GLBTQI, heterosexual, asexual, and/or Other."

They married the Earth, Sky, Sea, Moon, Appalachian Mountains, the Sun, and other non-human entities in nine different countries.

Stephen's and Sprinkle's 2011 White Wedding to the Snow at the deconsecrated Saint Brigid's Church (Ottawa), by then St. Bridid’s Centre for the Arts, followed their performance at Montreal's Edgy Women Festival.

The Schlesinger Library at Harvard University acquired Stephen's papers, primarily focused on the Love Art Laboratory, and including her and her partner's work on Goodbye Gauley Mountain and their work at Documenta 2017.

Most recently Stephens has produced and directed two feature documentary films with Annie Sprinkle: Water Makes Us Wet: An Ecosexual Adventure (2017) and Goodbye Gauley Mountain: An Ecosexual Love Story (2013), a film addressing Mountaintop removal mining near her birthplace and its effects on the environment and nearby communities.

In 2017, Stephens and her wife/collaborator Annie Sprinkle were official artists in Documenta 14.

They presented performances and visual art, lectured, and previewed their new film documentary, Water Makes Us Wet: An Ecosexual Adventure.

Stephens was awarded a 2021 Guggenheim Fellowship in the creative arts category: film-video, appearing in the List of Guggenheim Fellowships awarded in 2021.