Age, Biography and Wiki

Edward L. Cahn (Eddie, Eddie Cahn) was born on 12 February, 1899 in Brooklyn, New York City, New York, USA, is a director,editor,producer. Discover Edward L. Cahn's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?

Popular As Eddie, Eddie Cahn
Occupation director,editor,producer
Age 64 years old
Zodiac Sign Aquarius
Born 12 February, 1899
Birthday 12 February
Birthplace Brooklyn, New York City, New York, USA
Date of death 25 August, 1963
Died Place Hollywood, California, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 12 February. He is a member of famous Director with the age 64 years old group.

Edward L. Cahn Height, Weight & Measurements

At 64 years old, Edward L. Cahn height not available right now. We will update Edward L. Cahn's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Edward L. Cahn Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Edward L. Cahn worth at the age of 64 years old? Edward L. Cahn’s income source is mostly from being a successful Director. He is from United States. We have estimated Edward L. Cahn's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Director

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Timeline

1917

Edward L. Cahn was an American second-feature director of Polish ancestry. His brother Philip Cahn worked in the industry as editor. Edward worked in films from 1917 as a production assistant.

1930

He later joined his brother in the cutting room of Universal, eventually becoming one of the studio's top editors (he did the last-minute re-cuts of the prestigious war drama All Quiet on the Western Front (1930)).

1931

From 1931, Cahn assumed the director's chair, turning out cheap and cheerful crime melodramas and comedies.

1932

Rather more fun (though little more than a pastiche of The Mummy (1932)) was Curse of the Faceless Man (1958), in which a 2000-year-old calcified creature found near Pompeii returns to life to claim a lost love.

1935

He became a mainstay of the MGM shorts department from 1935-49.

1950

Having gone pretty much unnoticed, his directing career began to pick up in the 1950s. Ever conscious of public demand, the imperturbable pipe-smoking Mr. Cahn turned his attention to trendy teenage rebellion films and schlock science-fiction (with a special penchant for zombies). His films during this period range from the sublime to the absurd, from the inspired to the ridiculous. Some are bad enough to be (almost) enjoyable (particularly after a glass of wine or two).

1955

Point in case: Creature with the Atom Brain (1955), which somehow manages to combine mobsters, Nazis, zombies and atomic power, all in one package.

1956

Just as awful was The She-Creature (1956), featuring the lovely Marla English reverting into an extremely silly looking anthropomorphic sea monster (Cahn was able to re-use the same papier-mâché-and-plastic creation for the equally inept Voodoo Woman (1957)).

1957

Invasion of the Saucer Men (1957) was unintentionally funny, but at least featured decent creature effects. Sadly, dialogue and script were corn straight off the cob.

1958

It! The Terror From Beyond Space (1958) was arguably the best of Cahn's offerings (it was said to be the inspiration for Alien (1979)). It was tautly directed and (as so often happens) only let down at the end by the monster being revealed as just another guy in an unshapely rubber suit.

1959

The Four Skulls of Jonathan Drake (1959) resumed Cahn's preoccupation with zombies and voodoo. At the center of the plot is an evil head-shrinking Swiss anthropologist (a suitably sinister performance by the brilliant Henry Daniell) who just happens to be a reincarnated Ecuadorian witch doctor. Unfortunately, though there is some visual style to the enterprise, the film as a whole can only be described as tame.