Don Snyder

It was Colin Harrison who told me I should write about this." It became a cover story for Harper's Magazine and the New York Times Sunday Magazine and a memoir called The Cliff Walk that was published by Little Brown. Disney bought the film rights for a movie and signed Curtis Hansen to direct. "This returned us to Ireland again where I had the privilege of watching my four children walk with their mother through the little village outside Sligo where her grandmother had left her parents the morning her journey to Elis Island began in 1919." The Cliff Walk landed Snyder on Oprah's stage and soon led him to a remarkable discovery when he learned at age 49 that the only mother he had ever known was actually his stepmother and that own real mother had died just nine months after marrying his father, and sixteen days after giving birth to him and his twin brother in August 1950. "She was nineteen years old.

And her name was Peggy.

When I learned of this, my father's health was failing, so I set out to research his love story with my mother he had lost so that I might give it back to him at the end of his time.

OF TIME & MEMORY, was published by Alfred A. Knopf and was the first book Oprah chose to make into a book video.

I learned that my young mother had taken a secret to her grave that only her doctor knew.

I found him when he was 78 years old.

At first he kept his promise to her and lied to me that she had never been his patient.

But in time he told me that he had failed to persuade her to save her life by letting him end the pregnancy.

She made this doctor promise that he would never tell anyone that her twin babies had caused her death.

She did not want my brother and me to know that we had ended her life.

And she did not want her husband to know that she had chosen her unborn babies over him because she feared that if he knew this, he might not be able to be a good father to us." Shattered by her death, his father slept that autumn on her grave. Over the next fourteen years Snyder would write a film adaptation of Of Time & Memory as well as a series under the title-- THE TIME THEY HAD. "I wrote 7 days a week for 14 years about how we never really know the love story that carried us into this world.

Those people in the old black and white photographs remain strangers to us all our lives.

Which may be why we are often strangers to ourselves.

You've seen the same photographs: The young husbands in their crew cuts.

The wives in their lipstick and nylon stockings.

Their arms around each other, and their eyes bright with passion as if they almost believed that they would go on forever that way, so that at the end of their lives they would not have to wish that they had loved each other better when they had the chance." Not long after OF TIME & MEMORY was published by Knopf, Snyder was up early writing when he heard on the morning news of a bombing in Northern Ireland in the town of Omagh. "Someone set off the bomb on the day when mothers took their children to the town center to buy their back-to-school uniform.

Thirty nine people were slaughtered.

Don J. Snyder (born 1950, Pennsylvania) is an American novelist and screenwriter.

In the beginning, Snyder locked himself in rooms for twelve years, teaching himself how to write luminous sentences about love and loss, in a world where all we ever really have in common are the ways we can be broken.

He dreamed his books would be published by the illustrious publishing houses of New York City-- a million miles away.

"I wanted this so badly that if someone had said, 'Okay, cut off your right arm and we'll make your dream real.' I would have said, No, thanks. But you can cut off my left. All I wanted was to become a novelist. Because I believed that people can buy what they WANT at the mall or on line. And even what they NEED. But not what THEY LONG FOR. They long for meaning. And that's where serious writers come in. They deliver meaning to people.” When he was 27 Snyder worked for a newspaper up north on the coast of Maine. There was a blizzard tearing through the town his second day on the job. The light on his desk was the only light on in town. He saw a man walking through the storm, straight to his door.  In that moment, he felt his life begin to turn. "The stranger kicked the snow off his boots and said he had a story to tell me.

But I was called away and I asked him to come back the next day.

On his way to see me, he dropped dead in the snow.

I wrote his obituary.

His widow told me that he was a soldier and a POW in the Korean War who the Army sent to prison as a traitor.

All his life he claimed he was innocent and his wife believed him.

Now she asked me if I could find the truth." It took Snyder 6 years to research and write the story that proved the soldier's innocence in his first published book, A SOLDIER'S DISGRACE, that took him to Hollywood when Paramount Pictures purchased the film rights. "I had dreamed of bringing some peace to this soldier's widow.

I had fought the FBI and the United States Army for six years who always insisted that the soldier's records had been destroyed in a fire.

I found them.

But the price was high." That book and the first chapters of a novel earned his passage into the Iowa Writers Workshop where he won their most prestigious fellowship. "Iowa City is where Colleen and I lived together after eloping in England.

It is where our first baby was born.

It is the place where I stood on the front steps of the Iowa Memorial Union under a sky swept with stars, with Colin Harrison, as we took the pledge to spend our lives writing books that deprived the world of some of its loneliness and its indifference no matter what this might cost us." Iowa led to two novels published in New York in the next two years, a James A. Michener fellowship, and a year teaching writing at Colby College where his second daughter was born, before Snyder took his family to Ireland. "In County Wicklow all we had was each other.

We lived on love and air and heartbreaking beauty, among generous people who were all as poor as we were.

We belonged to an aristocracy of beggars.

Perfect for a writer who is always begging God or the stars to give him the story, begging for the sentences to tell the story, begging for the strength to write the story well enough, begging for someone to publish the story with a certain measure of dignity so you can support your family, begging for people to read the story.

Soon we had four children all under the age of seven and during that time I began awaking at 4 am to write in bed beside Colleen and the babies, a habit I would continue for the rest of my writing life, long after these babies had grown up and left home.

Writing from darkness into light and growing more and more certain that if you have been loved by a girl who pours her desire upon you and places one stunning baby after another in your arms, you have shared the sacred time, and been granted immortality." For the rest of his life, those years with babies inspired his work. "We owned nothing, but we were rich.

My daughters were twelve, fourteen and sixteen when Hollywood turned a screenplay of mine into a movie and I took them to Beverly Hills to buy them the first nice dresses I could afford.

I was 50 years old.

I always tell young writers that God will watch over them if they never contribute to the violence or the meanness or the shallowness of the world." In 1993 after losing his job as a professor, he and his family were refugees in Maine before he found work on a winter construction crew building a mansion on the coast. "Some mornings it was 26 below zero.