Age, Biography and Wiki

Doug Lucie was born on 15 December, 1953 in Chessington, United Kingdom, is an English dramatist. Discover Doug Lucie's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

Popular As N/A
Occupation N/A
Age 70 years old
Zodiac Sign Sagittarius
Born 15 December, 1953
Birthday 15 December
Birthplace Chessington, United Kingdom
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 15 December. He is a member of famous with the age 70 years old group.

Doug Lucie Height, Weight & Measurements

At 70 years old, Doug Lucie height not available right now. We will update Doug Lucie's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Doug Lucie Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Doug Lucie worth at the age of 70 years old? Doug Lucie’s income source is mostly from being a successful . He is from United Kingdom. We have estimated Doug Lucie's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1921

Lucie was for a time in the 21st century homeless before settling in Thame.

1953

Doug Lucie (born 15 December 1953, Chessington, Greater London) is an English dramatist.

Doug Lucie is a key figure in contemporary writing for the British stage.

1970

His most influential plays often bristle with sudden and unexpected violence, making him a key transitional figure between the overtly political British drama of the 1970s and the “in-yer-face” school of the 1990s.

His early work as a playwright emerged from the Edinburgh Festival and smaller theatres in the south of England.

1979

He was a playwright-in-residence at the Oxford Playhouse in 1979 and 1980, and a visiting writer at the Iowa Writer's Workshop in 1981.

1980

Lucie had an especially influential run of works in the 1980s and early 1990s.

His plays have been produced at the National Theatre, the Royal Shakespeare Company’s Other Place and the Royal Court.

Lucie's work has been hailed by critics for his singular voice and his acid pen.

1982

Lucie broke through to a larger audience with Hard Feelings (1982) -- a play set in a gentrifying Brixton before and during its 1981 riots.

1984

The success of Hard Feelings began a run of work that included Progress (1984), Key to the World (1984), Fashion (1987), Grace (1992), Gaucho (1994), and The Shallow End (1996).

1990

Doug Lucie perhaps, that sour observer of the go-getting Eighties; no one much else.” Benedict Nightingale, The Times (1990)

1992

"People don't go to Doug Lucie's plays to be tickled under the chin. In the Eighties, his poisonous and hilarious comedies Fashion and Progress gave us portraits of humanity that might prompt second thoughts about that post-show drink with friends. 'A martini of gall and wormwood about the articulate classes' is how one critic described his style."—Sarah Hemming, The Independent (1992)

2003

Lucie's later plays explore themes ranging from work and friendship (The Green Man, 2003) to the intersection of art and politics as it played out in the fertile relationship between acclaimed singers Nick Drake and John Martyn (Solid Air, 2014).

Lucie also writes extensively for radio and television in the United Kingdom.

“[W]here are the aspiring dramatists of either sex who instantly identify themselves by the timbre of their dialogue or the idiosyncrasy of their stance, as Pinter and Bond once did?

2012

"This is an angry account of a stratified Britain, in which the sons and daughters of the well-off enjoy a head start in life. Is anything that different today?"—Michael Billington, The Guardian, on the 2012 revival of Hard Feelings.